Archive: a Country Journal of a Blackwoman

A Visual Journal Spread from The Country Journal of a Blackwoman (Northumberland), archive

Right now my practice is on display within The BALTIC: Centre for Contemporary Art.

As I was out of the country when the group exhibition, Hinterlands, launched on Friday 22 October, 2022, I managed to get into seeing it after such event the following week.

I really didn’t know what to expect as you visualise the end result, the culmination of months of hard work, dreaming and winging it. But to actually see it all come together in a white cube space is another thing.

I visited my archive last week, with my daughter, excited and nervous and unsure. I got to see The Country Journal of a Blackwoman(Northumberland) exhibited on level 3 of The BALTIC. I was shocked and surprised to see my work out of context within this space. It was an emotional as well as nerve wracking experience.

Because of my absence, I had to leave instructions about the installation as well as extensive notes and labels for each art piece. There are about 50 items if not more within this creative archive. It’s to be expected that things got lost or mislaid in translation. So my focus for this trip was to make sure everything was how I wanted it to be.

After some discussion and sending of correct audio files, everything is now complete and as I want it to be presented to the world.

I’m not sure how I feel that during the launch of the whole exhibition, that things were wrong or missing. But I do know that after seeing everything in terms of my contribution and making things right after my visit, I felt great relief and was able to enjoy the achievement. It was also weird to be there at the same time as seeing peel interacting with my work. I’m not sure I want to have many experiences like that as their reactions did affect my state of mind, pride and achievement. And it would be very unsetting, I feel, to be there and witness someone laughing and disrespecting my work. I think this is something I need to gain a thicker skin for. But right now, my skin is thin for a number of reasons, tat I might explore here in time.

I know I have to return now, to take in the rest of the group show as well as the rest of The BALTIC’s exhibitions for this season, as this is a strong presentation.

I’m honoured to be showing at the same time with them.

Of course more reflection and images to come around this achievement.

HINTERLANDS
22 October 2022 – 30 April 2023, BALTIC: Centre for Contemporary

Hey hey hey

It’s been a while. I’ve been enjoying time outdoors in Washington State. I’ve completed the Baltic commission and I’ve been getting my portfolio reviewed within the Trace mentorship.

So many things to update here on the website but all in good time. All will be revealed in the next coming days. For now, I’m just touching base. Laying down some track so I can get back here and steam ahead with all the goodness which has been happening during the season and to come.

Writing is coming along with more videos and images. But for now, hello.

I’m still here.

Fiery Autumn Love

“The woman who is willing to make that change must become pregnant with herself, at last. She must bear herself, her third self, her old age.”

Ursula K. Le Guin

I love Autumn. I always have but it’s just now, in the last few years, that I’ve really embraced this love. Confessed this love to anyone who would listen. Maybe it’s because I was born during this season. Maybe it’s the feeling of beginnings I have for the season with the return to school. Or maybe it’s the array of fiery colours.

There is something about the light during this season which touches my soul and brings me hope with a tinge of sorrow. Each year, during this season, we used to travel to Barcelona for a week or so. And there, the light at this time of year, is even more pronounced. The nights are drawing in and the temperatures are lowering but when you get that light, that golden, warm light during an Autumn day, well the world doesn’t seem such an awful place. You can see and appreciate its beauty.

Many moons ago, I created a writing retreat in the mountains surrounding Rome, Italy, taking inspiration from the changing seasons within the landscape. The landscape’s on the change during Autumn and I wanted to explore this through creative means with others hence the retreat amongst the olive groves and rich colourful berries. Again there was a certain kind of light that would progress down the mountain through the day and rest into the evening with a creamy glow.

There’s hope during this season but also a necessity of letting go. We see this with the falling leaves, the flowers drooping , turning brown and crumpling into dust at the touch of a hand. There’s the ending of growth, death even, to make room for the next stage of development and growth and life.

I’m entering ( or could I already be there?) the Autumn of my life. In all honesty, I have been for the last few years. Since the pandemic, if not before, when there has been a great shedding of things, people, relationships, and responsibilities. I refuse to carry on, carrying the burdens of the world on my shoulders, trying to do it all instead of acknowledging the changes and entering this next phase of my life with grace.

This is what I’ll be exploring during this Autumn season. The beauty and grace and changes of the season. Within nature but also within myself. During Autumn, there’s a letting go, a surrender to what is, letting go of what was and a tenderness as there’s a slow progression into the next phase.

I’m not turning my back on my ageing process but I’m probably grieving the loss of youth, attention and usefulness. But this is the time, in that golden light, to embrace my condition of changing woman. Greet the transformations that are happening inside and outside of me with love. Like my love for Autumn. Autumn is here. She is beautiful and fiery. And definitely not silent.

Come Along For The Ride

Journal Love Club

I just had this brilliant idea. I just shared it on my Patreon Page .

Have I mentioned here that I go on a residency tomorrow to the Cornwall Zine Library@ Fish Factory Arts?

Anyhow, for this coming week I’m going to be in residence and I thought it might be a good idea to share the experience over on Patreon with my supporters.

Hop on over if you want to be involved.

Another day another page

Visual Journaling Through The Night – 05/05

Can’t sleep. Won’t sleep. Story of my life at the moment.

Could be the change. Could be tummy pains. Could be anxiety. Who knows.

I just know sleep will not come. So instead of mindlessly scrolling I got the journal out again and explored the thoughts and feelings that were at the forefront of my mind.

To go to Paris again in June or not? I fell in LOVE in Paris when I booked a few days there in August 2009 to complete the PhD.

I needed to get away and just focus on the manuscript and be done with it. And Paris was the ideal place to go as it was quick and easy and cheap to get to but it would have plenty of sights and sound and tastes so feed my soul as I dredged it all of everything goes in order to complete the PhD.

It was such a magical time where I would walk most of them day, stop for food and drink and work on the manuscript and then walk some more. Photos galore. And then I would run during the evening through the streets enjoying the fading light and voices and sights of families coming out to socialise.

It also holds a dear place in my heart as I was pregnant with Miss Ella during this trip and didn’t even know. She was definitely a gift.

So I’ve been itching to travel again and go back to Paris now as I’m much older and wiser and have more of a sense of self to really appreciate all this beautiful city has to offer my thirsty soul.

But as my late night/early morning muses explored, I can’t justify the expense of going at the moment, well June, as money is tight after a few weeks of little work due to sickness and tiredness and lack of forward planning on my behalf.

So I’ll continue to dream of Paris hopefully be able to share my plans to re-visit this magical place somewhere in the near future.

Until then I’ll dream about it with my eyes open. As there’s no sleep coming my way.

Can’t sleep. Won’t sleep!

Colour is Mine

Van Gogh, 1959 by Althea McNish

After Althea McNish

Sunflowers

big and bold

inspired by Van Gogh’s

brandished

across a

yellow and white

striped field

black lines

outline floppy leaves

and dozing closed heads

bright colour carried to

this grey isle

not a luxury but a necessity

for survival

for blooming

another time

uprooted

sunflowers