“Wherever blackness dwells—slave ship, spaceship, graveyard, garden, elsewhere, everywhere—those captives accessed what Spillers calls a “richness of possibility.” Hortense Spillers quoted in La Marr Jurelle Bruce, How To Go Mad Without Losing Your Mind: Madness and Black Radical Creativity.
“Reading across our curiosities, the story and imagination are testimonies grounded in the material expression of black life”
Excerpt From Dear Science and Other Stories Katherine McKittrick
I’m a multi-passionate Creatrix ( I don’t use artist because it’s a term historically linked to imperialism and colonialism and we need to unlearn that shit!).
Reading feeds these passions. I can get myself lost up in a book or trip on many different subjects/ disciplines .
Today I was reading a crime novel, then a self-help book around self-sabotage, a healing and grief article, a Substack newsletter on erotic engineering, permaculture design, a Black feminist thought anthology, and instructions on a tube of Polyfilla!
I’ve always been curious. I got beats as a child for asking questions. For asking why?
For me fugitivity flourishes in and with having the time and space to lean into my multi-passions without anybody else telling me to stop, or move along or get back to ‘work’.
During my favourite season of the year, I’m leaning into my reading. I’m devising my own reading list of self-study around getting free.
I’m reading across disciplines and I’m reading into black studies and black livingness. I realised today, while, reading Katherine McKittrick, what I’m doing and have been doing is searching for and following the breadcrumbs that are shared through the writings and practices of black scholars, creatives and beings that have at their centre/ purpose/ inspiration black freedom.
Good morning. I like being alone. I’m not lonely either. All the signs in society are saying I should be with someone. A man as that would make me complete but that just isn’t the case. It’s a trap. It’s patriarchy and it slowly kills us. Black women faster than white women. And I see it now. It’s an institution of control and power . And it’s passed off as the natural state of affairs. But really in nature it’s multiples, it’s community, it’s ecosystems.
That is what I’m taking away from BWCR ( Black women’s creative retreat) establishing my community, my ecosystem.
Black woman is always the original, the origins. And it’s about time we get/ no take our due as when we take we give. We share, we multiple, we make a path.
With the warmer weather and the slower pace, I’m so ready to lean into the lazy, easy, light and breezy days of summer.
My six weeks off the clock summer holidays are just around the corner. I can taste the sweet sweet honey of rest. But I’m not quite there yet. Still things to complete, anniversaries to celebrate and forms to send off.
But it’s close. I can smell the cut grass and strawberries and syrup already. The long drawn out of days of doing fuck all. Hell to the yes!
Reading is top of the agenda. Summer self-study of topics and issues that are making me buzz. I’ve already started my crime fiction reading as I get back into the DCI Ryan Mysteries Series from L J Ross, all set in the north east.
And now tonight, with an hour to spare before pick up I dive into We Refuse by Kellie Carter Jackson. This is just what I need coming off the back of completing my black mothering and fugitivity chapter. But it also is adding fuel to my fire of refusal and divesting from racial capitalism.
I’m only a few pages in and my heart is singing and I’m thumping with energy in the recognition of finding my space, my safe place where my desires and wants for freedom on my own terms is not weird or unachievable. But is very much necessary.
I’m been talking here about finding my tribe. About my search for comrades in solidarity. I’ve remained pine in the process, for real. From one particular source I asked for further reading, as something was niggling me. Id expressed my concerns in terms of using the oppressors language as well as, well I felt as, the lack of warmth, kindness, care and love. And then through the further reading it all became clear. This was my response.
I believe that there needs to be unity to fight all oppressions. You can’t fight racism without fighting against capitalism.
But I realise through this further reading where my concerns lie. It’s not in the socialist/Marxist movement as a whole but it’s with the people who make up the movement.
I’m not sure if the people of the movement have/ or continue to take the time to work on their own racism. There seems to be a given that because the movement is against all oppressions that it means those who are part of the movement can’t be racist or sexist because they say they are against all forms of oppression. Saying it is one thing. Practising it is another.
