My Creative Year in Review – Part 2

7D7739FD-D4A1-44AB-88B3-CA7B11B02EE1.jpeg

In recent years during December I’ve taken the time and space to reflect back on the past twelve months in terms of my creative life. It is always inspiring and surprising to remember the things I have achieved as well as the mistakes I have learnt from along the way.

Following this practice of review means that I enter the next year, fired up and focused about the choices I want to make going forward.
If I had to sum up 2017 in 3 words it would include courage, voice and business.

Let’s take a look at each month ( the year is split into two part,  part one here) and see what happened along the way to carry me into 2018, older but so much more younger in terms of wonder and curiosity.

July offered up the opportunity to share my practice with others as I became one of the women in residence with Idlewomen for a week on a canal boat. This was such an amazing experience, one I was most thankful for as I got to share my love of visual journaling with other women who were in need of a safe space to explore their own voices. I also felt reaffirmed in my desire to support women, particularly black women in their relationship with the natural world.
Hence me putting feelers out there on social media about who was interested in the creation of an Iceland Creative Retreat.

August was downtime as I took the family for a tour of Southern Iceland. It was lovely to return with the family and witness them fall in love with the country just like me. The only problem is now is that they want to return so it might mean I don’t get back there alone ever. But it’s not really a problem as I love sharing my experiences of Iceland.

After the summer break, in September, I came back to business with planning a visual journaling workshop just down the road from me. I also completed an important draft of the chapbook focusing upon black women’s bodies in society due to be published with Culture Matters in 2018.

October was a month of upheaval and change as we were forced to move house and downsize. But it was really a blessing in disguise as it gave me the opportunity to declutter, to become more minimalist as well as to prioritise my creativity. As a reaction to less time, I made time to blog more consistently through the move.
I started my next creative non-fiction project around the theme of death. More to talk about around this soon.

November was earmarked as a period of time to settle into the new home but that didn’t go to plan as I did withdraw from social media again but I was still beavering away behind the scenes. I was interviewed by Amanda Fall from The Phoenix Soul, as part of this digital magazine’s Truth Tribe Interviews. I had a soft launch of The Iceland Creative Retreat and filled half the spots. And then I enjoyed a women’s gathering in Pendle Lancashire called Shifting Loyalties when I enjoyed the challenge of sharing my visual journaling practice with over 30 women all at the some time. To be there, to witness this transformation in creativity made my heart sing.

December was time to wind down and get ready for the holidays. I took the time to explore December Reflections on IG hosted by Susannah Conway. With a much needed rest again from social media, I spent the time gained to read as well as fire up the creativity with completing Tara Leaver’s Practical Intuition course to create my own Iceland Oracle Deck. This fed into #IcelandInsights where I am sharing text and images each day in January in relation to my love of Iceland. There are more Oracle Decks in the pipeline for 2018.

So on reflection of 2017, on the whole, was very productive and successful in terms of moving forward with my voice as well as increasing my courage in being present as my authentic self. I hope to build upon the gains made here into 2018. I have learnt that the downtime and rest is just as important if not more so than the productive times. In these quiet moments, conversing with myself, I am learning to listen and observe more deeply and truthfully.

ten:three

1. Re-entry into my everyday after being away is harsh.
2. The sun glows low.
3. We walk the shore alone and smell the waves.
4. My everyday life is full of kinks.
5. The terns dance within the foam.
6. Strong black coffee steams.
7. Luther Vandross ‘Searching’ on the radio.
8. Emails plying up as is the washing.
9. Box set bingeing late into the night.
10. Not ready to start it all again tomorrow.

Sharing Practice

IMG_0423.JPG

For the past week, I’ve been sharing my practice of visual journaling on social media. I do this because I love to share what I do but also because I love to break down barriers, those obstacles we put up between us and our creativity.

If you take the time to watch these quick and simple videos, you will see that it’s easy to get beyond the blank page. That it’s easy to start getting our thoughts and feelings down on paper. All we need to do is DO IT! To make that start and see what happens. Not sure where to start? Watch the videos. I use craft paint or acrylics or even water coloured paints. Anything that gives the page an explosion of colour and moves me out of my critical mind and into my body, into the moment.

