opinion

What are some of your essential tools?

| Sheree

Recently I’ve been asked a few questions about my practice and process with my artwork. One question which struck a cord was, what are some of your essential tools for creating?

 

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My practice changes but what I can say is that I’ve fallen in love with mark-making while completing #100daysofabstracts, so anything that can manipulate paint on the page is something I want to get my hands on.

My trusty old disused credit card is always by my side as I use it to create the background for my visual journaling, but lately this has been accompanied by a Catalyst pebble sculptor No.6 white, a plaster’s trowel and a spaghetti scoop.

I love creating mixed media layers of papers, pencil, pastels, gesso and acrylic paint and then scraping layers away so the past is revealed.

Take the term, palimpsest which I’ve come to understand through my writing practice as a piece of paper where the text has been scraped or washed off so that it can be reused but each use is still visible, like a ghost.

I see the abstracts I’ve been creating in the same light when I create layers and scrap areas back so previous layers or versions haunt the finished piece. I’ve always been interested in how to read history and heritage in light of the present so we can learn for the future, through these abstracts I’ve been exploring these concepts visually.

My Favourite Influencer

| Sheree

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I’ve started my second #100daysproject of 2019. Joining in with the official challenge, #The100dayproject, I’ve decided to focus on created images where I see myself reflected, #100daysofblackwomen.
I’ve purposely not set up any long, drawn out rules. All I have to do each day is create a face or figure of a black woman. Far too often in art, if a Black Woman is present, she is not represented in an empowering or positive way. She might be the servant, or a sexualised object, ridiculed and degraded.
I want to look upon art and see my multifaceted identity reflected; the good and bad, the truth.
It’s only been in the last few years really that I’ve embraced this practice of creating, painting black women. I know taking Painting the Feminine with Dirty Footprint Studios, hosted by Connie Solera has influenced this development. Creating within a supportive group of women and gently pushed into our own ideas of what femininity can be has been a catalyst for
my explorations and expressions.
A recent discovery has pushed me further into my own visual language. This has been finding the artwork of Mystele Kirkeeng and then watching her create her pieces.
Watching Mystele and learning about her practice and techniques gave me permission to trust my own messy process. Seeing her process made me value my own for the first time and to lean into it more. It’s such a glorious feeling to finally believe in what I create at the same time as not worrying or stressing about whatever anyone else thinks about my artwork. Mystele reminds of the joy and excitement I can have for my own creativity. And this is priceless.

My Story

| Sheree

I’ll be coming back to this topic again in future blog posts but for now let it be known that I started blogging because I’ve got a big heart that has to share.

Blogging called to me many years ago, like 2004 when I started the first website for a group I set up. Back then I saw the blog as a means of keeping an audience up to date with what we were getting up to. I saw it as a means of spreading the word and connecting with others. I suppose I still believe this is my reason for blogging now.

It also helps with writing practice, something I didn’t realise or appreciate until the words ran dry and it was because I stopped blogging. I stopped showing up for me, for believing in me and began to believe what others thought about me and my writing.

But that was wrong, as even when I knew no one was really reading my words, connecting with my thoughts and feelings, I still chose to share them in a public way in the hope that one day, someone out there is search of some words that could inspire them, touch them, change them stumbled upon my blog and it made all the difference to their moment, their day, their life.

A favourite quote …

| Sheree

It’s difficult to pin down my one and only favourite quote as I love so many. I use quotes as inspiration, as thought points, as guides.

At the beginning of each Studio Note I send out to subscribers, I include a quote, to set the tone, to ease into the topic of discussion.

Toni Morrison is always a favourite writer I quote because it was her book, The Bluest Eye, where I first found myself in literature. Before that, I always had to identify with the white female lead in the story. I found myself wishing I was something I was not; white, blond and blue eyed. In The Bluest Eye, I found myself, a little black girl growing up in a cruel, racist world, thinking if only she was white, then she’d be loved.

