PAD/001 – A Month of Poetry

Happy April. Time for showers, blossom and light. Oh and poetry.

Forsythia

As I mentioned last week, I’m honouring National Poetry Month with the challenge of writing a poem a day.

I’ve set myself this task many times over the years, and I’ve always been amazed at the creations along the way. Poems have emerged onto the page that I didn’t even know were in me and needed expressing.

So today I come to the page with an open heart and a rough idea of the themes or issues I want to explore. But who knows with the creative process. Anything could happen.

Anyway day 1 – PAD/ 001

Trying to understand “the difference between poetry and rhetoric”

After Audre Lorde

The contested site of black settlement in England

is shrouded a heavy fog of amnesia. The wrong colour,

the wrong body, the wrong sound.

Read the history books, you’d think we just landed

the day before last. 400 years of being here, lost

in the mire, weighted down with size 10, Dr. Martens.

Like transplanted birds of paradise, West Indians

struggled to put down roots. Alien soil. On corners,

skylarking and limin’, jobs, homes and a little bit of peace

denied; harsh whispers on the bitterly cold wind.

The contested site of black settlement in England

is captured in stills. Images speak for themselves.

Black faces filling the frame; black blooms pressed

against hothouse glass. But still an absent presence in failed memories.

Moonlight, mothlight caress

When light drips from the moon, I wonder what she sees in me.

As her light stalks through cracks, does she feel the longing threaded through the hairs of my arm, and slicing through the rim of my smile?

When light bulges from the moon, thrumming the water of my weight, does she sense my hunger for a lover’s hips touching my inner thighs, for a breath down my neck, in caress?

When the moon’s light fingers me from sleep, to wind circles over my skin, moth light, white light, does she taste

the salt in my bones

the sugar in my sweat

the howl in my throat?

Trace Mentorship Update

Portfolio Review Sample, October 2022

A recent addition to my portfolio has been details about my Trace Mentorship opportunity. This was an applied for opportunity to experience the time and space to focus on my photography through a structured programme with other women over 35 years old.

Through a series of talks, presentations, peer and professional reviews, the aim is to gain confidence, knowledge, exposure and further opportunities to develop our skills and establish our practice.

I haven’t really been able to devote the required time and attention to this programme due to immersing myself within the BALTIC commission, it feels like for most of 2022. With this being complete and installed, back from Washington State, now I have the time to really get to grips with this opportunity.

It started with a portfolio review with three experts. I had the great pleasure and honour of talking one on one with Hettie Judah, Cindy Sissokho and Bindi Vora. And what a tremendous opportunity this was to sit down with them (virtually) and talk about my work, my vision, my mission etc.

Not only were they very positive and supportive about my work, but they also offered inspiration, encouragement, reassurance and permission. Yes from talking to these people within the know, my practice, what I’m doing, or trying to do was recognised and appreciated.

I was given back permission and the confidence to keep doing me. To keep pushing the boundaries, to not place limitations on myself, my practice, or what a photograph can be/ can do.

I’m in a much better place now to expand my way of being, seeing and doing, and continue to bring my mixness, hybridity to what I do. I’m excited to see where this takes me.

I’m enjoying the process as usual and not worrying about the end product. And I’m taking my time, embracing the slow. This feels nourishing and good for my soul.

A Week of Rain is Forecast

Starting off Sunday next week, I plan to walk the West Highland Way, a well signposted trail from just north of Glasgow, Milngavie to the Highlands of Scotland, Fort William.

I tried to walk this trail about 8 years ago but failed at the mid point due to sickness. So this time, I plan to complete it by any means necessary. If that means someone else carries my bag with camping gear from one stop to the next then so be it. I’m not too proud to accept help.

But I’ve just checked the weather for next week. And apart from a sun shine sign on Sunday, the rest of the week is 50-60% rain each day. Every day until the following weekend.

Now I could let this put a dampener on the whole walk, pun intended. Or I could just carry on as I have been carrying on, full of excitement with a genuine positive mindset to complete the miles but to enjoy the process.

