I applied to Arts Council England for a Developing Your Creative Practice grant mid 2025. It was unsuccessful.
Undeterred, I resubmitted it under the project grant scheme. I was notified of being successful just before Christmas 2025.
Practicing Creative Fugitivity is its name, and it involves researching fugitive practice. It also involves reading in community Fugitive Feminism by Akwugo Emejulu.
A study circle of women of the global majority.
When did you first learn that you were a non-human?
The question that opens the first chapter of the text Fugitive Feminism.
A question that hits me in my gut with its open, blatant honesty and curiosity.
A question which niggles at a truth that I’ve not wanted to face up to as it would mean that I’ve spent a lifetime trying to demonstrate, prove, live up to an unattainable category of being human.
Human as a category was never created to include someone like me within it.
Human = Whiteness
Human v Non-Human
You can’t have the light without the dark.
All constructs to create hierarchies. A hierarchy where white, EuroAmerican, able bodied, middle class, cis-gendered, college educated and suburban men reign supreme. Superior.
Conceptual Other. No Humans Involved. The Lack of the Human.
Black women. Outside. Out Outside.
Our exclusion determines the borders/ boundaries of the human.
But consider this …
If Black women were free, it would mean that everyone else would have to be free since our freedom would necessitate the destruction of all systems of oppression.
Combahee River Collective
Where the excitement lies for me and others, is once we realise that Black women cannot be human, then with the support of this book in community, let’s consider what if ‘human’ cannot and should not be reclaimed?
Speculate. Speculation. Speculative.
How might we divest from the human?
That the non-human Other actually decentres the human. Move beyond human to something otherwise.
Something else.
Becoming ( something else).
Thinking of how to be/ how to live beyond the binary of human v non-human could produce the means of improving our community/society/our planet.
Centring the human ( v non-human/ othering all else) has got us into the shit we’re facing now in terms of ecological disaster.
Finding a way to decentre the human, divest from what this concept / construction means and how it operates has to be the way forward.
Fugitive Feminism is the doorway into another way of being. A portal into an alternative world built upon the Black Feminist politics of liberation.
The path ahead is not clear or defined. It’s slippery and ambiguous. It’s experiential and experimental. Yet full of possibilities. Caring not harmful possibilities.
Speculative. Suggestive. Spacious.
And it starts and continues with the act of refusal. Refusal of the way things are right now.
Refusal of being defined by others to fit into their definition of humanity ( whiteness).
Refusal of being extracted and exploited for the benefits of a few.
Refusal of being non-human.
Refusal of being outside of humanity.
Refusal of the whole concept of human/whiteness/ fascist.
Refusal of these limitations when i, we, i and i can be something else beyond humans.
I go to my local probably about once a week if not more. I was brought up next to a library, in Bradford and in Newburn. They were places I could go to for some sense of freedom and adventure.
The librarians knew me and would recommend books to me and events. They wouldn’t rush me, I was welcome to stay as long as I wanted.
Today, I love to pop in to see the book sales at my local libraries. As I have a few on my doorstep now. I flit between them, collecting worn and torn books that I repurpose.
I was brought up to know it was ‘wrong’ to write in books. They were sacred in our home. Probably because we were poor and if we bought books, usually from the indoor market in town, we knew it was money we couldn’t afford to spend on books. But my parents spent it anyway, as they valued books, learning and education. It was our way out of poverty.
I wonder what they would say now, if they saw what I did to books?
10p is all I pay for big, colourful children’s books, withdrawn from library stock. I have to feel the paper first though before I buy them. Even if only 10p, too shiny the page and the paint won’t grip it as well. The paint just swirls around and doesn’t stick.
I like my pages rough and matt finished. Ready to absorb whatever I put down on it.
This sketchbook was my side hustle for the last month. Side hustle to my main creative sketchbook. Here I just lay down colour and see what happens.
