
between their toes seaweed mushes
it comes out of nowhere
squeals and screams
wet, cold skin meets cold, wet skin,
pods pop, bones crack, the sea rolls in

between their toes seaweed mushes
it comes out of nowhere
squeals and screams
wet, cold skin meets cold, wet skin,
pods pop, bones crack, the sea rolls in
A poem can start with the sound of water falling onto my body. Allow it’s curious wet teeth to sink into my flesh, to pull out chucks of questions to fuel a conversations with myself, later.
The ability to be present was a luxury my mother never had as she worked 3 jobs with her hand down toilets and fixed smile for the men with keys and brutal laughs.
I claim the ability to be present. To allow my yearning for a past to awaken a future I will imagine, as I salver my arms and legs and belly, housing a familiar homesickness I’m not sure where from, with coconut oil.
Turning cold hard oil, soft and warm against my skin, I reconstruct fragments of history, lost in colluded archives, and turn them into bleeding scars and pickled memories of somethings rather than nothings.
When I’m ready to forgive and understand, I’ll conjure Dad back from the dead, sit him down, and ask why he never ever mentioned love, in all his administering of disciplined care.
Dressed, hair twisted and walking across green fields, and under cherry blossom, I swallow doubts to turn a phase over and over against the roof of my mouth, rewriting with each footstep. Slide stepping cliches, kicking around experimental metaphors.
Or the poem could hit me full force when I walk into the coffee shop. Glasses steamed, journal in hand, eyes on drinks board, but already knowing my order by heart, the table I’ll take – number 13, my lucky number.
Acting like the fugitive from my life, here, I steal time to soften my gaze and repurpose the image of the sea into an open window that will startle you, dear reader, into a new perspective, into a new way of holding your mind and your heart towards yourself.


A poem can start with the sound of water
Falling onto my body
Allow it’s curious wet teeth to sink into my flesh
pulling out chucks of questions to fuel a conversations with myself later
The ability to be present was a luxury my mother never had as she worked 3 jobs with her hands down toilets and grinning at men with keys and brutal tongues
I claim the ability to be present
To allow my yearning for a past
To awaken a future
as I salver my arms and legs with cocoa butter.
After Lubaina Himid
Worn timber, cowrie shells,
currency and shoreline,
you sound like waves
and the creaking hull of death.
I try to imagine, she said, what it would be like to be taken from all that I knew, moving in a stinking wooden vessel over something I knew not what to call but it swallows our bodies whole. See sea, sea see. Propped against a white wall to suggest a wave in motion, the angle of pleasure, as I witness it, from the other side, here and now, I rumble with displaced memories. Memories that traumatise but hold onto me like seeds buried within my hair, bearing into my flesh.
I’ve really enjoyed sharing my love of water over this last month. And this isn’t the end of The Healing Properties of the Seas 2022 project.
Expect more 10 second videos to appear for the rest of the year and beyond.
These clips of seas will be posted on the blog first and then find their way to the portfolio page by and by.
A river takes it own sweet time to reach the sea. Slow and steady it goes. I’ll take my lead from the waters.