
My works are propositions, meant to create alternate pasts and potential futures, questioning history and culture in order to provide a space for reassessing the present. – Firelei Báez

My works are propositions, meant to create alternate pasts and potential futures, questioning history and culture in order to provide a space for reassessing the present. – Firelei Báez
you’ve just got to start again. Begin again as if day one.
Day one. And it’s all about the colours.
It’s about laying the groundwork so when there’s an upsurge in energy, it’s ready to receive.
New visual journal from altered novel.






after Danez Smith

let this be the healing
the out of time and space
to flow back to the source
of love & care
let this be the honey to the wounds
the joy within the unknown
the hope to survive
in the mouth of the dragon*
let this be the refusal
the movement underground
to protect our vulnerabilities
let this be the healing
*a line from Audre Lorde’s ‘ The Transformation of Silence into Language and Action’ in Your Silence Will Not Protect You.

This weekend we’ve had the light. Having the light with a bit of warmth makes a difference. To the mood. To the outlook.
This March I’m seizing the light and going to work behind the scenes on a project I’ve been putting off but one which is close to my heart.
I’ve been divorcing myself from big tech, rich oligarch run social media and platforms. I’ve been going more analogue than digital. And I’ve definitely been refusing AI.
This month I’m working on my archives. The archives of this website. These blogposts. So that my legacy, this work and practice lives on beyond WordPress, beyond myself. Beyond the internet.
I’m taking ownership of my creativity and taking records. Backing things up, creating a trace of my presence here which isn’t dependant on technology.
This is gonna take some time, so I’ve taking the time away from posting here to archives there.
I’ll be back though. Soon come.
I go to my local probably about once a week if not more. I was brought up next to a library, in Bradford and in Newburn. They were places I could go to for some sense of freedom and adventure.
The librarians knew me and would recommend books to me and events. They wouldn’t rush me, I was welcome to stay as long as I wanted.
Today, I love to pop in to see the book sales at my local libraries. As I have a few on my doorstep now. I flit between them, collecting worn and torn books that I repurpose.
I was brought up to know it was ‘wrong’ to write in books. They were sacred in our home. Probably because we were poor and if we bought books, usually from the indoor market in town, we knew it was money we couldn’t afford to spend on books. But my parents spent it anyway, as they valued books, learning and education. It was our way out of poverty.
I wonder what they would say now, if they saw what I did to books?
10p is all I pay for big, colourful children’s books, withdrawn from library stock. I have to feel the paper first though before I buy them. Even if only 10p, too shiny the page and the paint won’t grip it as well. The paint just swirls around and doesn’t stick.
I like my pages rough and matt finished. Ready to absorb whatever I put down on it.
This sketchbook was my side hustle for the last month. Side hustle to my main creative sketchbook. Here I just lay down colour and see what happens.
I like when what’s underneath the paint bleeds through. I like when the different layers of paint and pencil and pen bleeds through to the surface too.
It’s like a palimpsest. The marks beneath is the feeling I’m after. The haunting, the trace, the evidence of time and the passage of time. The archive is present now.




As an artist, I feel everything. I feel what everyone else is feeling.
This heaviness is manufactured to snuff my light out. To destroy my hope.
As an artist I’m here to create hope. As an artist, I create pockets of hope. Safe spaces where we can create alternative worlds.
Safe spaces where we can be free, if only for a little while.
I’ve been forgetting my task. My service. I’ve been struggling under the heaviness of it all.
Do you feel it too? That heaviness?
I’ve been forgetting to take my medicine. That’s what artists can bring to the world. Moments of medicine.
Here feast on this image. Take a moment here, in this safe space, let down this heaviness. Breathe.
We be good, together.

floating up the beach
ruffled by a north easterly,
fine intricate bubbles of air
cluster, froth to anyone else but
reminds me of Port of Spain,
the lace-like wooden fretwork of house gables and around porches,
Boissiere House, along Queen Park West,
gingerbread style fulfilling the fairy tale romance and fantasy of being home at last.