places

A month in ( nearly) of the new 100 day project and this is what I want

| Sheree

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At the beginning of August I started my third and final #100daysproject of 2019.
I started 2019, painting 100, A3 sized abstracts. Then come April when the official #the100dayproject took place, I jumped on board with painting and drawing Black women’s faces and bodies. I’ve found these practices challenging at times, especially when I’ve been traveling and had a shortage of time. But the flip side has been such a overflowing pot of creativity which has had a knock on effect with my writing and general outlook. 
Now nearly 30 days into photographing my golden goddess statue, I‘m figuring out how this practice works in anchoring as well as inspiring me. 
With these 100 days, I‘m carrying my beautiful goddess statue out into nature and taking instant photographs of her there. I’m using her as a surrogate for my own body in nature. She takes up space so confidently and with such a ‘don’t care less’ attitude, that her essence is rubbing off onto me. 
How she behaves and holds herself is how I want to behave all the time when I’m out there in society, hustling and getting by. I want to have her self-confidence and self-awareness and magnitude. She is badass but so gracious with it. To have what she has, to be so in love with self and grateful for it is how I want to live my life. 
Hopefully, from the practice and folllowing the goddess‘s lead, I could get there, well slightly there, over the next 100 days.
We’ll see.

Day 2 – 100 Days of The Goddess and Love

| Sheree

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Posted Instagram today : 2/100 – Private Farm, Brattleby, Lincolnshire
I wrote in my morning pages today: I want to be debt free in so many meanings of the word. I want to be able to eat and eat healthily. I want to be able to love my body now. Love how my body serves me now so I no longer abuse her and I’m not waiting for the weight to drop off before I love her. #100daysofthegoddessandlove #100daysproject #the100dayproject #blackwomenmatter #blackwomensbodies #selfcare #selflove #healthyatanysize #creativepractice #blackbodiesinnature #brownbodiesinnature #womenscreativity #womensempowerment #instax90 #instaxmini90neoclassic #photography #bodylove #goldengoddess #darkgoddess #mothernature #earthgoddess #goddess

Wow – time flies!

| Sheree

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I come here today not realising how long ago I was here. It’s been ages since I’ve posted anything, updated the website etc. My head has been down. July saw me trying to get through the last days of the school term before the holidays. And then the holidays come and all I want to do is rest.
But have I got to that stage of rest yet when I let all of my load down? I’m not sure I even know what that state is never mind feels like, as I’m always carrying around something; some project, some event, some concern. So is life and I accept it rather than spend time and energy trying to run from it.
Anyway, August is here and I’ve feeling the moving at a slower pace. The sharp angles at the edge of my consciousness have softened and become hazy in a sense as they lose focus and I become more present in my here and now and relax. I realise I have some time now to focus on me, my passions and my desires, those things that make me sing from the inside out.
I’ve started my third #100daysproject over on Instagram and it’s all about the goddess and love. #100daysofthegoddessandlove.
I’ll be sharing come creations here too but initially it’s all about black bodies in nature, my body in nature and how I use a surrogate of a golden goddess statue to go places I might feel I don’t belong or won’t be welcomed. She’s pushing me into places where I might fear to go in both internal and external landscapes. I’m excited to see where she takes me. More to follow on this project in time.
For now, I’m off to enjoy these long lazy days of summer and hope to pop back here more regularly as I shift my focus and attention towards my joys and passions. Happy summer.

Someone told me once …

| Sheree

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The other week I went back to where I grew up. My time in a small village by the River Tyne were my formative years. I grew into a woman there and then left to go to London for university. I couldn’t leave quick enough. I found the place small and claustrophobic. It was a place where everyone knew your business. And to top it all we were the only black family around for years and miles. So we stood out.
Someone once told me that I should learn from the past but not hold onto the past. At the time, I didn’t quite get what she was getting at. I nodded my head and said thank you and moved along. Going back to my roots the other week this piece of advice came back to me.
Growing up in that all white village, I learned how to fit in, I learned how to make people laugh, I learned how to make other people comfortable being around me.
That is in the past. What I know now is that it’s okay to be myself; my whole self because if somebody doesn’t like me or gets uncomfortable that’s their problem not mine. I’m not in this earth to make everyone like me. I’m not on this earth to just blend in and smile.
I know I am here to shine. To offer up my gifts to the world and those who are on the same plane can appreciate them and learn from them if they do choose.
In the past, I worked hard for you to love me. In the present, I work at me loving me. And that’s enough now.

5 Problems with Social Media

| Sheree

I’m currently on another social media hiatus.
After my last three months absence, from November 2018 – February 2019, while away I left Twitter and Facebook, I’ve been posting once or twice daily on both my Instagram accounts. I was posting about my #100daysprojects as well as my personal adventures into nature. Things were going well, but I knew a burnout was coming. I was being too prolific and focused. I knew, from experience, that I would run out of things to say. So I called the hiatus before that point, but by the time the end of April came along, I was ready to go.