I like when what’s underneath the paint bleeds through. I like when the different layers of paint and pencil and pen bleeds through to the surface too.
It’s like a palimpsest. The marks beneath is the feeling I’m after. The haunting, the trace, the evidence of time and the passage of time. The archive is present now.
This is one of my favourite images from my extensive collection.
I know exactly when and where it was taken. Westfjords Residency, Iceland, Feb/March 2017.
This was my go to breakfast. Coffee, cornflakes and Skyr, Icelandic protein enriched yogurt. I love the colours, the composition. The items included. But most of all, I love the memories and feelings just looking at this image evokes.
It takes me back to that time of wonder and discovery during my second time to Iceland. A residency I gifted to myself, writing the application while teaching temporally; frustrated, longing to get out and create.
I stayed for two weeks in the shadows of the mountains, knee deep in snow most days until the thaw came with some greening of the landscape.
I didn’t know what the fuck I was doing there back then. I just knew in my body that I needed to get away, gain inspiration from the landscape and {BE}.
I might not have completed much when I was out there, but I know when I returned the experience shifted my creativity and how I saw myself as a creative.
I saw glimmers of the Northern Lights during this retreat. Pale creamy wisps and trails in a dark navy sky. It was magical and a mystery.
This makes me think about my art-making practice and how most of the time I’m working in the dark, moving out of my comfort zone into the unknown, looking and listening hoping to catch a glimpses of magic and mystery in the process.
What’s created on the page, like this photography, is an archive, a record which when looked upon brings to the surface all the memories and feelings of the process, the experience once again experienced to the full with wonder and a smile.
This was quickly followed with the writings and (re)drafts of Darkling, my poetry/hybrid collection published in October 2024.
After this 2025 has been a period of extended rest and refusal.
But something has been niggling me. The desire to create with paint again. the desire to play without expectations and outcomes/ products.
I’ve just scratched the itch through scrolling through Pinterest. Adding another abstract or landscape painting to a board that I’ll probably not look at again.
But it satisfied this niggling feeling. Until it didn’t.
It was going back into the classroom. Completing a few days of supply that pushed me over the edge.
The time I gave away for money. The time I’d lost pursuing my own pursuits. And realising that I wasn’t pursuing all the pursuits I wanted to pursue in the time I had/have.
So out came a creative sketchbook, inspired by the 30 days sketchbook challenge created by Cheryl Taves over at Insight Creative.
This is as much as I’m willing to share for now about the challenge, my creative sketchbook, processes and insights.
One of my rules is that it’s just for my eyes only. I want to see how this rule changes my practice. I want to create without fear but with curiosity. I want to give myself all the freedom without worrying about what others will think or say or comment on.
It’s not like I’m hanging on other people’s responses and reactions but I have gotten into a habit of just sharing anything and everything on my blog and I’m curious to see what happens when I keep things to myself.
Just for my eyes, heart, and soul only.
So far I’m enjoying the process of the challenge and I’m reflecting and paying attention to what makes my heart sing, what’s my creative vocabulary, what pushes my energies.
Do doubt whatever I explore within my creative sketchbook will be showing up in everything that I create. In everything who I {BE}. For sure.
You said you would paint my nails. Red. Because red would looks good on my skin. Purple even. This man. You blew so much hot air up my arse I was floating. Floating on fucking air all the way down there. 260 miles. 260 miles of Soca hits, blaring out the mini speaker. Getting me in the mood to wind up my waist. I’ve never felt so much carnival in my blood. Jouvert, jumping up in the midnight light, throwing paint, bodies slick with sweat, couldn’t beat the heightened anticipation of our meet. Lips thick, juicy enough to suck on. Like pork belly off the bone. Thick and sweet. They could become addictive. If only you’d check your attitude. Rude. And you think you elevated. Wise beyond your years and I better listen. Educate. Please! You better check yourself because this arse is moving out faster than when I got here. As I recognise, you might not be so much one of those bots, but you sure can scam. Making out you’re the jealous type and now I’m off the market because I’m yours. Excuse me, but our time has to come to an end sooner than you might have been planning. You mighty fine, but I’ve seen your ugliness and I ain’t buying it no more. To think I wanted to suck on those lips for eternity. Fool that I am.
