All Artists Are Political

May 6, 2026 | Sheree

Creative Fugitivity Practice In Community

May 5, 2026 | Sheree

What do you do to be involved in the community?

I’m been expanding my reading of late. I’ve just become a member of the Abolitionist Futures Reading Group which is focusing on abolition, obviously.

Reading in community, sharing ideas and thoughts which are probably considered radical, revolutionary to the majority is so refreshing and affirming.

It makes me feel less alone in my way of thinking and {BEING}. It gives me hope that there are alternatives to the current system and that together we can get there.

Abolition, might be associated recently with prisons, or defunding the police, and closing detention centres.

But abolition is much more than this. Started with the aim of abolishing Transatlantic Slavery, abolition of prisons has been there since the inception of prisons themselves. Abolition is revolutionary because in order to decarcerate the Prison Industrial Complex not only does the whole of society have to change, be overhauled not reformed as that just wouldn’t work, but we also, the people have to change.

The world has to change at the same time as the people within this world change. We have to move away from the indoctrinated belief that prisons and the police, state terror more like, are the only means of deterring crime and criminals. Which jus isn’t the case.

We have to stop focusing on the individual ‘evildoers’ who deserve the harshest punishments for whatever crimes they committed, to taking an honest look at our societies and cultures that have forced people to commit such crimes ( or in a lot of cases no crimes being committed but still punished with prison sentences.)

I’m talking about poverty, economics, drug abuse, race, class, sexuality, isolation, migration etc.

To reiterate, rather than try to imagine one single alternative to the existing system of incarceration, we might envision an array of alternatives that will require radical transformations of many aspects of our society.

Alternatives that fail to address racism, male dominance, homophobia, class bias, and other structures of domination will not, in the final analysis, lead to decarceration and will not advance the goal of abolition. – Angela Y. Davis

Me reading, thinking and becoming anti-prisons, anti-establishment, becoming an abolitionist is just the next step on this journey of fugitivity, via black anarchism. And I’m so pleased and relieved that I don’t have to walk this path alone. I have a community around me as support.

What …

May 4, 2026 | Sheree

freedom dreams are you dreaming?

The Afro-Surreal Manifesto

May 3, 2026 | Sheree

Considering D. Scot. Miller’s essay , Afrosurreal Manifesto
“I was there…” – Black is the New Black, a 21st century Manifesto.

In an introduction to prophet Henry Dumas‘ 1974 book Ark Of Bones and Other Stories, Amiri Baraka puts forth a term for what he describes as Dumas’ “skill at creating an entirely different world organically connected to this one … the Black aesthetic in its actual contemporary and lived life.” The term he puts forth is Afro-Surreal Expressionism.

Dumas had seen it. Baraka had named it.

This is Afro-Surreal!

This was my first brush up against the term Afro-Surreal, even though as soon as I read what it means/ what it is, I knew in my bones that I’ve been living it, I’ve been experiencing it from time.

Miller takes the time to lay out what Afro-Surrealism is NOT.

Afro-Surrealism is not SURREALISM or AFRO-FUTURISM

SURREALISM is a white, European, literary and artistic movement that attempts to express the subconscious. It’s dreamlike, fantastic imagery and an illogical juxtaposition of subject matter.

Leopold Senghor, poet, first president of Senegal, and African Surrealist, made this distinction: “European Surrealism is empirical. African Surrealism is mystical and metaphorical. Jean-Paul Sartre said that the art of Senghor and the African Surrealist (or Negritude) movement “is revolutionary because it is surrealist, but itself is surrealist because it is black.”

AFRO-FUTURISM

Afro-Futurism is a diaspora intellectual and artistic movement that turns to science, technology, and science fiction to speculate on black possibilities in the future.

Afro-Surrealism is about the present. There is no need to speculate about the disasters that are coming our way or are just around the corner, somewhere in the future. The worst case scenarios of bombs, genocide, floods, fires and destruction are here now.

