How many of us have heard about Keith Porter Jr.?

I’ll tell you the truth, I heard about Keith Porter Jr. 1 day ago.

Keith Porter Jr., a 43 year old father of two girls. He loves fishing and spending time with his family. Laughing.

Keith fundraised for battered women’s shelters, supported street artists, advocated for health services. With real family and friends, real daughters and a real presence in his community, Keith Porter Jr. is no longer with us.

Rest in Power Keith.

On New Year’s Eve, in Northridge, Los Angeles, Keith was seeing in the new year with family and friends in his neighbourhood. Tradition was to fire a gun into the air in celebration.

An off duty ICE agent, heard the shots, and inserted himself into the situation. A situation he shouldn’t have been in as an ICE agent is supposedly trained in compliance, transportation, custody paperwork. Immigration.

ICE is not designed or trained in community engagement responses. community law enforcement.

It is argued that after a short verbal exchange, the ICE agent shot and killed Keith.

Official reports from federal agencies say the ICE agent was responding to an ‘active shooter situation’. The department of homeland security says Porter fired at the agent before he was killed (in cold blood).

Watch how they change the narrative. Remember Keith Porter Jr. the man laughing with his family, caring and empathetic will become the monster who deserves to be dead.

Family and community advocates dispute this claim, stating that there is no independent released video evidence showing Keith Porter Jr. posed an imminent threat or fired at the agent.

Rather than lethal force, this off duty ICE agent should have done his citizen’s duty and called local Police as this was not an immigration issue. This was not his jurisdiction, his authority.

Keith Porter Jr. became an imminent threat only when this ICE agent turned up.

ICE has no community engagement training. They might have authority but not in the community, they don’t have the judgement and empathy to be on the streets. But obviously this ICE agent, off duty, thought otherwise.

Nearly two weeks ago Keith Porter Jr. was shot and killed. And people, the average person, even those online are just starting to find out about this murder. Only after Renee Good’s cold bloodied murder.

There is selective outrage in America. As I wrote last week, I have no issue with the response to Renee Good – that’s how we should be respond in this situation.

But

#SayHisName

Keith Porter Jr.

His family had been struggling to get his story, his unlawful killing into the current media cycle. This just compounds what I’ve been saying about the lack of visibility in mainstream media of black people being unlawfully killed by law enforcement.

Be honest have you heard of Keith Porter Jr? But you’ve heard of Renee Good?

There are arguments we can put in place here . You might not have heard his name, Keith Porter Jr. because he was killed by an off duty ICE agent not on duty with a large crowd there. Might be because there’s little video evidence circulating around. But the main reason is because Keith Porter Jr. was a black man.

This is part of the reason for not using #SayHerName for Renee Good. 

No one’s even heard of Keith Porter Jr. No national attention for his murder but within 24 hours everybody knew Renee Good’s name.

This is the very reason #SayHerName was created for the invisible black women and black men who are causalities of the state, of state terror.

And it’s only now that white people are waking up to this terror when black people have been enduring if for centuries. This is why I argue to consider the language used and to give credit and recognition for where it originated, why it was created in the first place.

And yet the same stories are being used to justify the unlawful killings of Renee Good and Keith Porter Jr. They were both pointing weapons at ICE agents, posed a threat and had to be eliminated.

I say

2 different people

2 different cities 

but the same structural problem.

Later down the line this might get read as the one bad apple or one bad moment. But this is clearly a system which once hidden no longer neededs to remain hidden.

A system that is built without limits or accountability.

De facto special powers bestowed by the Trump administration on ICE that seem to supersede police powers. ICE is now inserting itself into everyday life and every day neighbourhoods. And as we are witnessing this very presence is killing people. Killing more and more people who weren’t even their targets.

But that no longer seems to matter.

As I’ve said before and I’ll say again, I don’t have an issue with the response to Renee Good – that’s how we should be responding in a situation like this. I just argue that the others, and there’s a long list that is growing of people who have been killed by ICE during this administration, deserve the same energy that is surrounding the murder of Renee Good.

As last time I checked, these are not animals, criminals or just talking points but human beings. Real human beings with grieving families. And this is something that gets forgotten in the media.

We need to continue to have these conversations and we need to keep fighting, on the small and large scale, against fascism near and far.

 

An Archives of Memories, Feelings and Skyr

This is one of my favourite images from my extensive collection.

I know exactly when and where it was taken. Westfjords Residency, Iceland, Feb/March 2017.

