I wasn’t really sure what to expect about this event or what I was going to share. But on reflection now, I’m so glad that I was invited to take part because I learned so much about peatlands within the UK, around the world and the special place they hold within the global climate crisis.
So much of my language around nature and the environment has been formed through white supremacy culture which has been biased on colonialism and imperialism and capitalist consumption. And of which I am at great pains now to unlearn and find a new language or it is just a re-memory of the language of my ancestors where there is no separation between us and nature.
Something that was raised last night by Khairani Barokka, which was totally new to my knowledge and way of thinking was that within indigenous communities gender was much more fluid and diverse. The binary system of male and female/ he and she which we take as a given now, as the norm, is a construction and part of the colonist program.
That the idea of “the coloniality of gender,” which might have seen the binary gender system in Europe but was not the case for indigenous populations around the world who were brutalised, moved off the lands and eliminated through genocide. This is going to require more reading on my part but it will be completed eagerly as it’s more evidence of how this system to live and breathe is a construct of power for a few white people over the rest of us all.
I was attempting to complete my second round of #100daysofblogging while also creating a poem a day for National Poetry Writing Month in April. I was going well. I past the mid-point, and I just ran out of steam. And I also think enjoyment. I wasn’t really inspired with what I was writing. I think I was writing for writing sake. To fulfil the challenges and not my soul. Sometimes this works for me. I know in the past, I’ve created daily words for years and thought nothing about it. But I suppose I’m getting older and wiser and also figuring out what’s important to me and no one else. What my gut has to say about things takes precedent.
I have been writing in other places though during this impasse on the blog. I have a piece over on Medium for the The Binderful Blog titled, ‘Learning to Stay Inside,’ and documents my journey with the Coronavirus. I have also returned to my mixed-media memoir and I’m happy to say we’re in love. We spend a lot of time together getting to know each other again and working out what’s working between us and what’s not. We’re open and honest with other, basing our relationship on our vulnerabilities. I’m more than satisfied with how things are working out between us. I know I have to keep honouring this process by turning up each day and just touching in.
Turning up here today to find some words I needed for the memoir, meant I took the time to read over some past posts. See where I was at different times over the last five years. While reading, I gained a sense of perspective as well as pride for what I have created here. I love my website, because it’s attempt to present me and my process to the world. And it’s not polished or professional but it is real. It gives you a glimpse behind the curtain. It’s honest and vulnerable and it is so me.
So I’m not going to beat myself up for not completing a challenge. And I’m also not going to beat myself up if I miss days, or weeks before coming back here to blog. I’m learning to treat myself with more grace. And how that’s looks it still a work in progress but I do know as Michelle Obama wisely said, it is becoming.
” Becoming isn’t about arriving somewhere or achieving a certain aim. It’s forward motion, a mans of evening, a way to reach continuously towards a better self. “
I sit on the bed, cross legged,
window open. Hearing a kid
scream, a car engine revving.
And there, just then, a seagull
flies by carrying bunch of leaf
and twine in its beak. Say you,
what you building? Stealing?
It’s now I’m aware of the trees
trees outside coming into leaf.
Buds unfurling like green ton-
gues with beard and feathery
flower clusters. What tree are
you? And why do you reach so
to the sky as if all that matters
is to grow and thrive? Zooming
traffic, loud, draw my attention
away from nature, from inside
But that’s usually the case with
modern life: a distancing from
our true nature with incentive
of moving faster, go anywhere,
produce anything of fake worth
as if our life depends upon it.
I’m going through my days pissed off. Wasting my time comparing myself to others and their success and finding myself wanting. Maybe I’m coming down after a high. Maybe I’m burnt out after the summer’s ups and downs.
What I do know is that when I get like this, and it’s nothing new, I have to withdraw and focus on me. Make self-care top of the list. Self-care for me includes creativity. It’s also about trying to find the balance between going into my cave and staying visible, sharing my work.
There’s a part of me that wonders what kind of work I’d produce if no one was watching. If I kept every brush stroke and every word to myself. What would I create.
I’m taking Painting the Feminine again this year with Connie Solera. This time last year an anonymous lady gifted me a space on the course for which I’m eternally grateful. This year, not dripping in money but we have enough to pay for this course as I know it’s nectar for my soul. This year, I plan to keep my creations to myself until the student exhibition at the end as an experiment to see how I do create in private.
Over here, I’m launching a new project around walking. Flaneur/ Flaneuse as a concept has been with me for years, the act of walking in the city, aimlessly observing life. I plan to walk for the next 30 days, take an image and accompany this with some text. I refer back to my commitment to self-care. Walking is another life source for me along with nature and the sea. Walking makes me feel expansive and positive and unbreakable.
More to follow as the 30 days unfold.