My quote isn’t from The Bluest Eye this time but it does touch upon this topic of self-love; my focus this year as my word is LOVE for 2019.

“In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don’t love your eyes; they’d just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face ’cause they don’t love that either. You got to love it, you! And no, they ain’t in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don’t love your mouth. You got to love it. This is flesh I’m talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I’m telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they’d just as soon slop for hogs, you got to love them. The dark, dark liver–love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.”

Toni Morrison, Beloved

already there inside you

| Sheree

I return after a three month hiatus for social media to take a few weeks away from work, in the real world, to recharge the batteries. I spent my time away from cyberspace, reconnecting with my self and my creativity but also working hard to build a union. At the moment, I’m close to burn-out because of it. So I need to step back and assess how I’m using my energy.

For the past few days, I’ve been operating with a sharp pain within my right side. I’ve experienced this pain before, a few months ago, but that pain came and went within a day. This pain has stayed. It may be related to something deeper inside that is happening, but at the moment, I’m reading it as a sign. My body is telling me to stop and I’m listening.

Metaphorically, I’m reading this stabbing pain, which increases when I bend down or put any pressure on, as a thorn in my side. That there’s been someone or some situation which has been causing me a lot of grief and heartache. Hence the rest. And I’m not going to allow this to continue to sap my energy and attention.

What I’ve been doing is stretching my body out, leaning into the pain and breathing. Kundalini yoga. Allowing the sensation ( see I changed the word there) to course through me and be. Yes I still feel the pain and discomfort but at least, I’m managing it. I’m not allowing it to stop me. Or define me.

I know if I was alright with myself, whole even, the past few months of attrition wouldn’t bother me, wouldn’t touch me. I also know that it takes a lot of energy and belief and self-love to let it just flow away and not touch me. It’s a practice. I continue to practice this each day. Some days I manage this and some days I don’t.

I leave you with some words of wisdom I read today on IG, from @the_ardent_alchemist, I’m thankful for this reminder.

>> … and suddenly you know in a flash – – just like that! – – that there is nothing to strain or strive for and there never has been. everything you need is already there inside you – it has been given to you and it can never be taken away … <<

Sharing My Joy

| Sheree

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Just popping back in here quickly to highlight that I’ve created a new page all about my practice of visual journaling. For the past 3 years, this visual and creative practice has been my lifeline. It has not only got my head straightened out but it has also been my playground where big dreams have been declared and explored and come to fruition.

I do look upon this practice as magical. And the special thing is, everything is inside me waiting to come out. Through the use of paints, images, photography, collage, drawings, stamps and stickers, I get to tap into the magic that is inside of me, all the time, each day. No wonder I go all evangelical when I start to talk about visual journaling and share this practice. As it has quite literally changed my life.

Check out the new page in the portfolio and keep checking back as I continue to update it as well as develop the new ecourse to go with it.

Everyone visual journaling here we come.

Life Drawing Class

| Sheree

 

A couple of evenings ago now, I attended a life drawing class locally. This was the first time I’d attempted something like this. But in all honesty, I wasn’t worried about going along. And once I got there, I totally enjoyed it.

It was weird at first though as when I got there, I recognised one of the women standing up taking. I thought to myself, I didn’t know such and such as an artist. It was only when the introductions were made did I realise she wasn’t an artist but the life model.

It could have been an embarrassing night after that but it turned out to be very liberating and interesting. Within that setting, the human body naked became nothing to be embarrassed about but became something else. Something, an object for want of a better word, that I was attempting to capture a likeness of on paper. It wasn’t flesh but more so angles and curves, light and shade.

It was good practice for getting lost in the flow of creativity. To feel the texture of the paper, hear the scratch of pencil as well the rubbing of charcoal and stains appearing everywhere. My senses became heightened and I was present in the moment. It was awesome.

