how to find your voice as a writer

One of my enduring memories of living in London, from my early teaching days, is the icon red bus. Coming up Streatham Hill and terminating at Telford Avenue, where I was lodging, would be the 59 bus, my lifeline in and out of the city, in and out of school in Lambeth Walk.

Those were my bachelor days. I had fulfilled my childhood dream of becoming a teacher in an inner city London’s school where the kids were predominately black. I was giving something back to the system at the same time as changing kid’s attitudes about what they could become in life.

Today, I revisit London as a freelance writer and artist for a masterclass titled How to Find Your Voice, with Gary Younge, editor-at-large for the Guardian. I’ve been reading Gary’s articles for years, and have recently dived into his latest non-fiction book, Another Day in the Death of America. I’ve always admired Gary’s words because he doesn’t mince them. His writing is strong and bold. He has the courage to say what other people are not saying about a range of themes including race, America, killings, inequalities, South America, whistle-blowing etc.

I gave up teaching full-time, after coming back to the North-East, in 2003 to pursue a more creative life. In the short time I’d been teaching, the landscape changed so much that I wondered where the teaching had stopped and crowd control had begun. I fancied my chances in the creative wilderness so jumped without a net in sight. With nearly 15 years of hustling under my belt, I’m still questioning what the dynamics of my voice are. What is the purpose of my voice? Hence being drawn to this workshop with Gary Younge.

We do not have just one voice. We have a myriad of voices. Many voices for different contexts, shifting our register and tone depending on what we are trying to say; why we are saying it, when and to who.

Gary Younge recently interviewed Richard Spencer, leader of the emerging Alt Right in the USA for a Channel 4 documentary titled Angry, White and American. He received a lot of flak for giving this racist man airtime, people arguing that this interview was giving him a platform to spread his hate. Gary was of the mind that if you give this kind of man enough rope he’d hang himself. In his opinions, he thinks Richard brought the rope and gallows himself, exposing the absurdity of his thinking, forcing anyone thinking of joining his Nazi bandwagon to think again.

The workshop was illuminating. Things I knew already, but coming from Gary gave them added weight. We all have a unique voice and it’s our duty to bring it into the world. We should write what we want to write without thinking about what other people think we should write. We should get our voices out there and not even bother about checking back in with the reactions. Because we cannot control how anyone else is going to read our words, hear our voice. We can only control our voice; what we want to say and how we say it.

I had the opportunity to ask Gary what he thought was the purpose of his voice. His individual voice. His answer was simple and something I didn’t to hear. He said those words and they dropped right into my gut and got cosy and warm. As those words were welcomed home.

The purpose of his voice is trying to shift the lens. Simple. He’s in a position with a platform, which many people like him would not occupy. He uses his voice to shift the lens on the world to foster understanding and hopefully change.

Trust your voice. Trust your lens. I trusted myself when I left teaching and journeyed into the unknown. I’ve trusted my calling to becoming more creative everyday. Now, I’m getting out of my way to trust my voice.

Each day I am peeling away my former identity to live a more powerful, purposeful and authentic life. I’m a Goddess Queen holding a light, becoming self-aware and self-loving, becoming a wayshower for others.
The purpose of my voice is to shift the lens. It always has been since childhood when I questioned everything my father told me to do. I’ve known this but have been too scared to claim this. Thank you Gary for reminding me. It’s my voice and I own it.

“We younger negro artists who create, now intend to express our individual dark-skinned selves without fear or shame,” writes Langston Hughes. “If white people are pleased we are glad. If they are not, it doesn’t matter. We know we are beautiful. And ugly too. The tom-tom cries and the tom-tom laughs. If coloured people are pleased we are glad. If they are not, their displeasure doesn’t matter either. We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves.”

learning to change 


Over the weekend, our clocks went back. We lost an hour and gained the darkness. Usually at this time of year, I go into a bit of a slump. With the night’s drawing in so does my mind and emotions. I get a bit grumpy as this is the way I’m supposed to act. I’m not supposed to welcome the dark, to enjoy the dark, I should be reaching for the light, or so I’ve been lead to believe. But this year, I sense a change. 

This November I plan to go within, deep within. Cosy up and settle into my new home at the same time as explore my internal darkness. I’m looking forward to the rest, to the reduction in the pressures to perform and show up. I’m looking forward to just being. and don’t get me wrong, I’ll not be idle. I’ve got plenty of things to keep me busy, to be getting on with behind the scenes. But allowing myself to rest and to take care of myself, is a change, is an advancement for me that I will continue to cultivate as I reap the benefits of such. But of course if these plans get disrupted, I have also learned to be flexible.

This time last hear, I was knee deep in curriculum planning, marking and examination preparations. Self-care amounted to getting to bed before 10pm and most nights that wasn’t achieved. Things weren’t really going to plan and I was constantly knackered. What I can take from that time now is my ability to be flexible, to not make a fuss but to just go with the flow because I learned that it was me and only me who was hurting. It was me and my unrealistic expectations that was causing the ruckus, not anyone else.

