art

Black British Art – 001 – Sonia Boyce OBE

| Sheree

This has been a long time coming. I first mentioned this series here.

{Sonia Boyce, She Aint Holding Them Up, She’s Holding On (Some English Rose) (1986), Middlesbrough Institute of Modern Art
Photograph: © Sonia Boyce. All rights reserved. DACS 2013}

Sonia Boyce, OBE, born 1962 in London of Afro-Caribbean descent has been vocal in championing Black British Art since art college. She has been at the forefront of changing the perceptions of British art, shifting the focus and belief away from whiteness towards multiculturalism being one of the first Black British women artists to be exhibited in Britain.

Frequently, using her art, be that photography, collage, film, prints, drawings, installations and sound, to explore themes of race and gender, Sonia Boyce takes the time and space to represent her experiences of being a black woman living and working in Britain.

Elected to the Royal Academy in 2016, in 1988, she became the first British-based black artist to have a show at the Whitechapel Gallery. She is currently a Professor of Black Art and Design at University of the Arts London.

I’m attracted to Boyce’s work because I can see myself within it. Far too often, I look at British art and see beauty personified in white flesh, female and slim. It’s demoralising as well as destructive to my psyche to not see myself reflected. With Boyce’s work, I see my struggles as well as my beauty and joys. I can relate and for this I am grateful as well as admire Sonia Boyce greatly.

Between Landscapes

| Sheree
Peel Crags

The walk is blustery. A chill sets in. The stone wall from centuries past worn into smooth layers, slips and trips around memories.

She breaths deep and releases aeons of pain. Her body relaxes into the currents. And with arms wide, she lets go. Her shadow is a moving dark mass across the landscape.

Her heart, the energetic space of unconditional love beats for all, pumping the blood of life throughout and between this landscape and hers.

Rekindling the Spark

| Sheree

Today, I’m 60 posts into my #100daysofblogging here on my website. I think the first two months of the year have flown by. As we look towards Spring, I feel hopeful that I will fulfil this challenge, I feel hopeful that I’m learning so much from the journey.

During these 60 days, I’ll not lie, I’ve lost the spark, the creative spark from time to time. Those days when I can’t be bothered to come here. Those days when I’m tired or busy or just can’t face the blank screen. But making this commitment to myself has brought me back daily.

The spark is rekindled by remembering my purpose and passion. As the cheetah above signifies. Sometimes I just need to stop and check in with myself and check that I’m doing something for the right reasons. For something true to me.

I took upon this challenge for myself because I wanted a means to keep in touch with my creativity. I believe that action breeds action. Touching the bubble keeps the bubble afloat and important and in focus. Blogging helps me keep writing here and elsewhere.

The spark is rekindled by turning up. Do something. Do anything. Move forward. One word at a time. One foot in front is another. But don’t give up. The spark is rekindled by the feelings I experience when I know I showed up for me once again. It makes me smile. And Lord, do I like smiling.

A little old house

| Sheree

There was an old woman who lived in a little old house. The little old house had a little old garden where the little old robins enjoyed to rest. This little old woman had a very harsh winter when her little old garden was covered in snow. So much snow that the robins didn’t come to visit until the snow had almost gone. The little old woman was so sad in her little old house with her little old garden all covered in snow with no robins to sit and watch. So she had an idea.

The next time the little old woman spied a robin in her little old garden, she crept out so quiet as can be. Tip-toe, tip- toe through the snow until she was right up on this little old robin sitting on the little old bird table in her little old garden. And as quick as you like, the little old woman hit the little old robin with a little old frying pan, swept it up and into the house. Where after the little old woman stuffed the little old robin into a plump little thing. She then stuck him on her little old bird table in her little old garden so she could look upon that little old robin all year long.