Here are the videos showing my step by step approach for getting from the blank page to a page of images and words that inspire me to keep dreaming on paper.

If you like what you see consider coming along to the next workshop that I’m running around visual journaling.

Visual Journaling 1

Visual Journaling 2

Visual Journaling 3

Visual Journaling 4

Found Poem – Chicago

Things happen in the blink of an eye
I pray to keep him out of harm’s way
I pray to keep him until he’s grown
But there’s a target on his back
And a gnawing hunger in his eyes
No prospects no jobs no hope
I pray to keep him close
I pray against police and gangs
But shots are fired shots are fired
No respect for humanity

IMG_5548.JPG

Little and often

IMG_5505.JPG10 lines. That’s all I’m setting myself to write each day.

I’ve been blocked and not blocked. Fearful and not. Holding back and remaining silent. Setting myself a little structure, and the minimum, hopefully will free me up to write.

10 lines a day. I plan to post one of these 10 line poems/ prose here every Friday for the next few months or so.

Let’s see how I go.

 

Visual Journalling

 

[[Method:  A double page spread in journal. First covered in paints, a mixture of colours are smeared across the page with a disused credit card. Once dry,  images that take my fancy are stuck on along with text gathered from magazines. Then selected pages from the novel, The Girl Who Fell From The Sky – Heidi Durrow , are cut up to create something new, a poem. My handwriting can be seen added also with black ink, asking the question, why keep a creative sketchbook?]]
 

There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open.

You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. …No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.

—Martha Graham, from The Life and Work of Martha Graham

 

What is my visual journalling? Why keep a creative sketchbook? What does it mean to me?

Visual journalling is a practice which I started two years ago taking inspiration from Lisa Sonora’s online course, Dreaming on Paper. 
My visual journal is my method, my way of remaining open to the life force, that creative energy that flows through me. When I enter my journal with paint, image and text, I am acknowledging to myself that I am paying attention to me.

Many moons ago I was introduced to Julia Cameron’s Morning Pages. Taken from The Artist’s Way , this is three pages of long hand writing as soon as I wake up in the morning. This is me getting whatever is in my head; worries, feeling, thoughts, moans and groans onto the page. Once out of my head, there is space for the good stuff to come through. My writing. My creations. My dreams.

 

[[ Method: A double page spread of added pages to customise my journal. Extra pages are created from full pages torn from magazines and then cut down if needs be to fit being stuck in with glue or sticky tape.  This creates an extra flap of space. Then it’s covered with lined paper, to write on and then covered with coloured tissue paper to add texture and sound. Cut out text, ‘flow’, added from magazine also.]]
 

Two years ago, my Morning Pages were not enough. Words had become my enemy, they were tricky and taboo. I was afraid of the blank page. It also become evident, that when I did write, the words themselves on the page where not enough. I wasn’t feeling the joy I once felt from just writing. My soul wasn’t being filled with light or colour. Everything seemed flat and lifeless.

While on holiday in the Highlands and Islands of Scotland, relaxing away from it all, I found the space to play. Taking Lisa’s course enabled me to break through barriers and fears. I started listening to my instinct instead of adhering to any external rules and I began to smear paint on the blank page.  Red, yellow, orange, blue. Any colour that took my fancy, mixed with others. This movement of colour inspired me.  Loosened me up. Gave me permission to start feeling I was enough. I was ready then to add my dreams, plans, wishes,  and worries also to the page but it felt safe. I felt safe by getting more and more in touch with my internal voice. With my authentic self.

Mixing paint, colours, images, photography, words, quotes within my journal means I’m listening and observing, paying attention to what is pulling my soul, what is calling me to bring to life. What needs to sing?

I could not think of my life without my visual journalling now. I am completing my Creative Journey Facilitator Training  with Lisa Sonora at the moment, so that I can go deeper into this process as well as practice the tools and skills I’ll need to share my love of visual journalling with others. I’m so excited about taking this next step.

 

[[ Method: Paper cut up from Women Who Run With The Wolves – Clarissa Pinkola Estes. Looking to create a new text from the words. Pasted text on to a magazine image of wildflowers. ]]