This was my go to breakfast. Coffee, cornflakes and Skyr, Icelandic protein enriched yogurt. I love the colours, the composition. The items included. But most of all, I love the memories and feelings just looking at this image evokes.

It takes me back to that time of wonder and discovery during my second time to Iceland. A residency I gifted to myself, writing the application while teaching temporally; frustrated, longing to get out and create.

I stayed for two weeks in the shadows of the mountains, knee deep in snow most days until the thaw came with some greening of the landscape.

I didn’t know what the fuck I was doing there back then. I just knew in my body that I needed to get away, gain inspiration from the landscape and {BE}.

I might not have completed much when I was out there, but I know when I returned the experience shifted my creativity and how I saw myself as a creative.

I saw glimmers of the Northern Lights during this retreat. Pale creamy wisps and trails in a dark navy sky. It was magical and a mystery.

This makes me think about my art-making practice and how most of the time I’m working in the dark, moving out of my comfort zone into the unknown, looking and listening hoping to catch a glimpses of magic and mystery in the process.

What’s created on the page, like this photography, is an archive, a record which when looked upon brings to the surface all the memories and feelings of the process, the experience once again experienced to the full with wonder and a smile.

A Creative Sketchbook, Dec 2025

My creative sketchbook
My creative sketchbook rules

I’m not sure how my creative sketchbook differs from my visual journal. Intention maybe.

Perhaps, I think , I’m attempting to develop my art practice within a designated space. A study maybe.

I haven’t really been in the thick of my art making practice since the preparation for my Baltic exhibition back in 2022-3.

This was quickly followed with the writings and (re)drafts of Darkling, my poetry/hybrid collection published in October 2024.

After this 2025 has been a period of extended rest and refusal.

But something has been niggling me. The desire to create with paint again. the desire to play without expectations and outcomes/ products.

I’ve just scratched the itch through scrolling through Pinterest. Adding another abstract or landscape painting to a board that I’ll probably not look at again.

But it satisfied this niggling feeling. Until it didn’t.

It was going back into the classroom. Completing a few days of supply that pushed me over the edge.

The time I gave away for money. The time I’d lost pursuing my own pursuits. And realising that I wasn’t pursuing all the pursuits I wanted to pursue in the time I had/have.

So out came a creative sketchbook, inspired by the 30 days sketchbook challenge created by Cheryl Taves over at Insight Creative.

This is as much as I’m willing to share for now about the challenge, my creative sketchbook, processes and insights.

One of my rules is that it’s just for my eyes only. I want to see how this rule changes my practice. I want to create without fear but with curiosity. I want to give myself all the freedom without worrying about what others will think or say or comment on.

It’s not like I’m hanging on other people’s responses and reactions but I have gotten into a habit of just sharing anything and everything on my blog and I’m curious to see what happens when I keep things to myself.

Just for my eyes, heart, and soul only.

So far I’m enjoying the process of the challenge and I’m reflecting and paying attention to what makes my heart sing, what’s my creative vocabulary, what pushes my energies.

Do doubt whatever I explore within my creative sketchbook will be showing up in everything that I create. In everything who I {BE}. For sure.

PAD/001 – A Month of Poetry

Happy April. Time for showers, blossom and light. Oh and poetry.

Forsythia

As I mentioned last week, I’m honouring National Poetry Month with the challenge of writing a poem a day.

I’ve set myself this task many times over the years, and I’ve always been amazed at the creations along the way. Poems have emerged onto the page that I didn’t even know were in me and needed expressing.

So today I come to the page with an open heart and a rough idea of the themes or issues I want to explore. But who knows with the creative process. Anything could happen.

Anyway day 1 – PAD/ 001

Trying to understand “the difference between poetry and rhetoric”

After Audre Lorde

The contested site of black settlement in England

is shrouded a heavy fog of amnesia. The wrong colour,

the wrong body, the wrong sound.

Read the history books, you’d think we just landed

the day before last. 400 years of being here, lost

in the mire, weighted down with size 10, Dr. Martens.

Like transplanted birds of paradise, West Indians

struggled to put down roots. Alien soil. On corners,

skylarking and limin’, jobs, homes and a little bit of peace

denied; harsh whispers on the bitterly cold wind.

The contested site of black settlement in England

is captured in stills. Images speak for themselves.

Black faces filling the frame; black blooms pressed

against hothouse glass. But still an absent presence in failed memories.