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I Dare You

| Sheree

“ I believe that the most important single thing, beyond discipline and creativity is daring to dare.” Maya Angelou

Today, I am daring myself to draw again. To allow myself to draw and dream and to be just curious again. To try things out, to practice with colour and not worry if it’s not right , if I get it wrong. I dare myself to get out my coloured pencils and to just try. To draw for me. And this is scary as it’s for nothing else I’m working on. It’s doing something for no other reason than to just try. And it doesn’t matter if I’ve got no time and other things are pressing. And it doesn’t matter if I don’t know where to start, or what I’m doing. I have an inkling to try so why not go with it. I dare myself today.

What are you daring yourself to do today?

The Creative Life

| Sheree

You need to know what you want right now, but not where it will lead you. You don’t need to know the end goal or how it will all fit together. – Anna Lovind

The gift of time

| Sheree

Today, I was due back up at the Sill to facilitate a storytelling session for all around the themes of Hadrian’s Wall and the new Lost Words exhibition. Unfortunately, due to adverse weather conditions, the event has been cancelled.

Even though, I’d spent the last few days in preparation for the storytelling, which I view as time well spent not wasted, I’m grateful for the free time I’ve been gifted today. I felt as if a weight has been lifted off my shoulder and now I can relax into Sunday. And I’m not going to rush and fill this empty time with all the jobs I have piling up with the house or family or work related stuff.

What I intend to do and what I’ve been doing is to remain curious and allow myself to be intuitively guided towards what I feel I want or need to do. Okay I might have to do some dishes or we’ll be eating off our hands all day. But at the same time, I’ve been visiting my visual journal and experimenting with my resources; journalling, moving paint around, doodling, dreaming. Being creative but just enjoying the process and not really thinking about the end product.

Sometimes, I need to take the time and space to remember the benefits of my visual journalling practice, what it’s seen me through, supporting my healing and grieving, and how it supports me to remain curious about my creativity but also life, my life in general.

Launch Event

| Sheree

I was invited to the launch event of an exhibition bring the book Lost Words by Jackie Morris and Robert MacFarlane to life at the Sill this week. I’d seen the book and have admired the images, but I hadn’t spent much time with the text.

The premise is that generations of children are growing up not knowing the names of things in nature, or being able to recognise them. That this knowledge has slipped out of existence and this book was created as a way of recapturing the magic, bringing these lost words back to life. Such words and natural living things as bramble, conker and fern.

I had the most enjoyable evening talking to fellow visitors as well as hearing some of the spells within the book being read aloud. It was inspiring so much so that I intended to link into the idea of lost words, and lost worlds as I return this weekend to the Sill to facilitate a storytelling session about the multicultural communities from ether past who lived and worked around Hadrian’s Wall in Northumberland.

Fern

Fern’s first form is furled,
Each frond fast as a fiddle-head.
Reach, roll and unfold follows.
Fern flares.
Now fern is fully fanned.

Robert MacFarlane

The Mountain

| Sheree

I started 2020 off by starting an online course with Creative Non-Fiction called Writing the Lyric Essay: When Poetry & Nonfiction Play. It’s five weeks of writing time on my personal essays and I’m enjoying reading a range of new writers as well as reacquainting myself with ones of old.

Last week was looking at the lyric essay in relation to e prose poem. I was introduced to the weird and wonderful work of Charles Simic and the early work of Toi Derricotte. It was a lovely week of red and writing and the words just seemed to flow. Here I share a piece with you called The Mountain.

We climb in the rising heat
and I feel heavy.
Rucksack clinging around
my waist like a troll,
I’m at the end of the line, always, as if I need the others, fitter and whiter than me, to pull me up the steep pass.
I tell myself, I’m taking my time to savour the moment, enjoy the view as my breath escapes like a monoprint; white lake
surrounded by shades of grey; flint, slate, gun-metal to charcoal.
The majestic mountain.
Because I’m afraid to love,
I keep my wetsuit on
and enter on foal legs
the clearest blue lake
known locally as bottomless
as well as home to a water dragon. The dragon does not scare me.

However, letting go does.