I carry this nugget of knowledge with me now, when my best laid plans go up in smoke because of unforeseen circumstances. I become disappointed and hurt and yet I also see that these things happen and I’m more adept at being centred, rooted in myself but still allowing my trunk to bend, and my branches to sway in an unexpected wind or storm. These things happen, it’s nature. It’s how I perceive and handly these changable circumstances is the development, is an indication of my growth as a human being.

years of marriage 

My husband, Alan and I have been together longer than I can remember, yet I’m still surprised by the turn of events, sometimes. At these points, I have to chuckle.
Alan, annoyed,  has said that I mine our lives for writing material but I do believe it’s not just my story to tell, so I do shy away from writing about our marriage as it is, while in the thick of things.
This relationship, when two individuals come together into a partnership, does play a significant part in my life and to not explore and reflect upon it in within my writing is denying a part of myself. As well as living a lie, as believe it or not, marriageland is not all hunky dorky.

During the years we’ve been together, Alan and I have experienced the rough with the smooth. They say a couple’s relationship changes when children come along. And that much is true. There’s had to be a lot more understanding and communication and patience. And sometimes it hasn’t always been there. 

I’m not offering marriage guidance here as I’m not an expert is marritable bliss. I only know what works and doesn’t work for me/us. So we’re still in the thick of moving house. This follows on the back of months of ill health, cancer treatment and hospital visits. You don’t realise the calm within your day to day until it is disrupted. You don’t realise the love and companionship and trust within your relationship until it has disappeared.
This isn’t a post about Alan and I spliting up, far from it. But it is a post about holding on and appreciating what you have when you have it. It’s obvious but sometimes we fail to acknowledge it, fail to act upon it, fail to live it. 

As we settle into our new home, the time and space has arisen to speak my needs and concerns to Alan as well as to check in with him about his needs and concerns. We’re still part of this dance, growing all the time as individuals and together. But it never ceases to amaze me as you hold a crystal up to the light the myriad of shapes and colours and delights that are revealed.

Sharing Practice

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For the past week, I’ve been sharing my practice of visual journaling on social media. I do this because I love to share what I do but also because I love to break down barriers, those obstacles we put up between us and our creativity.

If you take the time to watch these quick and simple videos, you will see that it’s easy to get beyond the blank page. That it’s easy to start getting our thoughts and feelings down on paper. All we need to do is DO IT! To make that start and see what happens. Not sure where to start? Watch the videos. I use craft paint or acrylics or even water coloured paints. Anything that gives the page an explosion of colour and moves me out of my critical mind and into my body, into the moment.

Here are the videos showing my step by step approach for getting from the blank page to a page of images and words that inspire me to keep dreaming on paper.

If you like what you see consider coming along to the next workshop that I’m running around visual journaling.

Visual Journaling 1

Visual Journaling 2

Visual Journaling 3

Visual Journaling 4

Missing Stories

You may have missed her story.
There’s a loud silence
when a black woman is brutalised/raped/murdered.
Front page headlines seldom carry outrage,
hardly carry a mention.
My heart catches fire every time
I have to decipher the details
through a pinhole of shadows.

I see her being followed home from that party.
Them two stalking her apartment
thinking she’s got money just by the way she holds herself.
Or at least her grandmother must.
They break in. Gag and tie her up in the basement
where they each take their time to beat and rape her.
What I remember from between the missing lines
is those bastards making off with a few dollars,
an iPad and a laptop after they set the house on fire.
You may have missed her story.
Let me tell you another story along the same brutal missing lines.

Little and often

IMG_5505.JPG10 lines. That’s all I’m setting myself to write each day.

I’ve been blocked and not blocked. Fearful and not. Holding back and remaining silent. Setting myself a little structure, and the minimum, hopefully will free me up to write.

10 lines a day. I plan to post one of these 10 line poems/ prose here every Friday for the next few months or so.

Let’s see how I go.

 

beacon of light

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at night lit up
like a beacon
of salvation

A nation divided. At the point of civil war.
A heathen Priest, who everyone trusted and respected who was called upon to decide. After hours of meditation, he proclaimed that we should believe in one God, Father, Son and Holy Spirit. And we should to keep our pagan sacrifices and the eating of horseflesh private. It was agreed. People were baptised and the Priest throw his statues of the Norse gods into the waterfall, now know as Godafoss.

April – A Poem A Day

the last accordion men

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Closed to air plane traffic, cracks in the asphalt house dandelions and buttercups. Radio silence. Zero fumes. Thingeyri airport ceases to welcome travellers.
And yet drop by on a Tuesday night, and you will hear music. The last accordion men in the hanger play as if the traditional dances of Iceland are in full swing still. Grey haired, stooping, hoarse men of age put their arms and fingers and memories through their paces. Their beautiful youth moves through each moaning note. No music is written down. Unless a boy is amongst them this merry-go-round music will die with the last accordion man.

Over the roar of the engines
and the thumbing of the wheels
the wheezing heart of old switches

 

April – A Poem A Day

evening

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The sun moves west. You walk the road out of town to meet it. Your progress is slow as you keep stopping to hold the moment. To wonder as the pinky peach light. In awe you question this reality. As the water lights up from within a golden glow that draws you closer. Close enough to touch. Something stirs inside you, deep within that sings in tune with this present.

A lonely concrete hut
rusty roof taste
metallic mixed with fear

April – A Poem A Day