Anyway each day, gonna post my adventures here as a means of keeping me accountable as well as getting me to blog more too. Win-win.
Over the weekend, I attended a Wretched of the Earth gathering in London focusing on #climatejustice, billed as Building Our Power. This was a first for me to attend such an event; where I knew the majority of participants would be black, brown and indigenous people as well as gathered together to discuss the climate crisis. I didn’t know what to expect but I was excited about the prospect as far too long I’ve been the only black face in the room when talking about the natural world, the environment and conservation.
The event didn’t disappoint. It was such an amazing and inspiring space to be part of as everything was being co-created; the values and actions, the tactics and strategies of the movement moving forward. What struck me and what I take away with me and move forward with is the way that the climate debate is framed within Western society is wrong and misleading. There has been growing concern for endangered species and the melting icecaps and how we can make a change through recycling and other such individual measures. Yet this narrative keeps hidden the major causes of climate change along with the pain and suffering that has been experienced for decades within the Global South because of such.
Climate Justice is about re-writing the narrative and exposing the inequalities and injustices that have been going on for the last 500 years through colonialism, imperialism and capitalism. This climate emergency cannot be divorced from other issues such as housing, crime, poverty and racism. we enjoy a privileged standard of living in the West because communities and people in the south suffer, be that through being used as cheap labour or have their homes and livelihoods decimated due to extractions industries and drought.
There is so much to be learned around these issues which I’m motivated to explore and share. The creative non-fiction memoir of mixed genres which I’ve been writing this year centres about a black woman’s body with/in nature, I envision to take on a more climate justice stance as I continue to champion how nature has helped me heal and how we, humanity, need to heal through our re-connection with nature.
At the beginning of August I started my third and final #100daysproject of 2019.
I started 2019, painting 100, A3 sized abstracts. Then come April when the official #the100dayproject took place, I jumped on board with painting and drawing Black women’s faces and bodies. I’ve found these practices challenging at times, especially when I’ve been traveling and had a shortage of time. But the flip side has been such a overflowing pot of creativity which has had a knock on effect with my writing and general outlook.
Now nearly 30 days into photographing my golden goddess statue, I‘m figuring out how this practice works in anchoring as well as inspiring me.
With these 100 days, I‘m carrying my beautiful goddess statue out into nature and taking instant photographs of her there. I’m using her as a surrogate for my own body in nature. She takes up space so confidently and with such a ‘don’t care less’ attitude, that her essence is rubbing off onto me.
How she behaves and holds herself is how I want to behave all the time when I’m out there in society, hustling and getting by. I want to have her self-confidence and self-awareness and magnitude. She is badass but so gracious with it. To have what she has, to be so in love with self and grateful for it is how I want to live my life.
Hopefully, from the practice and folllowing the goddess‘s lead, I could get there, well slightly there, over the next 100 days.
Posted Instagram today : 2/100 – Private Farm, Brattleby, Lincolnshire
I wrote in my morning pages today: I want to be debt free in so many meanings of the word. I want to be able to eat and eat healthily. I want to be able to love my body now. Love how my body serves me now so I no longer abuse her and I’m not waiting for the weight to drop off before I love her. #100daysofthegoddessandlove #100daysproject #the100dayproject #blackwomenmatter #blackwomensbodies #selfcare #selflove #healthyatanysize #creativepractice #blackbodiesinnature #brownbodiesinnature #womenscreativity #womensempowerment #instax90 #instaxmini90neoclassic #photography #bodylove #goldengoddess #darkgoddess #mothernature #earthgoddess #goddess
I come here today not realising how long ago I was here. It’s been ages since I’ve posted anything, updated the website etc. My head has been down. July saw me trying to get through the last days of the school term before the holidays. And then the holidays come and all I want to do is rest.
But have I got to that stage of rest yet when I let all of my load down? I’m not sure I even know what that state is never mind feels like, as I’m always carrying around something; some project, some event, some concern. So is life and I accept it rather than spend time and energy trying to run from it.
Anyway, August is here and I’ve feeling the moving at a slower pace. The sharp angles at the edge of my consciousness have softened and become hazy in a sense as they lose focus and I become more present in my here and now and relax. I realise I have some time now to focus on me, my passions and my desires, those things that make me sing from the inside out.
I’ve started my third #100daysproject over on Instagram and it’s all about the goddess and love. #100daysofthegoddessandlove.
I’ll be sharing come creations here too but initially it’s all about black bodies in nature, my body in nature and how I use a surrogate of a golden goddess statue to go places I might feel I don’t belong or won’t be welcomed. She’s pushing me into places where I might fear to go in both internal and external landscapes. I’m excited to see where she takes me. More to follow on this project in time.
For now, I’m off to enjoy these long lazy days of summer and hope to pop back here more regularly as I shift my focus and attention towards my joys and passions. Happy summer.