I reblog this post African Heritage here as a marker. As a tag. As a note to follow up in conjunction with a project/commission I’m working on. All will become clear when I create a new project page within my portfolio.
But for now, enjoy this beautiful poem from Léopold Sédar Senghor, which speaks of the Black Woman which can also be read as the country, Senegal. Enjoy. More details coming soon.
At the moment, I’m using an altered (romance) book as my visual journal. I go with my moods when it comes to deciding what to use next for my visual journal. I listen to my gut and what she’s calling for in terms of size, shape, texture of page, of journal she needs in order to show up daily for the next month or so.
So with an altered book as my journal I was calling for space to explore colours but also layering, composition and found text.
There will be pages that are heavy with colour and my handwriting while others I’ll crave colour with space and some text cut ups applied.
I’m using Toni Morrison’s The Bluest Eye at the moment to create found poetry for double page spreads. The Bluest Eye was the first book I read in which I found someone who looked like me and who felt the same self-hate I was experiencing around growing up in a predominately white society being within a Black body. It was revolutionary for me and my personal development to find this book when I did.
I suppose using a copy of the book now to cut up and repurpose is saying something about how I’m feeling at the moment and how I want to see myself on the page. How I want to take back the space, take up space and be validated. But on my own terms.
I love how powerful visual journaling is to my psyche and how I move my body through this world but does so through such a simple process. It never ceases to amaze me what comes to light and fruition through this practice.