years of marriage 

My husband, Alan and I have been together longer than I can remember, yet I’m still surprised by the turn of events, sometimes. At these points, I have to chuckle.
Alan, annoyed,  has said that I mine our lives for writing material but I do believe it’s not just my story to tell, so I do shy away from writing about our marriage as it is, while in the thick of things.
This relationship, when two individuals come together into a partnership, does play a significant part in my life and to not explore and reflect upon it in within my writing is denying a part of myself. As well as living a lie, as believe it or not, marriageland is not all hunky dorky.

During the years we’ve been together, Alan and I have experienced the rough with the smooth. They say a couple’s relationship changes when children come along. And that much is true. There’s had to be a lot more understanding and communication and patience. And sometimes it hasn’t always been there. 

I’m not offering marriage guidance here as I’m not an expert is marritable bliss. I only know what works and doesn’t work for me/us. So we’re still in the thick of moving house. This follows on the back of months of ill health, cancer treatment and hospital visits. You don’t realise the calm within your day to day until it is disrupted. You don’t realise the love and companionship and trust within your relationship until it has disappeared.
This isn’t a post about Alan and I spliting up, far from it. But it is a post about holding on and appreciating what you have when you have it. It’s obvious but sometimes we fail to acknowledge it, fail to act upon it, fail to live it. 

As we settle into our new home, the time and space has arisen to speak my needs and concerns to Alan as well as to check in with him about his needs and concerns. We’re still part of this dance, growing all the time as individuals and together. But it never ceases to amaze me as you hold a crystal up to the light the myriad of shapes and colours and delights that are revealed.

3 card spread 

This is weird right! Or it is just meant to be?! I’ve just competed my first 3 card spread in the new home. I was asking the questions: who was I/ am I/ will be.
This spread is nearly identical to a recent reading I had with the lovely @rootandrattlesnake regarding my business. The only difference is the middle card.
The cards are telling me something and I am listening.
My old self has gone. The Sheree of many years giving to please everyone and needing outward success and other people’s approval has gone.
The woman standing here now is artistic and introspective with a dark intensity which I claim and nurture.
Those four wands waving at me again signify a completion. In business I saw it as Iceland – The Retreat coming to fruition watch @livingwildstudios
As a person, I see this as all my hard work from reaching rock bottom, from stripping away all the shit and facades in order to see and accept authentic me will pay off/ is paying off each day as I continue on this path, as I become complete – whole.

savouring the moments 

Even though the last few days have been full on with the house move ( and we haven’t finished yet), I am pleased to say that I have managed to find the time and space within each day to stop and admire my surroundings. I can recall moments of stillness when I have been present; catching myself smiling into the season, noticing the changing light, sensing the coming chill. Relishing the ruby richness of the berries. 
It really has been a gift to experience these moments of clarity, these moments of bliss in the sheer speed of passing time, and the sheer frenzy of activities. 
Time is running out in terms of getting the house cleared as well as for my favourite season being here in all her golden edges.
Tonight while driving back from the council dump, high up in the sky in front of me is a sliver of the moon. She moves out from the dark, slowly revealing a pale silver cheek. I feel blessed in so many ways,  to be living this life now. Thank you.

Peace



Deep within the still centre of my being may I find peace.
Silent,y within the quiet of the Grove may we share peace.
Gently within the greater circle of humankind may we radiate peace.

– Cairistiona Worhington

Ordinary Things



There are three slender things that support the world; the slender stream of cow’s milk into a pail; the slender blade of green corn in the ground; the slender thread running over the hands of a skilled woman. – ancient Irish triad.

A recent book I picked up is The Celtic Spirit: Daily Meditations for thr Turning of the Year, by Caitlin Matthews. The quote above is featured for today,  22 October.

Within the Celtic world, the cow is important. It is a unit of wealth along with grains used to make the daily bread.     Before the industrial revolution, all clothing was made by hand. Labour intensive procedures carried out by the women of the household took the unwashed wool, into spinning, into creating the fine linen cloth to wear next to the skin of all the family.

Foodstuff, grain and material; three ordinary things that support any society in it’s existence. To survive. 

Today’s meditation ends with the question, What three ordinary things are the supporters of your life? Make your own personal triad.

Only when the question is asked do I consider what are the essentials for my existence. Ordinary things on a day to day basis I probably take for granted. But when I stop and consider it, I may not be thinking of them every single minute of the day but I know what I am grateful for, especially during this period of change; personal and seasonal, when things are dying but only for new life to be born. In time.

My personal triad, those three clear notes that resonate throughout all I do in life are: water, within and without; creativity feeding my body, mind and soul; and love that wraps around me for myself and for/from others that makes sure I am home where ever I roam.

Now I ask you the question, What three ordinary things are the supporters of your life? 

Missing Stories

You may have missed her story.
There’s a loud silence
when a black woman is brutalised/raped/murdered.
Front page headlines seldom carry outrage,
hardly carry a mention.
My heart catches fire every time
I have to decipher the details
through a pinhole of shadows.

I see her being followed home from that party.
Them two stalking her apartment
thinking she’s got money just by the way she holds herself.
Or at least her grandmother must.
They break in. Gag and tie her up in the basement
where they each take their time to beat and rape her.
What I remember from between the missing lines
is those bastards making off with a few dollars,
an iPad and a laptop after they set the house on fire.
You may have missed her story.
Let me tell you another story along the same brutal missing lines.

