history

La Jablesse

| Sheree
La Jablesse, Zak Ove

After Zak Ove

Come, follow me, young man, into the forest. Come. You like the sway of my hips, and my secret smile?

Then come, follow me, if you want to see more, to touch more. I’ll be all yours in the hidden forest away from the waging tongues.

Pay no mind to my necklace of antique nails or the weathered ropes I wear like a scarf or shawl. It’s just my unique style.

Come. Not yet. Don’t peak under my wide brimmed hat or under my long skirts. Patience, you naughty boy.

Come follow me and I’ll be all yours in time. Brass horns and trumpets I adorn because I love to make merry and dance.

African mask I wear because I know where my people come from. Smelling of jasmine and rose with a hint of decay. Come.

Pay no mind to the way I walk, one foot on the road and one beached tree trunk for a cow’s hoof in the grass. Come.

Come into the forest, deep into the forest where the trees are tall and thick and no one will hear you scream as you are lost and fall down a ravine.

Listen, I need you, handsome young soul, to keep my own beautiful. I feed off your fear and lostness and fall.

Listen I’m happy to own my own narrative again. They call me La Jablesse- she-devil.

Listen, I say, I’m a woman in control of who she be and who she chooses to take to forest, to bed, and to death.

Part 2 – Exploring Rituals To Be More Present in My Life, Never Mind Writing

| Sheree

A poem can start with the sound of water falling onto my body. Allow it’s curious wet teeth to sink into my flesh, to pull out chucks of questions to fuel a conversations with myself, later. 

The ability to be present was a luxury my mother never had as she worked 3 jobs with her hand down toilets and fixed smile for the men with keys and brutal laughs. 

I claim the ability to be present. To allow my yearning for a past to awaken a future I will imagine, as I salver my arms and legs and belly, housing a familiar homesickness I’m not sure where from, with coconut oil. 

Turning cold hard oil, soft and warm against my skin, I reconstruct fragments of history, lost in colluded archives, and turn them into bleeding scars and pickled memories of somethings rather than nothings.

When I’m ready to forgive and understand, I’ll conjure Dad back from the dead, sit him down, and ask why he never ever mentioned love, in all his administering of disciplined care. 

Dressed, hair twisted and walking across green fields, and under cherry blossom, I swallow doubts to turn a phase over and over against the roof of my mouth, rewriting with each footstep. Slide stepping cliches, kicking around experimental metaphors. 

Or the poem could hit me full force when I walk into the coffee shop. Glasses steamed, journal in hand,  eyes on drinks board, but already knowing my order by heart, the table I’ll take – number 13, my lucky number.

Acting like the fugitive from my life, here, I steal time to soften my gaze and repurpose the image of  the sea into an open window that will startle you, dear reader, into a new perspective, into a new way of holding your mind and your heart towards yourself.

Part 1 – Rituals

| Sheree

A poem can start with the sound of water
Falling onto my body
Allow it’s curious wet teeth to sink into my flesh
pulling out chucks of questions to fuel a conversations with myself later

The ability to be present was a luxury my mother never had as she worked 3 jobs with her hands down toilets and grinning at men with keys and brutal tongues

I claim the ability to be present
To allow my yearning for a past
To awaken a future
as I salver my arms and legs with cocoa butter.

Bound up with Memory*

| Sheree

After Marcia Michael

My body has a yearning for the past. In this country, I am duped to believe and live as if we were nothing .

Nothing until they allowed us into existence. Nothing until they opened their arms, and allowed us to carry on being their slaves into the 21st century.

Search and recovery, my body reclaims her history.
My mother transported it on her skin, buried in the stomach of the ship, boat, truck.

My father carried it in his voice, trapped in the belly of the ship, train, coffin.

I cannot rely on any colonial archives for finding me and my people. Now or in the future.

Colluded, concealed, constructed, the archives have fabricated the narrative that sees we as other.

Reduce us to a footnote, a scar, a tear.

My body is my archive.
My presence is a testimony.

My imagination will do the rest.

*Quote from Toni Morrison 


The Object of My Gaze, on going project by Marcia Michael. Me Remembering you – transformations, 2021

Colour is Mine

| Sheree
Van Gogh, 1959 by Althea McNish

After Althea McNish

Sunflowers

big and bold

inspired by Van Gogh’s

brandished

across a

yellow and white

striped field

black lines

outline floppy leaves

and dozing closed heads

bright colour carried to

this grey isle

not a luxury but a necessity

for survival

for blooming

another time

uprooted

sunflowers

The Streets are Talking

| Sheree

87082B31-8BFC-41C2-9578-EFD778938017
Image credit – Clay Banks

The streets are on fire.
Smoke coats our tongues
like iron in our blood.

We walk for our rights
as weedy paths like barbed
wire lacerate our ankles.

God is in our shouts.
Demands for justice pour
forth smelling of lilies.

Winds of hope on the horizon
are felt like cherry blossom,
delicate and beautiful

but not short lived.

 

March Reading

| Sheree

March has come to an end. Even though it’s felt like the longest month from hell, someone on twitter mentioned 36 years and 9 months in length, my reading hasn’t been as steady as I’d like.

Please excuse me if my mind has been otherwise occupied. If news bulletins and articles and live updates were in book form then this month I would have consumed thousands of volumes as I seemed to have taken up residence at The Guardian news website. It is constantly on refresh. I’m taking care of myself though by having days when I do not consume the news, I stay away from social media and literally inhale positive, feel good art and literature and music. I highly recommend it during these troubling times. anyway, on to what I have read.

Completed March readings include:

1. Eyes Bottle Dark with a Mouthful of Flowers, poems by Jake Skeets

2. Swims by Elizabeth Jane Burnett

3. There are more beautiful things than Beyonce by Morgan Parker

4. Bone Map by Sara Eliza Johnson

5. Splinters are Children of Wood by Leia Penina Wilson

6. Life without Diabetes – Roy Taylor

7. Fleshing Out the Narrative – Marielle S. Smith

 

Ongoing March reading include;

1. The Last Wolf – Jim Crumley

2. Big Magic – Elizabeth Gilbert

3. Coastlines: The Story of Our Shore – Patrick Barkham

4. Blue Mind by Wallace J Nichols

5. The Northumbrians by Dan Jackson

6. 8 Master Lessons of Nature – by Gary Ferguson