Nearly 15 years ago, I put on my trainers and went on my first run. I started the Couch to 5K podcast the January after the birth of Miss Ella. I needed to lose the pregnancy weight as well as claim some time for myself, to decompress and forget the commitments and chores. I completed the 9 week training course and went on to complete 5k, 10k, half marathon and then a number of marathons. My last marathon was 2022 at Loch Ness. And last year, I attempted an Ultramarathon along the Pembrokeshire Coast but I didn’t complete it. I ran out of time.
I didn’t really train for the ultramarathon because my running practice was a bit hit and miss in 2024. I wasn’t feeling it. Wasn’t enjoying it. I wasn’t taking my medicine.
After the school run this morning, I felt the urge to get my trainers on and run. Knowing it’s been months since I have run, as well as considering my recent fall on black ice right onto the base of my spine and mostly my right buttock, I didn’t go running out the door at break neck speed. In fact, I’ve never ran at break neck speed. SLOW is my practice in running also.
I re-started the Couch to 5K podcast again. Week 1 involves a 5 minute warm up, and then alternating between 60 seconds of running and 90 seconds of walking, eight times and then a 5 minute cool down. So around the park I walked, ran, walked. My back was sore, I won’t lie. And maybe I shouldn’t be running after my fall. But this is me knowing my body, caring for my body, healing my body, my way. Back was sore when I ran, so this forced me to engage my core. To shorten my stride, to land my softer, even slow down. Yes it still hit but nothing major. But changing my running style also impacted my walking, as it meant I was engaging my core more while walking too. It meant I’m supporting my back more, all the time, not just when running.
The run went well. I wasn’t really out of breath. It was an easy start to the journey ahead. But I didn’t stop there. This fall has been a blessing, this is how I’m looking at it. As it’s making me more aware of my body and what I can do to keep my body healthy, moving and feeling loved. So I came home, completed a short set of strength training and then finished everything off with some yoga focusing on supporting my back.
In the past, I wouldn’t have bothered to actively support my recovery after a run. But this fall is forcing me to take better care of my body as it’s the only one I have and I want to keep her for a fair few more years to come. The fall made me face how fragile my body can be. How things can shift and change in an instant. I’ve been reluctant to walk out on ice and frost since. I’ve been hesitate but I also don’t want to be holding myself back or moving in fear. I’ve being fearful but I’m learning to breath through the fear and pain. I’d rather have the pain because I’m doing something to strength and support my back, my body rather than the pain through doing nothing.
Anyway, here ends my gratitude for today. I’m grateful to my body for all that she allows me to be/ do x
I’ve been receiving emails from newsletters that I subscribe to detailing end of year round ups and reflections. And I’m not sure I’m ready yet to step into that energy. I’m still living the year in front of me now – day by day. To let me just linger in the moments. Linger in the awareness of time passing. Winter’s here and the geese are getting fat an all that. But even in these times of worry, brutality and violence, let us to a moment to breathe and give thanks.
It’s the afternoon. And I’ve just finished another visual journaling spread. I might have been up at 7.30 and came to the page but again, remembering yesterday, I’m here to slow down. I’m here to savour these moments of light and joy.
I might have even shifted rooms in the process, moved from the bed to the couch. Exposure to more light and more bird sounds. Seagulls squawking and trees budding casting shadows on the living room floor.
The energies are quickening. There’s a fizzing of excitement in my stomach, my core. Who know’s what the day will bring?
The day has already gifted me time and space and colour and light and an immense feeling of peacefulness. Mindfulness. Kindness. Thank you.
Living Wild Studios 