Colour is Mine

Van Gogh, 1959 by Althea McNish

After Althea McNish

Sunflowers

big and bold

inspired by Van Gogh’s

brandished

across a

yellow and white

striped field

black lines

outline floppy leaves

and dozing closed heads

bright colour carried to

this grey isle

not a luxury but a necessity

for survival

for blooming

another time

uprooted

sunflowers

Honouring Our Wholeness

Consider this. You might have an idea that takes seed, but as it grows and develops it blossoms into something amazing which you could never envision when you started.  One such seed, which was planted way back in June 2018 during the Iceland Creative Retreat with Olwen Wilson, is finally coming to fruition today.

Honouring Our Wholeness , hosted by Olwen Wilson and myself is a self-care visual journaling retreat for women, feminine and non-binary people who are Black, Indigenous or a Person of Colour.  This is time away from the busyness of our lives to create in community within a space where we are recognised, safe and nourished. We will take inspiration from our connections with nature and ourselves. 

Imagine really being seen, heard and acknowledged!

Over a six-week period, we plan to meet on Zoom on Sundays, April 18, May 2 and end on May 16, 2021, from 1 – 4 pm ET/10 am – 1 pm PT/6 – 9 pm GMT.

During each three-hour session, there’ll be plenty of opportunities to play in our visual journals to really dig into the joy of creating for ourselves. Visual journaling is a simple but effective practice which has seen me through so many ups and downs and life experiences. And I’m so excited to be sharing this practice with Olwen through this offering. 

Both, Olwen and I have immense experience of expressing our thoughts and feelings through our visual journaling practice. Reaping the benefits of listening to and observing our interior worlds and environments around us. But the power and wisdom of this practice we can’t keep to ourselves as we constantly share our joy of visually journalling with others through workshops, retreats and social media.

Anyway, I’ve said enough. Head in over to the Honouring Our Wholeness information page where there’s further details and how to apply. We’re accepting applications right the way through to 26 March 2021.

How much is this going to cost you?

Honouring Our Wholeness , a virtual retreat specially created to provide an empowering and rejuvenating space for women, feminine and non-binary people who are Black, Indigenous or a Person of Colour is a unique offering which comes with a unique price tag.

Price for participants – £0/ $0 ( Thanks to funding).

Olwen and I do hope you’ll join us.

Apply Now

Honouring Our Wholeness

A self-care visual journaling retreat for women, feminine and non-binary people who are Black, Indigenous or a Person of Colour.

Hosted by Sheree Angela Matthews and Olwen Wilson

Sundays, April 18, May 2 & May 16, 2021

1 – 4 pm ET, 10 am – 1 pm PT, 6 – 9 GMT

Your participation is requested for all three dates.

Cost: Free

Let’s explore our connection and relationship with nature and ourselves together.

Apply Now

The Healing Threshold

I’m stuck within

the healing threshold

drowning in grief.

Too stubborn

to turn back,

too tired 

to move on.

Sacred scars

raised, I lick

to quench

a November thirst.

Navigation bleak

across the silken 

land to peace.

Sister moon,

give me your light;

a blister in this bitter air,

as once again

with head down

and heart up,

I set forth

into becoming adrift.

A day of meetings

Today was a good day for forward planning.

It’s good when you can have meetings with other people, particularly women, and find that you are on the same page and one idea leads to the next and the next and then before you know it you have a full year planned out with activities and events.

What was good about today is that the meetings were not for personal gain but were plans to share the great outdoors with others, the less fortunate, who might not otherwise have these opportunities.

It’s a good day when you can share what you love with others.

Launch Event

I was invited to the launch event of an exhibition bring the book Lost Words by Jackie Morris and Robert MacFarlane to life at the Sill this week. I’d seen the book and have admired the images, but I hadn’t spent much time with the text.

The premise is that generations of children are growing up not knowing the names of things in nature, or being able to recognise them. That this knowledge has slipped out of existence and this book was created as a way of recapturing the magic, bringing these lost words back to life. Such words and natural living things as bramble, conker and fern.

I had the most enjoyable evening talking to fellow visitors as well as hearing some of the spells within the book being read aloud. It was inspiring so much so that I intended to link into the idea of lost words, and lost worlds as I return this weekend to the Sill to facilitate a storytelling session about the multicultural communities from ether past who lived and worked around Hadrian’s Wall in Northumberland.

Fern

Fern’s first form is furled,
Each frond fast as a fiddle-head.
Reach, roll and unfold follows.
Fern flares.
Now fern is fully fanned.

Robert MacFarlane