Talking about my practice

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This is a visual journal entry I completed a few months ago while continuing with my Creative Facilitator Training with Lisa Sonora

22/04/2017

It feels weird coming back to DOP ( Dreaming on Paper) after two years absence. I’ve tried to do it again but just didn’t get into it. But now I’m doing the Facilitator Training, it seems important to get back in. I need to post to the group.

Yes I’m skipping through at a pace as I still do the techniques I learnt back then but it’s good to be refreshed on the techniques I haven’t done in a while -like the stamping as well as the textured page, the wallpaper and marbled effect. I haven’t used a wet one in a while or the stripped effect so it’s good to do this and to not feel any fear but be comfortable with it – like second nature.

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So yes weird but also reassuring that a lot of the habits and techniques have stayed and also how far I have developed since the beginning with flaps* and stuff, and extensions and tearings and pockets and stuff. I’m proud of myself I am, of my progress and practice. I’ve come a long way in the journey and I’m still on it. Thank God.’


*flaps = additional pages added to the journal, see visual journalling post for further explanation.


Technique:

The journals I use most frequently are the Pink Pig pads. I usually pick these up in town, not online, bought three at a time because there is usually a discount on them and they definitely have more pages in.

I prepare my pages with paint ahead of the time I want to use them. So when a journal is coming to the end, I start prepping the next one with paint, so it’s ready with no breaks in between.

I pick the colours that are calling to be at the time. Here for this page the dominate colour is bright orange. I use ready mixed paints, craft paints, kids paint and start with just one drop of paint in the middle of the page. I smear it across the blank page with a disused credit card. I love this part. The spread of colour makes me happy. A simple task, a simple pleasure but oodles of fun.

I’ve gone on to add pink and blue to the orange after this. Using the same credit card for each colour, sometimes all paint rubbed off before a new colour is introduced and sometimes not. I’m not doing this to be neat, to cover away all the white of the page. I like my smearing of paint to be quick and messy.

Sometimes I do right up the edges sometimes not. I prepare three double spread pages at a time and then leave them to dry, sketchbook open with a paint bottle propped between the pages either side so they don’t stick together.

Once dried, I can write on it. Gel pen was used here but ball point pen works just as well. Here I’ve added images of nature and travel and adventure at the bottom of the page. I use glue sticks. I’m not loyal to any particular brand either as long as it does the sticking. These were cut from a tourist leaflet about visiting Scotland.

The images I select usually tie in with what I’m writing, they talk to each other. While sometimes they don’t and this might because I’ve skipped ahead in my journal and stuck in some images to break up the page already. But all the images I include I love, I have an emotional connection to. I’ll talk more about that in another post.

After the writing, I return to the page and use the leaf shaped stamp. See what I did there? I wrote in this journal example about the techniques I haven’t been using in a while and rubber stamping was one of them. I rectified that here.

a marrying of sites

“Water does not resist. Water flows. When you plunge your hand into it, all you feel is a caress. Water is not a solid wall, it will not stop you. But water always goes where it wants to go, and nothing in the end can stand against it. Water is patient. Dripping water wears away a stone. Remember that, my child. Remember you are half water. If you can’t go through an obstacle, go around it. Water does.”
― Margaret Atwood,

Since May 2015, I have lived a nomadic life on the internet. I have created two different websites, in addition to Living Wild Studios, since then.
August 1st 2015, saw Wild Soul Woman being born.
my new home
I created Wild Soul Woman as a safe place to heal. A safe place to heal after a very harrowing and very public shaming. Wild Soul Woman was a space from which to RISE.

A year on from then, and I felt the need for more space, more room to grow into the wild soul woman I was becoming. Bit by bit, day by day, I have been becoming a better version of myself. I have been becoming my authentic self.

Hence, Authentic SheShe was born as a blog where I shared my practice, lessons learnt, opportunities and love affair with creativity. Running parallel with this site was my site dedicated to ,my photography, presented under the title of Sheree Angela Matthews. I used this place as a showcase for my projects in progress as well as a portfolio.

