Black Motherhood, Conjure and Poetry

Wallpaper created for A Country Journal of a Blackwoman(Northumberland)

I recently talked about the coming of April and how more poetry would be appearing on here as I attempt to ‘play with words’.

You can not imagine the delight as well as confirmation I received this morning while reading an article for the commissioned essay I’m writing at the moment around (Black) Motherhood.

A bone of contention with me is when I see the words ‘mother’ and ‘motherhood’, even though I have birthed children, I do not see these terms applied to me. ‘Mother’ and ‘motherhood’ come with the connotations of white and whiteness for me.

Test it yourself. Be honest. When I first mentioned ‘mother’, what image came to mind for you? If not a white woman and child. I’ve seen image after image of the idea of motherhood, the natural beauty of ‘The mother’ and nine times out of ten the image is of a white woman and child. As if a Black woman is not/ cannot be seen as a mother, even though a Black woman is the source of the whole human race. Go look that one up!

Anyway, I’m going off topic here ( but not in terms of the hybrid essay I’m writing for the forthcoming special Demeter Press collection, The Mother Wave: Matricentric Feminism as Theory, Activism, and Practice (2023)).

Reading this article this morning, ‘ Conjuring the Ghost: A Call and Response to Haints’ by drea brown, there is a mention of poetry lying in the body, coming from that dark place within where our true spirits lies hidden and growing, argues Audre Lorde. But poetry is also our way, Black people’s way, or theorising and making sense of things. Through our stories, narratives, riddles, poetry; playing with words and language, we not only gain an understanding and reimagining of our lives but these are also tools of surviving.

As Black women, speaking from my lived- experience here, through our creativity, through our playing with language in such a spirited way, we enter in the process of not just theorising and strategising but also self-making and through this practice passing this on to others. Passing on this power to others. It’s what we do, have been doing through time. Starting with the mothering we do of ours and others babies

April – National Poetry Month (USA)

Spring’s in the air. Filled with love. There’s magic everywhere. When you’re young and in love- The Flying Pickets ( well that’s who I heard sing it first and I’m sticking to it!)

April is just around the corner. The blossom will be blossoming. And I’m returning to my first love; poetry.

We’ve been in and out of love over the years, poetry and I. Sometimes she hasn’t treated me well, while other times I’ve neglected her and gone off with some other genre of writing.

I don’t even know if we’re good together, as I was brought up on dead white men’s poetry and I could never measure up to them and their creations. And then somewhere along the way, I gave up trying to.

But when I’m facilitating writing workshops, I say poetry is just ‘playing with words’ in order to break down the fears and insecurities we may be bringing into the creative space. ‘Playing with words’ eases the pressure and injects a bit of fun into the proceedings.

So I’m taking my own advice and going to spend April playing with words each day on the hope of creating some kind of whole at the end of each day.

For more ease of creation, I’ve decided to base my creations around one theme/ focus/subject which is loosely around Black British history through the photographs of the past that are in the public domain along with an exploration of the Race Relations, Commonwealth and Immigration Laws which came into effect during the 60s and 70s.

I’ll also be touching upon the uprisings that also happened during these turbulent times as a demonstration of push back against the messages of go back home even though for the second generation of immigrants onwards this has been the only home most of us have known.

So this is the intention, as I also attempt to tap into the surging, fresh Spring energy of the season, to reconnect my ancestors’ bodies with nature through the process of playing with word to create poetry this April.

I hope to document some, if not all of my creations here as a means of accountability and in the spirit of sharing stories.

Moonlight, mothlight caress

When light drips from the moon, I wonder what she sees in me.

As her light stalks through cracks, does she feel the longing threaded through the hairs of my arm, and slicing through the rim of my smile?

When light bulges from the moon, thrumming the water of my weight, does she sense my hunger for a lover’s hips touching my inner thighs, for a breath down my neck, in caress?

When the moon’s light fingers me from sleep, to wind circles over my skin, moth light, white light, does she taste

the salt in my bones

the sugar in my sweat

the howl in my throat?

The Power Of Repetition


“Sometimes it can be the fear of writers block that keeps us from writing. We believe we don’t
have the words. We get stuck. My one word answer; repetition. I learned the value of
repetition through being a parent. Mothering is deep study in practices of repetition. Doing
and saying the same things over and over again. Recently I listened to Black feminist and
performance memoirist Gabrielle Civil2 speak on repetition. She offered a spiritual as an
example;


Sometimes I feel like a motherless child
sometimes I feel like a motherless child
sometimes I feel like a motherless child
a long long way from home


What being a mother taught me is that the repetition is not for nothing. And the point that
Gabrielle Civil makes is that it is not, in fact exactly the same thing over and over again, but
subtly different each time. It is building. It is, she says, accumulating to get you to something
new.” Taken from Creatique, Foluke Taylor.

I am becoming whole.

I am becoming whole.

I am becoming whole.

I am becoming whole.

I am becoming whole.

I am becoming whole.

I am becoming whole.

I am becoming whole.

I am becoming whole.

I am becoming whole.

I am becoming whole.

I am becoming whole.

and that I had to leave you to save myself, abandon you

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most