I’m going into this week of walking, shortest day 10 miles – longest day 21 miles, coming off the back of some good learning experiences which I want to bring to bear in this next challenge.

The first is my 100 days of practice to complete my commission for the BALTIC Hinterlands exhibition due to go live 22 October. I didn’t allow myself to get too far into my head, stress and worry about what I was creating. Instead, I really enjoyed the process of showing up each day and seeing what came out of it. I totally enjoyed the process and had fun.

The second is my recent completion of the Great North Run. I went into this event off the back of very little training and with the simple mission of completing the 13.1 miles by any means necessary. But I didn’t look upon it as something I had to get through, grin and bear it. No. I went into this endurance event with a healthy positive mental attitude. I wanted to enjoy the day. Get around with a smile on my face, really soaking up the atmosphere of the day.

These two learning experiences I will bring to my West Highland Way challenge. So it says it’s going to be rain for the whole week. I’m going to get wet. I’ll expect to get wet. No surprises then. So the flip side is when I see the sun, or glimpse a patch of blue sky, I’m going to feel gratitude and it’s going to put a spring in my step.

I’m prepared for the rain but if I get sunshine I’ll take it with a smile. I’m not going to cancel this trip I’ve been planning for months because of a spot of wetness. I’m going to get wet as I plan to get into the lochs along the way. I’m planning to take each mile as it comes and enjoy the journey. Rain or shine. I’m doing it.

Yes I’ll get wet. Yes I’ll be cold. Yes I might not dry out all week. But I’ll be out in the Scottish landscape soaking it all up.

Would I like more sunshine? Of course I would. Would I like to be stuck inside, head buried into a computer screen working for the man? Hell no. Give me a week of walking in the rain from the Lowlands to the Highlands of Scotland and I will gladly take it with a smile on my face.

When I took up a door to door sales jobwhile at University in London for extra cash, rain was sold to us sale reps. as “liquid sunshine”. I’m going to remember that as I trek through the miles.

Tune in and see how I get on next week.

Fear to Fury

James Baldwin when interviewed after the SNCC Freedom Day demonstration in Selma, Alabama, October 1963 described what he saw there.

When was asked if he was afraid in the moment when the police were moving in on the African Americans waiting patiently to vote with guns and clubs and cattle prodders, Baldwin replied,

“ The thing is you get – you’re so scared – I was scared in the morning. Before it all began. And I was scared the first time I walked around there. But, later on, I wasn’t scared at all … Your fear is swallowed up by, you know … fury. What you really want to do is kill all those people.”*

* Quoted in Begin Again: James Baldwin’s America And It’s Urgent Lessons For Our Own, by Eddie S. Glaude Jr.

“The helmets were, you know, like a garden. So many colours.” James Baldwin *

Let’s Go Outside

Visual journaling 04/05

At the moment, I’m using an altered (romance) book as my visual journal. I go with my moods when it comes to deciding what to use next for my visual journal. I listen to my gut and what she’s calling for in terms of size, shape, texture of page, of journal she needs in order to show up daily for the next month or so.

So with an altered book as my journal I was calling for space to explore colours but also layering, composition and found text.

There will be pages that are heavy with colour and my handwriting while others I’ll crave colour with space and some text cut ups applied.

I’m using Toni Morrison’s The Bluest Eye at the moment to create found poetry for double page spreads. The Bluest Eye was the first book I read in which I found someone who looked like me and who felt the same self-hate I was experiencing around growing up in a predominately white society being within a Black body. It was revolutionary for me and my personal development to find this book when I did.

I suppose using a copy of the book now to cut up and repurpose is saying something about how I’m feeling at the moment and how I want to see myself on the page. How I want to take back the space, take up space and be validated. But on my own terms.

I love how powerful visual journaling is to my psyche and how I move my body through this world but does so through such a simple process. It never ceases to amaze me what comes to light and fruition through this practice.

running free

Climbing trees, juicy mangoes

pliant flesh and ashy elbows

to be running free through the long grass

and burrs sticking to legs, gaze widening

no thought for shiny brown skin

causing hate, no thought for others

just green