Living Wild Studios is now my creative home, where I am finally sharing multi-coloured strands of my creativity all under one roof. Finally coming home to all of me. To the whole of me. Living wild, living true.

Please consider signing up for Studio Notes. You’ll find out what’s happening in the studios before anyone else!

Blog

lichen

The symbiosis of a fungus and a green alga, lichen is the first plant to colonise a hardened lava field. Versatile and hardy, it thrives to survive under harsh, volatile conditions. She marvels at its tenacity, wishing she was as hardy. Wishing she was as robust. Clinging to rocks, tree trunks and wire, lichen grows and glows, sexually producing spores in sacs. Branching and shrubby, once upon a time she would have been too afraid to look so closely, to distinguish life amongst the dark holes of decay. Now she does not look away. Now she sees the beauty.

Coppery red flat tops
curl in towards
soft shiny centres

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April – A Poem A Day

the last accordion men

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Closed to air plane traffic, cracks in the asphalt house dandelions and buttercups. Radio silence. Zero fumes. Thingeyri airport ceases to welcome travellers.
And yet drop by on a Tuesday night, and you will hear music. The last accordion men in the hanger play as if the traditional dances of Iceland are in full swing still. Grey haired, stooping, hoarse men of age put their arms and fingers and memories through their paces. Their beautiful youth moves through each moaning note. No music is written down. Unless a boy is amongst them this merry-go-round music will die with the last accordion man.

Over the roar of the engines
and the thumbing of the wheels
the wheezing heart of old switches

 

April – A Poem A Day

Fishing

The worship of fish, for subsistence and profit, declines in response to the fishing quota system. Villages hugging the shoreline struggle with time and the departure of the young. At Thingeyri, out there in the fjords are three massive green nets holding artificially reared super fish. Trout. Not native to the area along with the multinational< company owning them.
One day, a hole is found in one net. How many fish escape, no one knows. How the fish survive in open water, if any, no one knows. If the escapees mate with the other fish, no one knows. It’s not the companies problem. It’s not an issue worth investigation. The hole is mended. The trout continue to be farmed to yield their optimum value. White white flesh to satisfy the foreign customer’s tastes.

red headscarf tied tight
bent and slow
she walks to harbour

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April – A Poem A Day

connection

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the snow is pristine
the water is cold
the silence is rippling

she does not come here to talk. she does not come here to appease. she is here to connect. to the Earth. to the Sea. to Herself. so she does not take kindly to the wide vacant stares that question her presence. she uses the solid rock of the mountains and the copper grasses peaking through the cracks as a special welcome just for her.

 

April – A Poem A Day

evening

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The sun moves west. You walk the road out of town to meet it. Your progress is slow as you keep stopping to hold the moment. To wonder as the pinky peach light. In awe you question this reality. As the water lights up from within a golden glow that draws you closer. Close enough to touch. Something stirs inside you, deep within that sings in tune with this present.

A lonely concrete hut
rusty roof taste
metallic mixed with fear

April – A Poem A Day

journey

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You jump on a white minibus. You wind your way through snow covered mountains. Sometimes hugging the shoreline. Other times squeezing through valleys between peaks. On your right are steep sheets of white. On your left white steel sheet reversed. Partly frozen fjords.
Some birds decide to walk on ice while others swim in the small circles of bubbling water. You have to respect ice.

Filigree within ice
beautiful and vulnerable
strong to the point of entry

April – A Poem A Day

Adrift in the Wilderness

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Surrounded by white upon white. Cold biting at all exposed flesh. Eyes search for some familiar sign even though this is my first visit to the Westfjords. Something, anything to anchor the self in place as I float unhinged from all that I know and all that I feel. Fear swims into this pause. Into this solitude. What happens if I don’t like what I find in this time and space alone? What if I don’t like who I am?

on one of lampposts
along the slushy street
a raven grates out kraaa

 

April – A Poem A Day