A Deep Attachment To This World

“The most sublime act is to set another before you.” William Blake, Proverbs of Hell

Let me honour you. Hold you up to the light. Explore, examine and praise your simple beauty, your blessed grace.

Shiny, hard nut. Chestnut. Conker. Like my heart, you will soften and give under the right conditions, under the right love.

Who do you belong to? Where do you belong? I ask you, but really I ask myself.

It’s rude to stare, to touch but I’m attached to you whether I want to be or not. We are both citizens of the Earth. This Earth.

I’m not alone in this world I’m connected to you. Chestnut to brown. Brown to chestnut. Skin to skin. We are kin.

And I feel your hurt too.

In the Earth of her Voice is the Remnants of Fire

If I allowed curiosity and love to seep through the wounds, I wouldn’t be here now at the page trying to make sense of it.

A black girl walks through the meadow, enters the dark woods and forfeits her life. And I can’t but think if she was white …

Trust. Always difficult for me to hold, like light on burnt leaves. Like the coming of winter any day now.

The race talk, an accumulation of cautionary tales told through time, she, with earth in her voice, filled the void of rage with what was right for her soul. Joy.

My Mother was the Moon, the Earth, the Song

As I pull into the roadside drenched in memory, I practice breathing. Cycle through the minutes trying to gain ground.

She was silence behind her smiles. Behind her ample flesh. I burnt down our bonds because she dropped before her time.

I’ve too much fire to ever accept her truth. Too much sense to feel the moon held her fullness.

Late into the night standing by the window, she waited for my return. Without fail. I took her love and joy without a backward glance.

I am dark. Too dark. But meaning comes with the light. My own light, learning to shine from the inside out.

I wish she had her chance. I take her picture sitting in the grass amongst the trees and seal it into memory.

The earth she could not give me. She didn’t know how as she laughed her soul into existence.

I am red. All of it. And not at all. But with eyes wide open, body claiming space daily, I listen to her song and bathe in the moonlight.

In the dark with my own sacredness

So I close my eyes. Allow the dark to fill. Feel flaky dust around my ankles and know they are ashes.

Everything has burnt down. To leave fertile ground from which to stand. To rise. But when?

I am indigo. I am not indigo. The stars are not enough. And yet they draw my eyes and heart.

I came close to love reaching from the shadows of a mountainside where women of my family fell.

Memories and pain etched on the skin of my bones, I know what I need and want but I don’t know how or who.

Raw, I cannot dream enough colour to hold me. And yet ripe full of longing, I walk the landscape holding my power with an open heart and listen to the blood rain blooming.

Defining My Focus – Trace Mentorship

Portfolio Review Sample, October 2022

I’m merging myself, self-portraiture, with nature. Self assimilated with nature. I’m exploring my connection with nature through photography( for now!).

I’m exploring the environment and the visibility of Blackwomen within the landscape. Using the photographic image to tell a story. In the process reclaiming the narrative of Blackwomen and nature and photography.

I’m exploring the Blackwoman’s space and visibility in love and in relationship with nature. My audience is the Blackwoman. I want her to enter the space I create through my practice and recognise herself there. I want her feel that she belongs, feel the joy and all the lushness created in that space.

This will be a multidisciplinary experience. This will be a celebration of mixness, hybridity and our bodies in love with nature.

Trace Mentorship Update

Portfolio Review Sample, October 2022

A recent addition to my portfolio has been details about my Trace Mentorship opportunity. This was an applied for opportunity to experience the time and space to focus on my photography through a structured programme with other women over 35 years old.

Through a series of talks, presentations, peer and professional reviews, the aim is to gain confidence, knowledge, exposure and further opportunities to develop our skills and establish our practice.

I haven’t really been able to devote the required time and attention to this programme due to immersing myself within the BALTIC commission, it feels like for most of 2022. With this being complete and installed, back from Washington State, now I have the time to really get to grips with this opportunity.

It started with a portfolio review with three experts. I had the great pleasure and honour of talking one on one with Hettie Judah, Cindy Sissokho and Bindi Vora. And what a tremendous opportunity this was to sit down with them (virtually) and talk about my work, my vision, my mission etc.

Not only were they very positive and supportive about my work, but they also offered inspiration, encouragement, reassurance and permission. Yes from talking to these people within the know, my practice, what I’m doing, or trying to do was recognised and appreciated.

I was given back permission and the confidence to keep doing me. To keep pushing the boundaries, to not place limitations on myself, my practice, or what a photograph can be/ can do.

I’m in a much better place now to expand my way of being, seeing and doing, and continue to bring my mixness, hybridity to what I do. I’m excited to see where this takes me.

I’m enjoying the process as usual and not worrying about the end product. And I’m taking my time, embracing the slow. This feels nourishing and good for my soul.

The Beauty of Failing

Loch Lomond

Last week I attempted to walk the West Highland Way, again. And I failed again.

Around the mid point, well 52 miles in, I suffered an injury; a stress fracture in my right foot. It became too painful to continue. I was gutted.

After making the decision, I took my usual day to feel all the feels and then I got back up again. I switched this failure ( in terms of not completing the whole 96 miles) into a positive.

I walked along the byways and drovers roads and old railway tracks and had a great time being with nature. A week of forecast rain never materialised. The weather was bright and pleasant and welcome.

River Fallon

And the scenery was to die for. But I knew I couldn’t continue at the pace I was going. I had to weigh up the odds; continue to prove what? Or to stop and reduce further injury?

It also got to the point of no longer enjoying it. Because I was in pain and exhausted and feeling sorry for myself, I couldn’t enjoy the walking anymore. I couldn’t look up from the trail and breathe in the air and appreciate the view. My focus became the pain and how to get it to stop.

So I left the trail. Disappointed in myself but also proud of myself. I didn’t carry on seeking glory and jeopardising my body and the rest of my plans for the year and beyond. I took this hit of not reaching my goal in order to move through other goals easier or smoother.

I’ll not lie, I am upset about it. And had a funk about it. But at the same time, I appreciate the experience. I had such a lovely time waking up at the side of Loch Lomond with the last of the stars disappearing into a pinking sky over the glistening water. I felt blessed. And I still do feel this way to have had this opportunity of walking 52 miles from the lowlands to the Highlands of Scotland. Thank you.

Craig Royston