This is weird right! Or it is just meant to be?! I’ve just competed my first 3 card spread in the new home. I was asking the questions: who was I/ am I/ will be.
This spread is nearly identical to a recent reading I had with the lovely @rootandrattlesnake regarding my business. The only difference is the middle card.
The cards are telling me something and I am listening.
My old self has gone. The Sheree of many years giving to please everyone and needing outward success and other people’s approval has gone.
The woman standing here now is artistic and introspective with a dark intensity which I claim and nurture.
Those four wands waving at me again signify a completion. In business I saw it as Iceland – The Retreat coming to fruition watch @livingwildstudios
As a person, I see this as all my hard work from reaching rock bottom, from stripping away all the shit and facades in order to see and accept authentic me will pay off/ is paying off each day as I continue on this path, as I become complete – whole.
body
Ordinary Things
There are three slender things that support the world; the slender stream of cow’s milk into a pail; the slender blade of green corn in the ground; the slender thread running over the hands of a skilled woman. – ancient Irish triad.
A recent book I picked up is The Celtic Spirit: Daily Meditations for thr Turning of the Year, by Caitlin Matthews. The quote above is featured for today, 22 October.
Within the Celtic world, the cow is important. It is a unit of wealth along with grains used to make the daily bread. Before the industrial revolution, all clothing was made by hand. Labour intensive procedures carried out by the women of the household took the unwashed wool, into spinning, into creating the fine linen cloth to wear next to the skin of all the family.
Foodstuff, grain and material; three ordinary things that support any society in it’s existence. To survive.
Today’s meditation ends with the question, What three ordinary things are the supporters of your life? Make your own personal triad.
Only when the question is asked do I consider what are the essentials for my existence. Ordinary things on a day to day basis I probably take for granted. But when I stop and consider it, I may not be thinking of them every single minute of the day but I know what I am grateful for, especially during this period of change; personal and seasonal, when things are dying but only for new life to be born. In time.
My personal triad, those three clear notes that resonate throughout all I do in life are: water, within and without; creativity feeding my body, mind and soul; and love that wraps around me for myself and for/from others that makes sure I am home where ever I roam.
Now I ask you the question, What three ordinary things are the supporters of your life?
Sharing Practice
For the past week, I’ve been sharing my practice of visual journaling on social media. I do this because I love to share what I do but also because I love to break down barriers, those obstacles we put up between us and our creativity.
If you take the time to watch these quick and simple videos, you will see that it’s easy to get beyond the blank page. That it’s easy to start getting our thoughts and feelings down on paper. All we need to do is DO IT! To make that start and see what happens. Not sure where to start? Watch the videos. I use craft paint or acrylics or even water coloured paints. Anything that gives the page an explosion of colour and moves me out of my critical mind and into my body, into the moment.
Here are the videos showing my step by step approach for getting from the blank page to a page of images and words that inspire me to keep dreaming on paper.
If you like what you see consider coming along to the next workshop that I’m running around visual journaling.
Visual Journaling 1
Visual Journaling 2
Visual Journaling 3
Visual Journaling 4
Visual Journalling Workshop
I’m moving forward. I’m taking a leap. I’m putting myself out there.
I’m planning a visual journalling workshop in my local area for 21st October 2017.
This is something I’ve been wanting to offer for a couple of years now but the time hasn’t been right.
But maybe there isn’t ‘the right’ time. Maybe when you do it that’s the right time.
I’m working with a local charity, Old Low Lights Heritage Centre. They have a lovely, spacious and light
community room that you can hire for events.
What is visual journalling? This is something I get asked and it’s something I’ve tried to answer here on the website with different posts about my practice.
At it’s basic level, visual journalling is play. Play in a safe space; your own journal.
It’s a space where you can explore your thoughts and feelings without fears or worries or judgement because those barriers are sidetracked through the doing.
Within any visual journal workshop, we get rid of the blank page straight away with paint. We use disused credit cards and gift cards to smear the colours that are calling to our souls over the white spaces. Just by doing this small, simple act our energies have shifted, we’re out of our heads and into our bodies, feeling joy and excitement within creativity.
From this point, while we allow the paint to dry we can start collecting images. Images that we are drawn to, that are calling us, that are the answer to a certain theme we’re exploring in our lives, a question we are holding in our minds, or an issue we are trying to work through. Theses images will become part of our journal pages as well as our journeys. Images have a way of cutting right to the chase, right to the core of an issue and anchors into us to create a shift in our feelings and thinking.
Once we’ve laid down some images, we work with a specific writing prompt to get us to open up to ourselves more. This is all taking place in a group yet the details are all within your unique journal. You experience the support of the people around you, the sisterhood, as you bravely dive into yourself.
But enough for now. The details of the workshop are on the flyer above and you can always contact me for further details.
Missing Stories
You may have missed her story.
There’s a loud silence
when a black woman is brutalised/raped/murdered.
