Worn timber, cowrie shells, currency and shoreline, you sound like waves and the creaking hull of death.
I try to imagine, she said, what it would be like to be taken from all that I knew, moving in a stinking wooden vessel over something I knew not what to call but it swallows our bodies whole. See sea, sea see. Propped against a white wall to suggest a wave in motion, the angle of pleasure, as I witness it, from the other side, here and now, I rumble with displaced memories. Memories that traumatise but hold onto me like seeds buried within my hair, bearing into my flesh.
But now it’s April, I’m going to focus on my poetry writing.
April has traditionally seen me taking up the the NaPoWriMo – 30-poems-in-30-days challenge. So why change something if it isn’t broken.
Of course you’ll still be able to get your seas fix on the blog for the rest of 2022. But now I must turn my hand to poetry.
These last few days of March saw me take a much anticipated trip to London. It’s been a time filled with walking and creativity, taking in exhibitions and musicals and nature.
I plan to start off the poem a day practice with a review of the images I’ve taken of the artworks I’ve visited since down in London. So ekphrasis poetry is the order of the month.
Ekphrasis is a device used in poetry or even a type of poetry which takes a piece of artwork as it’s starting point. It involves a detailed description of the work of visual art as inspiration and then who knows where the inspiration will take the writer. But the piece of art was the seed and that recognition is credited usually with the phrase ‘ After such and such.’
I start today and I hope you will join the journey.