Would I return? Yes I would but I would probably go along to an open session rather than a tutored session. As I didn’t go along so much as to learn about drawing the human form ‘properly’ with the right proportions. I went along to play and just let loose. A chance to try something new and free up my creativity. I’m not practicing this to get anything right. I’m doing this just to express what I feel or see or think. That is always right to me. For me.

Working Behind the Scenes

| Sheree

Through April, during my social media hiatus, I have had two intense weekends away from home. One experience nourished my soul. The other pained my soul.

I will write at length about this some other time, some other place. For now, the first weekend was wild swimming in Snowdonia. It was awesome and exhilarating and pushed me out of my comfort zone. And subconsciously, I must have known within my body that I needed this, and the sea swimming the week afterwards, in preparation for the following weekend.

I was the one and only delegate for my union, Artists’ Union England at the TUC Black Workers’ Conference. I presented a motion around discrimation within the arts and culture as well as the cuts in funding which are felt the most by already impoverished communities where Black, Asian and ethnic minorities predominately reside.

This weekend was educational, informative and inspirational, as well as a wake-up call. I say we live in a beatiful world, but this world is also ugly, unfair and unjust. Systematic racism is the operating means of power and control. And I forgot. I bury my head most days. I live in my own little world. And this is a luxury I have to readdress and change if I am to be the agent of change I want to be.

When you are woke, you stay woke. You have to stay woke in order to keep that fire in your belly alive.

Expect more to follow about both of these experiences and others.

But for the time being, this site is going into reconstruction.
It has been a year in existence and things need to change. Hopefully for the better. I’m not sure how things are going to turn out but I’m excited about the prospects.

This is a hold page while I do this much needed work behind the scenes. But I’ll be still writing and creating during this time.

To stay up to date you have three options.

1. Follow me on social media from May – IG @wildsoulwoman – images and words, twitter @awildsoulwoman – politics and insights

2. Subscribe to Studio Notes, receive a free download of poetry and intimate notes about my life and adventures about one or twice a month.

3. Become a patron for my Slow Writing practice on Patreon. Here I will be sharing my musings, creations and breakthroughs as I explore race, gender, power, the body and nature.

Hope to connect with you through any or all of these platforms.
Until next time, take care

Sheree x

Four Months: Thursday

| Sheree

We leave our Eco-house early driving into Reykjavik for coffee and breakfast at Braun’s, a delicious bakery selling fresh bread, cinnamon swirls and croissants.

From here we have the length and breadth of the city centre to play with.

We become the Flaneuses, the walking women that we are. Armed with our cameras and pens and journals we begin our adventure.

We walk up the hill to the iconic church, Hallgrímskirkja. We take inspiration from the exterior, designed to resemble the Icelandic landscape with its rocks, mountains and glaciers. This a sharp contrast to it’s clean, understated and simple interior of grey and padded pews. We take the lift to the top of the tower and see the streets of Reykjavík below us as well as the sea and surrounding snow-capped mountains. We are Queens, women unto ourselves up here. We take this sense of power and awe back down as we sit and take time to capture our thoughts and feelings of being here, now. Being present.

Let me take you into a hidden garden of sculptures just by the church. Einar Jonsson Museum. Many walk by and miss this moment of beauty. But we don’t as you have a frequent visitor to Iceland as your guide. Me.  We stop and write here too soaking up the quiet and peace right in the middle of the city.

Down the hill we walk in the direction of the museums and art galleries. We have a few to choose from and it all depends on what they’re exhibiting. The Photograhy Museum is a favourite of mine. The criteria for selection is women, nature and beauty.

We enjoy a workshop within the gallery, stopping for lunch and sharing our creations. Then the afternoon we have the time and space to shop, walk, explore alone or together but really experience the feel and buzz of this compact but vibrant city centre.

As the days are long, we can stay as long as we wish in the city, grabbing dinner, catching a concert at Harpa, experiencing the nightlife. We play it by ear as the adventure just keeps enfolding just beyond our next step.