moments

Art Journal Play

| Sheree

When things get overwhelming, I take to colour. I think this is the reason I love Autumn so much. The myriad of colours; crimson, pumpkin, golden and umber. See what I did there? I elevated my vocabulary as sometimes I can be lazy and just use the obvious.

Anyhow. Back to the colour fields. Playing with colour fills my pot. Shifts my energy. And makes me happy. A simple task but well worth the effort.

Lately, I’ve started new journals. Square journals. Altered books. Notebooks. Any blank page I can fill with colour I will. I share some of the results here to inspire you to play. To let go and just lose yourself in the process. Forget the result. Forget perfection. And surrender to the joy of play.

Flaneuse roundup and other things

| Sheree

The month draws to an end. And so does my challenge of walking out every day, taking photographs and reflecting on the practice. I didn’t manage it every day as mid-way through sickness hit our household. But I do think I completed more walks than if I wasn’t trying to complete the challenge.

Today was a glorious window of light, that I’d be a fool to miss out on. So it was a quick dip in the bay and it was bitterly cold. And then a brisk walk along the shore to warm up. It was a great way to start my day and help with productivity for the rest of it.

As promised to my Patreon sponsors, I delivered my first essay from the forthcoming mixed genre memoir. I’ve made a commitment to share one essay and reading list that I used to complete the essay at the end of each month for the rest of the year. Yes only four months but still that’s four essays done than not.

The theme was climate justice this month and I enjoyed writing it once I got into it. This essay’s been brewing since I first came across the work of Wretched of the Earth. So the time and space and audience to finally complete the beginnings of an essay around this. This is just a draft but at least I now have something to work with moving forward. Making this commitment made me accountable. For which I am thankful.

You can jump on Patreon for as little as $1 to read it if you want. And as always, I appreciate feedback, comments and arguments.

Here comes October, my birthday month. Yay!

Flaneuse – 9/30

| Sheree

This was a great walk along a 6 mile stretch of Hadrian’s Wall to finally seeing in real life the iconic Sycamore Tree. Tree of the Year, 2016 and the most photographed spot in the whole of Northumberland National Park, I’ve had this site on my bucket list all summer. So to finally be able to spend time with this majestic tree growing from within a gap in the Roman wall was a moment indeed.

Whin Sill the bedrock beneath the wall, in this area, has been naturally worn away by large amounts of meltwater flowing beneath the ice sheets to create channels, or gaps. Other gaps can be found at Rapishaw Gap and Milking Gap.
This tree has become famous not for its geology but for appearing on the big screen and TV, starting along side Kevin Costner in Robin Hood Prince of Thieves, Brenda Blethyn in the TV series Vera and Robson Green in More Tales from Northumberland.

Flaneuse – 6/30

| Sheree

Today was a good day to walk. I’m making time in my day to walk. I’ve been sitting for far too long. I’ve read somewhere that sitting it like the new smoking – no good for our bodies.

But I’m of a more positive persuasion rather than being scared into taking action. I’d prefer run ( well in this case walk) towards the benefits of adopting new habits rather than the bad.

Reading an article in The Guardian about the benefits of walking and talking for our mental health, I learned nothing new but it did help as a reminder.

“You’re walking rhythmically together,” says Neuroscientist Shane O’Mara “and there are all sorts of rhythms happening in the brain as a result of engaging in that kind of activity, and they’re absent when you’re sitting. One of the great overlooked superpowers we have is that, when we get up and walk, our senses are sharpened. Rhythms that would previously be quiet suddenly come to life, and the way our brain interacts with our body changes.”

Moving Foward

| Sheree

Over the weekend, I attended a Wretched of the Earth gathering in London focusing on #climatejustice, billed as Building Our Power. This was a first for me to attend such an event; where I knew the majority of participants would be black, brown and indigenous people as well as gathered together to discuss the climate crisis. I didn’t know what to expect but I was excited about the prospect as far too long I’ve been the only black face in the room when talking about the natural world, the environment and conservation.

The event didn’t disappoint. It was such an amazing and inspiring space to be part of as everything was being co-created; the values and actions, the tactics and strategies of the movement moving forward. What struck me and what I take away with me and move forward with is the way that the climate debate is framed within Western society is wrong and misleading. There has been growing concern for endangered species and the melting icecaps and how we can make a change through recycling and other such individual measures. Yet this narrative keeps hidden the major causes of climate change along with the pain and suffering that has been experienced for decades within the Global South because of such.

Climate Justice is about re-writing the narrative and exposing the inequalities and injustices that have been going on for the last 500 years through colonialism, imperialism and capitalism. This climate emergency cannot be divorced from other issues such as housing, crime, poverty and racism. we enjoy a privileged standard of living in the West because communities and people in the south suffer, be that through being used as cheap labour or have their homes and livelihoods decimated due to extractions industries and drought.

There is so much to be learned around these issues which I’m motivated to explore and share. The creative non-fiction memoir of mixed genres which I’ve been writing this year centres about a black woman’s body with/in nature, I envision to take on a more climate justice stance as I continue to champion how nature has helped me heal and how we, humanity, need to heal through our re-connection with nature.