What is the future? The future has been around so long it is now the past.

Afro-Surrealists expose this from a “future-past” called RIGHT NOW.

RIGHT NOW. Trump is President of USA and is destroying/ dismantling democracy over there, at the same time as creating wars and genocide around the world.

RIGHT NOW, Afro-Surreal is the best description to the reactions, the genuflections, the twists, and the unexpected turns this “browning” of White-Straight-Male-Western-Civilization has produced.

Miller, at the time of writing this manifesto, professes that San Francisco is the land of Afro-Surreal poet laureate Bob Kaufman. San Francisco where black artists are changing the narrative , “to transform how we see things now, how we look at what happened then, and what we can expect to see in the future.”

Briefly, the ‘A MANIFESTO OF AFRO-SURREAL’ includes:

The unknown worlds and wonders are emerging in the works of Wifredo Lam, Jean-Michel Basquiat,Frantz Fanon to Jean Genet, Zora Neale, Chester Himes etc.
Afro-Surreal presupposes that beyond this visible world, there is an invisible world striving to manifest, and it is our job to uncover it.
Afro-Surrealists restore the cult of the past, revisiting the old ways with new eyes. Appropriating symbols of the past, conjuring the ancients for now.
Like the collage of Romare Bearden and Wangechi Mutu, the use of excess is used as subversion. Hybridization is a form of rebellion, refusal, disobedience.
Afro-Surrealists strive for rococo: the beautiful, the sensuous, and the whimsical. We turn to Sun Ra, Toni Morrison, and Ghostface Killa. We look to Kehinde Wiley.
The Afro-Surrealist life is fluid, cannot be pinned down. Afro-Surrealists are ambiguous and reject servitude.
The Afro-Surrealist wears a mask while reading Leopold Senghor.
Think Prince. The Afro-Surrealist seeks definition in the absurdity of a “post-racial” world.
In fashion (John Galliano; Yohji Yamamoto) and the theater (Suzan Lori-Parks), Afro-Surreal excavates the remnants of this post-apocalypse with dandified flair, a smooth tongue and a heartless heart.
Afro-Surrealists create sensuous gods to hunt down beautiful collapsed icons.

This Afro-Surreal Manifesto is Afro-Surreal.

A May Day’s Musing

May 1, 2026 | Sheree

April was the reset month.

After making plans for the year, 2026, April was a time to reflect and reset after the first quarter of the year.

April didn’t go to plan.

April is always a funny, awkward, weird month for me, what with it being cut up with Easter holidays. And both my babies being born in April. This year was also another April birthday as we welcomed Nath’s partner into the fold.

April is something and nothing.

April, I thought it would be a good time to review the situation. It happened I suppose but not to the depth and width that I would have like. That I probably needed.

April has come and gone.

Come the end of the month and I don’t feel any further forward. And it feels like last year, when I couldn’t get traction after an elongated winter hibernation. Every month that came along was like a reset, a restart as I had no momentum.

I’m not sure if I’m that bad this year but there’s that lingering feeling of what am I doing? Where am I going?

April, Who am I?

I could blame the menopause as I feel as if I’m in that stage of life now. Everything is slowing down or giving up working ‘properly’ bodily, emotionally and psychologically.

Some days I’m missing the plot , dropping the ball, checking all the way out.

In these moments of losing myself, or any kind of sense of self and direction, I fall back into trusted routines and rituals.

I go back to the start, back to ‘go’ and don’t collect my £200. But restart anyway.

I invest in my morning rituals. Those habits that ground me and set me up for the rest of the day.

Waking up early, getting some fresh air into the house and my lungs. Making fresh ground coffee and grabbing my visual journal and letting everything spill onto the page. Get ready and walk out. Walk where? Anywhere. Just be outside and give thanks to be able to {BE}.

May. This is my plan for May.

To stick close to my morning routine and everything else can follow. The sea and Mother Nature are in there too, no doubt.

Hopefully, putting down this trusted track will help support getting me back to myself.