In practice there is still the use of the oppressors language as I’ve mentioned before. Using ‘non-white’ or ‘minorities’ is offence as they still centre whiteness which is used for division and oppression.
The articles mention the BPP alienating white people because of their support for Black Nationalism and Separatism, and their language used around Black Power. You even mentioned yourself that we can’t fight capitalism through language and its use. Modifying language is not going to bring about material change you say.
And yet it is language the party is using to rally the masses, to bring people together. Language is the tool of persuasion no? Language is the tool of education.
But if that language continues to use the language of the oppressor and is offensive to certain groups of people, they are accused of being confused, ill informed and falling into the identity politics trap again.
However, from my experience, through reading the literature of the party, I feel that the language used reflects a party line where the people behind that line are not continuing to work on their own racism/ biases while focusing their efforts on society’s ills, outside of themselves.
I do not feed into white supremacy culture with the characteristics of either/or. I believe in and/both. That means for me, there has to be the work on the individual’s internalised racism and sexism at the same time as working against oppressions within society. Working on our own blind spots and prejudices can only benefit the movement as a whole. Where this fails to take place is where the oppressors divide and rule become fixed without our recognition of it.
To say that ‘non-white’ is every day language, quote, ‘commonly understood by ordinary people as respectful ways to refer to some people who are oppressed’, as a black person being referred to as ‘non-white’ is offensive to me and I’m not really bothered if other black people are okay with it. I might be falling into an identity police trap but one my identity is not built on my relation to whiteness that is racism. Two, if someone says they find it offensive and that is not recognised or is questioned and explained away as being the norm is denying that person’s experience which is racist. Three, to bring this up then to have it dismissed as being defensive and accusing someone of being a bigot/ racist and dismissed as a distraction from the cause is another example of an individual failing to check themselves and work on themselves to combat their racism/ discrimination tendencies.
I work on myself daily to check my prejudices or biases or judgments and blind spots. I only wish more people would also as I do believe the world would be a better place because of it. Movements and societies are groupings made up of individuals. Working on the individual at the same time as the collective can only strengthen that connection and keep moving it forward in an effective way, I believe.
If we think about what is happen in the USA today, and the ICE raids within every community. The Latino community is coming out and asking where are the black people why are they not out here on the streets with them protesting? Why are they sitting this fight out etc.? Black people are tired, esp. black women. Black people told everyone to vote for Kamala Harris and they didn’t listen. They voted for Trump. And now he is doing all that he said he would do.
Now people are asking for black people once again to put their bodies on the line. And yeah this is a prime example of the ruling class dividing and ruling. Pitting one group against another. But what is true there and what is true here, black people only make up a small percentage of the population. In the states 12% here 4% with other ethnicities. And yet it is expected for us to save the world. ( Aside here we might be termed ‘minorities’ within these countries but we are the global majority. I don’t use ‘minorities’ because it is used as language of control. Black Feminism or Third World Feminism has always been global in its remit).
It is expected for black people to put aside those differences which on a daily effect our life chances. Our lives in terms of life and death. And this is not feeding into a victim hierarchy and who’s suffering is more than someone else’s. It’s a reality. Black people, black women do not just suffer violence and brutality from the state but do so from person to person in their every day and yet black feminism still criticises and attempts to bring material change for all through fighting all oppressions including capitalism and yet if they ‘fail’ to bring about material change it is because of ill-fighting or confusion in their ideology but no mention of doing this within a racist/ sexist society that does not see Black women as anything except mules of the world. Not either/or but and/both.
As black women we continue to not be seen as human. Read Fugitive Feminism by Akuwgo Emejulu to understand this, which is anti-capitalist, anti-imperialist and anti-colonialist. It’s arguing for a rejection of the whole system. A refusal of what has already been refused to us. Other ways of being are possible.