Front page headlines seldom carry outrage,
hardly carry a mention.
My heart catches fire every time
I have to decipher the details
through a pinhole of shadows.
I see her being followed home from that party.
Them two stalking her apartment
thinking she’s got money just by the way she holds herself.
Or at least her grandmother must.
They break in. Gag and tie her up in the basement
where they each take their time to beat and rape her.
What I remember from between the missing lines
is those bastards making off with a few dollars,
an iPad and a laptop after they set the house on fire.
You may have missed her story.
Let me tell you another story along the same brutal missing lines.
Countdown Deals
Just popping in quickly to let you know that rubedo, the memoir I self-published in 2016 is on a countdown deal with Amazon this week. Totally forgot all about it, as I set it up a couple of weeks ago and then time got in the way. This is probably the only time I’ll be offering any discount deals on this title, as I work on the next instalment.
Get your copy while it’s cheap. Happy reading.
Found Poem – Chicago
Things happen in the blink of an eye
I pray to keep him out of harm’s way
I pray to keep him until he’s grown
But there’s a target on his back
And a gnawing hunger in his eyes
No prospects no jobs no hope
I pray to keep him close
I pray against police and gangs
But shots are fired shots are fired
No respect for humanity
flâneuse
“She is the wanderer, bum, émigré, deportee, rambler, strolling player. Sometimes she would like to be a settler, but curiosity, grief, and disaffection forbid it.” – Deborah Levy, Swallowing Geography.
When I come to think about it, I’ve always been a flâneuse. I’ve always enjoyed travelling to new places and part of my process of getting to know a new city is to walk it. Walking the streets aimlessly, eyes wide open, taking in the newness, the dark corners, the urban green spaces. I usually have less responsibilities while away so I can stroll, wander really till my heart’s content. And I observe the life of the place, observe from the sidelines; an outsider, an ‘other’.
I didn’t see myself as doing anything special, as someone who gets to know the city by wandering its streets, but apparently it is special. As I am a woman. A black woman.
From the French verb flâner, the person doing the walking is usually male, well to do with time and leisure on his hands. Born out of the beginning of the 19th century, women walking out in the city streets alone was not possible. And if they did so, they would pass unnoticed, to a certain degree.
I’m interested in why I am a flâneuse. Why I do it? What are the benefits? I’m interested in exploring the streets of my neighourhood with these questions in mind. I would like to get lost down streets that I might have taken for granted or never really noticed before. What would I find I wonder while I wander? And what could I stand to lose in the process?
I begin a new photography series around this practice. Why? Because this is a revolutionary act.
“These women came to the city ( or perhaps they were born there,
or came from other cities) to pass unnoticed, but also to be free to
do what they liked, or as they liked.” – Lauren Elkin, Flâneuse: Women Walk the City.
Visual Journalling
There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open.
You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. …No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
—Martha Graham, from The Life and Work of Martha Graham
What is my visual journalling? Why keep a creative sketchbook? What does it mean to me?
Visual journalling is a practice which I started two years ago taking inspiration from Lisa Sonora’s online course, Dreaming on Paper.
My visual journal is my method, my way of remaining open to the life force, that creative energy that flows through me. When I enter my journal with paint, image and text, I am acknowledging to myself that I am paying attention to me.
Many moons ago I was introduced to Julia Cameron’s Morning Pages. Taken from The Artist’s Way , this is three pages of long hand writing as soon as I wake up in the morning. This is me getting whatever is in my head; worries, feeling, thoughts, moans and groans onto the page. Once out of my head, there is space for the good stuff to come through. My writing. My creations. My dreams.
Two years ago, my Morning Pages were not enough. Words had become my enemy, they were tricky and taboo. I was afraid of the blank page. It also become evident, that when I did write, the words themselves on the page where not enough. I wasn’t feeling the joy I once felt from just writing. My soul wasn’t being filled with light or colour. Everything seemed flat and lifeless.
While on holiday in the Highlands and Islands of Scotland, relaxing away from it all, I found the space to play. Taking Lisa’s course enabled me to break through barriers and fears. I started listening to my instinct instead of adhering to any external rules and I began to smear paint on the blank page. Red, yellow, orange, blue. Any colour that took my fancy, mixed with others. This movement of colour inspired me. Loosened me up. Gave me permission to start feeling I was enough. I was ready then to add my dreams, plans, wishes, and worries also to the page but it felt safe. I felt safe by getting more and more in touch with my internal voice. With my authentic self.
Mixing paint, colours, images, photography, words, quotes within my journal means I’m listening and observing, paying attention to what is pulling my soul, what is calling me to bring to life. What needs to sing?
I could not think of my life without my visual journalling now. I am completing my Creative Journey Facilitator Training with Lisa Sonora at the moment, so that I can go deeper into this process as well as practice the tools and skills I’ll need to share my love of visual journalling with others. I’m so excited about taking this next step.
Living Wild Studios 