5 Problems with Social Media

| Sheree

I’m currently on another social media hiatus.
After my last three months absence, from November 2018 – February 2019, while away I left Twitter and Facebook, I’ve been posting once or twice daily on both my Instagram accounts. I was posting about my #100daysprojects as well as my personal adventures into nature. Things were going well, but I knew a burnout was coming. I was being too prolific and focused. I knew, from experience, that I would run out of things to say. So I called the hiatus before that point, but by the time the end of April came along, I was ready to go.

I value the connections I’ve made through Instagram. I enjoy witnessing what others are doing. I take the time ad energy to cheer them along on their journeys. But at the same time, I’ve my issues with social media and these are what they are.

1. Social Media can be a distraction.

I find that social media can be noisy and distracting. So many people are doing or offering great things and telling everyone about it. And it can mean, I spend my time watching them instead of watching what I’m supposed to be doing. It’s just another way to procrastinate and take me out of my own creative flow.

2. Social Media can be damaging for the self-esteem.

I’m not stupid, and I know people post potted, designed versions of their lives and journeys but that doesn’t stop me from falling into the comparison trap. Sometimes, I see other people’s brightly photoshopped lives and feel paralysed. No amount of effort or time or talent could get me to this level, so why bother, I think. So I do nothing.

3. Social Media can be toxic.

I’ve met some good people on social media. Good people who now support me through Patreon, or through reading my writings and posts. But one reason I left Facebook was because of the negativity and arguments and harm that was showing up on my feed. There wasn’t much love coming my way or being circulated around. I saw a lot of hate and it was affecting me, physically and mentally. So I had to go for my own sanity and well-being.

4. Social Media is not the real world.

I know if you’re living far away from loved ones that social media is a great way to stay connected. With the photos posted you are able to ‘see’ them and feel as if you’re not missing out on their lives and happenings. But this isn’t the same as living in the real world. Nothing can beat having face to face contact with friends and family. And sometimes, we use social media as a substitute for making more of an effort to connect with our people physically.

5. Social Media is controlling our lives.

Being on social media takes time and effort. We post our loves and hates, we post our joys and worries, we post our dreams and successes. We invest a lot of our time and energy and love into platforms that are set up to leach our personal information and money. They profess to be fostering community but really they’re keeping us locked into the vicious cycle of being mindless consumers. Yes I’m still on Instagram and yes I know it’s owned by Facebook. But I’m looking for a way to leave all social media and still be connected with my peeps around the world. One possibliity is here, blogging and my website. I’m trying.

Get up, get out, into the sea

| Sheree

I rise at 6.30am on a promise. A promise to myself to take my medicine. My medicine is getting into the sea. And sometimes it is diffcult to take my medicine.
Day to day commitments, life just gets in the way. I allow other people’s wants and needs to get in the way.

It’s as if I don’t value my needs and wants. A great growing stone of guilt weighs upon me when I choose me over others. It isn’t the natural order of things. Self-love and self-care isn’t encouraged or promoted in the main, in the mainstream.

The sea makes me feel free. The sea releases me from real worries and cares. The sea connects me to my true me. After being with the sea, the rest of the day flows easier and with gratitude.

Really, it isn’t that difficult to get up and get into the sea, if I get out of my own way.

Things I Know About Starting Over

| Sheree

Work in Progress

In 2015, when the shit hit the fan, I had to change. My whole life was in tatters and I had to find a way to live again. But live on my own terms. Live true to my soul.

For decades I’d been on the production trail. Do do do. Produce produce produce. Because I’d eventually I’d get to the promised land. I’d be successful, famous and accepted.

What I know now from having to start over is that there is no end point. There’s only the journey. I’m in a constant state of becoming. Becoming a better version of myself. But I will never be complete or perfect because that state just doesn’t exist. It’s a fallacy we’re fed to keep us keeping on. The desire or promise keeps us working with our heads down, selling out our souls for very little rewards. We think we are living the life we want to live but really, we’re living the life ‘they’ want us to live. The system, that is.

Now, I’m happy with less. Happy to work small. Happy with little ripples I create because I know in my heart that this is the authentic me at work. I know now, what I do, I do from the heart. I do in service to others with no expectations or need for anything in return. Living my life on my terms is my reward. And that’s enough. I’m enough just being me.

Black British Art – a series

| Sheree

I’m a Black British artist. I’ve been involved in the union for artists in England. I’ve been involved in different exhibitions and events around the arts. What I know for sure is that the British art scene is elitist and exclusive.

I’m actively attempting through my own practice as well as research and reading to make visible the invisible; the invisible history of Black British art. For centuries, Black artists have been visible amongst themselves/ ourselves being involved in individual and collaborative projects. But within official records and archives, the Black presence remains little and absent.

Histories and lives and stories are missing within British arts from an African diaspora perspective and I hope through my creating and agitating and archiving I’m changing the narrative.

Through a series of posts I hope to explore the Black British art tradition to bring this rich and diverse and valuable history to light and more recognition. I look forward to sharing my findings with you.