Talking about my practice

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This is a visual journal entry I completed a few months ago while continuing with my Creative Facilitator Training with Lisa Sonora

22/04/2017

It feels weird coming back to DOP ( Dreaming on Paper) after two years absence. I’ve tried to do it again but just didn’t get into it. But now I’m doing the Facilitator Training, it seems important to get back in. I need to post to the group.

Yes I’m skipping through at a pace as I still do the techniques I learnt back then but it’s good to be refreshed on the techniques I haven’t done in a while -like the stamping as well as the textured page, the wallpaper and marbled effect. I haven’t used a wet one in a while or the stripped effect so it’s good to do this and to not feel any fear but be comfortable with it – like second nature.

—————-

So yes weird but also reassuring that a lot of the habits and techniques have stayed and also how far I have developed since the beginning with flaps* and stuff, and extensions and tearings and pockets and stuff. I’m proud of myself I am, of my progress and practice. I’ve come a long way in the journey and I’m still on it. Thank God.’


*flaps = additional pages added to the journal, see visual journalling post for further explanation.


Technique:

The journals I use most frequently are the Pink Pig pads. I usually pick these up in town, not online, bought three at a time because there is usually a discount on them and they definitely have more pages in.

I prepare my pages with paint ahead of the time I want to use them. So when a journal is coming to the end, I start prepping the next one with paint, so it’s ready with no breaks in between.

I pick the colours that are calling to be at the time. Here for this page the dominate colour is bright orange. I use ready mixed paints, craft paints, kids paint and start with just one drop of paint in the middle of the page. I smear it across the blank page with a disused credit card. I love this part. The spread of colour makes me happy. A simple task, a simple pleasure but oodles of fun.

I’ve gone on to add pink and blue to the orange after this. Using the same credit card for each colour, sometimes all paint rubbed off before a new colour is introduced and sometimes not. I’m not doing this to be neat, to cover away all the white of the page. I like my smearing of paint to be quick and messy.

Sometimes I do right up the edges sometimes not. I prepare three double spread pages at a time and then leave them to dry, sketchbook open with a paint bottle propped between the pages either side so they don’t stick together.

Once dried, I can write on it. Gel pen was used here but ball point pen works just as well. Here I’ve added images of nature and travel and adventure at the bottom of the page. I use glue sticks. I’m not loyal to any particular brand either as long as it does the sticking. These were cut from a tourist leaflet about visiting Scotland.

The images I select usually tie in with what I’m writing, they talk to each other. While sometimes they don’t and this might because I’ve skipped ahead in my journal and stuck in some images to break up the page already. But all the images I include I love, I have an emotional connection to. I’ll talk more about that in another post.

After the writing, I return to the page and use the leaf shaped stamp. See what I did there? I wrote in this journal example about the techniques I haven’t been using in a while and rubber stamping was one of them. I rectified that here.

journey

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You jump on a white minibus. You wind your way through snow covered mountains. Sometimes hugging the shoreline. Other times squeezing through valleys between peaks. On your right are steep sheets of white. On your left white steel sheet reversed. Partly frozen fjords.
Some birds decide to walk on ice while others swim in the small circles of bubbling water. You have to respect ice.

Filigree within ice
beautiful and vulnerable
strong to the point of entry

April – A Poem A Day

Lighting Up Fear

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“Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. We ask ourselves, Who am I to be brilliant, gorgeous, talented, fabulous? Actually, who are you not to be? Your playing small doesn’t serve the world. There’s nothing enlightened about shrinking so that other people won’t feel insecure around you. And as we let our own light shine, we unconsciously give other people permission to do the same. As we’re liberated from our own fear, our presence automatically liberates others.” – Marianne Williamson

This wisdom speaks right to my core and has me throwing my head back shouting an all mighty, “YES”. For the past few weeks, I have been gripped by fear about what I’m attempting to do here, as I develop Living Wild Studios into a creative business coming from the heart. I have questioned what right I have to imagine this, to action it, to even believe in it.
Who is going to be interested in working with me or buying my creations? How can creating stuff just for me to know myself deeper, be of any use to anyone else?
I know my fears stem from what happened to me nearly two years ago ( you can read all about it in rubedo). I know my fears have set up road blocks and excuses. Paralysed me. But I’ve been framing these fears around the idea of failure and never being good enough.
But this quote above has me thinking, that my fears, my reluctance to move forward with plans and creating new work could just as much be because of my light. I could be just as much frightened of my light as of my darkness. Of who I might become, becoming.
This idea is turning around in my gut, like clothes in a washing machine. An idea I hold it up to my light within and it matches. It sparks.
It is easier, more acceptable to play it small rather than take up more space with my glorious light. It is judged as being showy, distasteful and loving oneself, if you claims your full potential and shine.
Why and when did loving yourself, loving your own unique light in this world become such a bad thing? I think when society’s way of operating became one of competition rather than community, oppression instead of equality. When a few decided power would be better in the hands of the few, for the greater good you must understand.
I feel my power. I have a strong, bright light to shine in this world. A light that many have attempted to put out. But this little light of mine keeps on shining. And when it comes down to it, that’s all I want to do. Shine my light. If in this practice it serves others, then so be it. That does make my light shine brighter, so it can reach further, into the hearts of those who might have given up on themselves or those who never tasted freedom.
Naming our fears loosens their grip on our hearts. Identifying and acknowledging our fears starts to take away their power.
Here I am again, showing up, using my creativity to explore myself. If in the process of me exploring my fears has helped you to start naming and identifying your fears, then that’s a double whammy in my book. A result that is well worth showing up, practicing getting through my fears one step as a time for. Onward, with this little light of mine lighting the way.