I value the connections I’ve made through Instagram. I enjoy witnessing what others are doing. I take the time ad energy to cheer them along on their journeys. But at the same time, I’ve my issues with social media and these are what they are.

1. Social Media can be a distraction.

I find that social media can be noisy and distracting. So many people are doing or offering great things and telling everyone about it. And it can mean, I spend my time watching them instead of watching what I’m supposed to be doing. It’s just another way to procrastinate and take me out of my own creative flow.

2. Social Media can be damaging for the self-esteem.

I’m not stupid, and I know people post potted, designed versions of their lives and journeys but that doesn’t stop me from falling into the comparison trap. Sometimes, I see other people’s brightly photoshopped lives and feel paralysed. No amount of effort or time or talent could get me to this level, so why bother, I think. So I do nothing.

3. Social Media can be toxic.

I’ve met some good people on social media. Good people who now support me through Patreon, or through reading my writings and posts. But one reason I left Facebook was because of the negativity and arguments and harm that was showing up on my feed. There wasn’t much love coming my way or being circulated around. I saw a lot of hate and it was affecting me, physically and mentally. So I had to go for my own sanity and well-being.

4. Social Media is not the real world.

I know if you’re living far away from loved ones that social media is a great way to stay connected. With the photos posted you are able to ‘see’ them and feel as if you’re not missing out on their lives and happenings. But this isn’t the same as living in the real world. Nothing can beat having face to face contact with friends and family. And sometimes, we use social media as a substitute for making more of an effort to connect with our people physically.

5. Social Media is controlling our lives.

Being on social media takes time and effort. We post our loves and hates, we post our joys and worries, we post our dreams and successes. We invest a lot of our time and energy and love into platforms that are set up to leach our personal information and money. They profess to be fostering community but really they’re keeping us locked into the vicious cycle of being mindless consumers. Yes I’m still on Instagram and yes I know it’s owned by Facebook. But I’m looking for a way to leave all social media and still be connected with my peeps around the world. One possibliity is here, blogging and my website. I’m trying.

Get up, get out, into the sea

| Sheree

I rise at 6.30am on a promise. A promise to myself to take my medicine. My medicine is getting into the sea. And sometimes it is diffcult to take my medicine.
Day to day commitments, life just gets in the way. I allow other people’s wants and needs to get in the way.

It’s as if I don’t value my needs and wants. A great growing stone of guilt weighs upon me when I choose me over others. It isn’t the natural order of things. Self-love and self-care isn’t encouraged or promoted in the main, in the mainstream.

The sea makes me feel free. The sea releases me from real worries and cares. The sea connects me to my true me. After being with the sea, the rest of the day flows easier and with gratitude.

Really, it isn’t that difficult to get up and get into the sea, if I get out of my own way.

Black British Art – a series

| Sheree

I’m a Black British artist. I’ve been involved in the union for artists in England. I’ve been involved in different exhibitions and events around the arts. What I know for sure is that the British art scene is elitist and exclusive.

I’m actively attempting through my own practice as well as research and reading to make visible the invisible; the invisible history of Black British art. For centuries, Black artists have been visible amongst themselves/ ourselves being involved in individual and collaborative projects. But within official records and archives, the Black presence remains little and absent.

Histories and lives and stories are missing within British arts from an African diaspora perspective and I hope through my creating and agitating and archiving I’m changing the narrative.

Through a series of posts I hope to explore the Black British art tradition to bring this rich and diverse and valuable history to light and more recognition. I look forward to sharing my findings with you.

Loosening The Bounds

| Sheree

I missed submitting for the special challenge with Nine Muses Poetry this month. The challenge is to respond or be inspired by a different photograph posted at the beginning of each month. For April the image was fittingly Viewing Cherry Blossoms at Ueno, by Katsukawa Shunzan. I completed this poem this morning in response.

Loosening the Bounds

I wish I could say,
the orchard is a rare find.
That I never think of blossom.
That the pure smell doesn’t
undulate to the sea.

But that would be lying.
At this time of year,
there’s no escaping the stain,
the crowds. No escaping him.

His neck is red. Pain in his head.
That must be why he seldom smiles.
I know I put them on a pedestal.
I want what they had.

How they kept the blossom from dying.

Perhaps, the sea is history
and the lop-sided pagoda clinging
to the shoreline, made me think
we were going somewhere.

Same images played over and
over again. The trickster,
just using my face. My skin. My voice.
Give me the cherry blossom every time,

time with my sisters,
lost in the crowds, easing off
our sandals, loosening our bounds
like blossom caught on the bsea breeze.