Marx himself saw the future of capitalism as self-destruction and a social mode of production being the outcome. Fugitive Feminism is being/working now with the other possibilities. It’s about creating an outside while still on the inside. Creating spaces of liberation and joy on our own terms. It’s not waiting until then for it to be now. It’s collective and speculative and might be fostered by black women but can be utilised for all, all oppressions including capitalism and the class struggle. It is probably dismissed though because it comes from the mouths, minds and hearts of black women.
Thanks for all these readings. They have helped in clarifying where I stand. In solidarity but at the same time in my own fullness and power which I lend to any movement which recognises this and works with me to bring about dismantling all oppressions for all people.
The reply I got, was thanks, I’ll reflect on it, and wish you luck on finding your people.
I’m sharing it here as I don’t want my realisation to do to waste. The words I shared to go to waste, as I’m still open for the conversation, still open to standing together.
when the world is burning, what can we do? we can make fucking art. that’s what we can do!
“You can’t help it. An artist’s duty, as far as I’m concerned, is to reflect the times.”
― Nina Simone
sometimes i feel so small and insignificant. and what can i do that would make a difference? the world is burning. people are being exterminated. genocide over and over around the world, not just Gaza.Sudan, Yemen, Syria, Democratic Republic of Congo. genocide is history repeating itself. just in the last few days, a landmark Aboriginal-led inquiry has found that british colonists committed genocide against australia’s Indigenous population in victoria in the 1830s. why has it taken so long for this to be vindicated when the people themselves know when they have been dehumanised and persecuted? nations/ governments commit genocide because they think they can get away with it. no one seems to hold them to account.
what can I do when, as an artist, when the world has gone to shit? make art. that’s what i can do and that’s what were supposed to do.
it’s out duty to reflect the times. but the world is making it really hard for us not to do this. the world is working really hard to silence us. to suppress us. to keep us operating on fear and to box us in. all these social media platforms are owned by oligarchs who own and control us. we are discouraged from telling the truth. and when we tell the truth is is filtered, distorted and manipulated.
and yet. i remember. we need art. people need art. art helps use process our feelings and emotions. through art we can learn, heal and feel. art helps us to be in touch with ourselves and each other. art connects. art helps us reflect.
art gives me the words or the language for the things i didn’t know i needed to express to process to reflect to share. here in my little space on tin-ternet, i’m not bought or controlled. i’m not silenced or afraid. i embrace my duty as an artist to make art by any means necessary.
i hope you will join me in creating and reflecting the times. let’s not sit in our fears but connect in our strengths.
It was so good to have a deep dive into my practice, my work around fugitivity and refusing to perpetuate white supremacy culture. And it was all welcome at Feral Words. Nothing off limits and it was so liberating to try and make sense of all the concepts and ideas and feelings that are circulating within and without of me at the moment in time. A very disturbing time.
I’d seen the trailers. And forgot. It was already out a week or so when I realised and I only had a small window of time before I was off on my travels again.
So on the spur of the moment. I booked my ticket, walked and bussed there. A late night showing. I’d be coming home in the dark.
I should say, I have a love /hate relationship with horror movies. I get scared easily. I’m very impressionable. And images especially horrific ones haunt me afterwards. But I also enjoy being scared. In a weird twisted way. It’s an adrenaline rush.
This film has vampires. And I was travelling home alone. Considering walking ( I didn’t my after all).
The cinema wasn’t really full. I settled in and right from the beginning of Sinners directed my Ryan Coogler, I knew I was going to be in for a treat. The cinematic colours and quality of the film, shot in IMAX and 70mm film, pulled me into the world created.
Set on 1932 in the Mississippi Delta, during Jim Crow, a musical supernatural action film was a beauty to behold. Michael B Jordan playing a double role as the twins Smoke and Stake, I was gripped.
Of course I jumped and screamed all at the right parts but I also got lost in the characters and their relationships and the horror of it all. The death, grief, pain and joy.
If you haven’t seen Sinners, please go see it. Best movie for this year, best movie by far for a long time. This is a movie I have no qualms about haunting me.