Archive: a Country Journal of a Blackwoman

A Visual Journal Spread from The Country Journal of a Blackwoman (Northumberland), archive

Right now my practice is on display within The BALTIC: Centre for Contemporary Art.

As I was out of the country when the group exhibition, Hinterlands, launched on Friday 22 October, 2022, I managed to get into seeing it after such event the following week.

I really didn’t know what to expect as you visualise the end result, the culmination of months of hard work, dreaming and winging it. But to actually see it all come together in a white cube space is another thing.

I visited my archive last week, with my daughter, excited and nervous and unsure. I got to see The Country Journal of a Blackwoman(Northumberland) exhibited on level 3 of The BALTIC. I was shocked and surprised to see my work out of context within this space. It was an emotional as well as nerve wracking experience.

Because of my absence, I had to leave instructions about the installation as well as extensive notes and labels for each art piece. There are about 50 items if not more within this creative archive. It’s to be expected that things got lost or mislaid in translation. So my focus for this trip was to make sure everything was how I wanted it to be.

After some discussion and sending of correct audio files, everything is now complete and as I want it to be presented to the world.

I’m not sure how I feel that during the launch of the whole exhibition, that things were wrong or missing. But I do know that after seeing everything in terms of my contribution and making things right after my visit, I felt great relief and was able to enjoy the achievement. It was also weird to be there at the same time as seeing peel interacting with my work. I’m not sure I want to have many experiences like that as their reactions did affect my state of mind, pride and achievement. And it would be very unsetting, I feel, to be there and witness someone laughing and disrespecting my work. I think this is something I need to gain a thicker skin for. But right now, my skin is thin for a number of reasons, tat I might explore here in time.

I know I have to return now, to take in the rest of the group show as well as the rest of The BALTIC’s exhibitions for this season, as this is a strong presentation.

I’m honoured to be showing at the same time with them.

Of course more reflection and images to come around this achievement.

HINTERLANDS
22 October 2022 – 30 April 2023, BALTIC: Centre for Contemporary

Let’s Start with a Poem

Extract from my recent presentation for the Women and Wetlands Panel Discussion

When Petrified Trees Stand Up and March Into the Sea

I carve out solitude to wander
wide open shores

sanddunes, pebbles and
wooden limbs

Submerged
a forest of trees
so tall they flowed
above the clouds

what we cannot control,
we destroy and call it progress.

We advance like the tide
to claim what
we have
no right to claim

concrete blocks,
seaweed and dead seals,
emerge from
frothy waves
and marram grass.

unseasonal storms
uproot ancient trees
while manmade
concrete lines
remain in tact
in place in defence

here a legion of
foreign bodies marched
to expand an empire,
build a wall
then leave it to moss.

Bizzing dragonflies,
shrubs of wax mirtle
and the coconut vanilla
scent of golden gorse

Some day soon
all this will be gone,

gorse, grass, concrete wall,

washed away like blood
as the sea returns to the source,

returns to where it belongs.

There’s a small hamlet, Low Hauxley nestled behind sand dunes along a long and quiet stretch of sandy beach on the Northumberland coast.
Here along the high tide line stumps of an ancient forest are visible.

It is believed the stumps were preserved by peat and sand and are believed to date back to more than 7000 years and are the remains of Doggerland- an area of bogs, marches and forest that connected the British Isles to mainland Europe.

Archaeologists have also uncovered animal footprints and it is believed red deer, wild boar and brown bears would have roamed ancient Doggerland forest.

These petrified trees. This really blew my mind.

My name is Dr. Sheree Mack. I’m Creatrix : she who makes.

My practice manifests through poetry, storytelling, image and the unfolding histories of black people. I engage audiences around black women’s voices and bodies, black feminism, grief and healing, nature, identity and memory.

I advocate for black women’s voices, facilitating national and international creative workshops and retreats in the landscape, encouraging and supporting women on their journey of remembrance back to their bodies and authentic selves. This journey is supported and recognised by Mother Nature.

I’m the founder of Earth Sea Love, which is a social enterprise, offering opportunities to People of the Global Majority living in the north east of England to develop a deeper connection with/in nature.

The Earth Sea Love Podcast has developed out of these experiences and aims to change the narrative around who has a right to have a relationship with nature. I’ve recently been writer in residence for Northumberland National Park Authority. A black-led nature project I will add. At the moment I’m Creatrix in Residence for Hadrian’s Wall part of the 1900 years festival.

My Practice is a Healing Practice.

The Practice of ::SLOW:: is how I engage with my work and the world. Living within White Supremacy Culture, we are indoctrinated into certain principles and practices which benefit the few rather than the many.

Leaving aside racism and the systematic destruction of Black, brown and indigenous peoples, White Supremacy Culture, perpetuates the pursuit of perfectionism, product over process, and quantity over quality, to name but a few.

This means that the majority of us live our lives at speed, with a greater sense of urgency, with feelings of never being or doing enough, resulting in reduced contact to ourselves, our intuition and inner wisdom.

Slowing down supports me on my journey back to self and ultimately self-love and healing. Being and walking with/in nature teaches me how to slowdown and pay attention and just be.

Nature shows me that there is an abundance rather than a scarcity. It is through these practices that I fell in love with nature.

Nature and I are connected. We are one, therefore falling in love with nature, I fell in love with myself. This in turn means I turn up in life, in connection with others not only as a better version of myself but in a better place to offer love to other people.

Women and Wetlands

Last night I was part of a panel discussion which tackled the subject of women and wetlands.

Crag Lough, seen from Peel Crags, Hadrian’s Wall

I was asked by Elizabeth-Jane Burnett at Northumbria University to be part of this event and share my work around my residence at Northumberland National Park and my explorations of peat bogs.

I wasn’t really sure what to expect about this event or what I was going to share. But on reflection now, I’m so glad that I was invited to take part because I learned so much about peatlands within the UK, around the world and the special place they hold within the global climate crisis.

So much of my language around nature and the environment has been formed through white supremacy culture which has been biased on colonialism and imperialism and capitalist consumption. And of which I am at great pains now to unlearn and find a new language or it is just a re-memory of the language of my ancestors where there is no separation between us and nature.

Something that was raised last night by Khairani Barokka, which was totally new to my knowledge and way of thinking was that within indigenous communities gender was much more fluid and diverse. The binary system of male and female/ he and she which we take as a given now, as the norm, is a construction and part of the colonist program.

That the idea of “the coloniality of gender,” which might have seen the binary gender system in Europe but was not the case for indigenous populations around the world who were brutalised, moved off the lands and eliminated through genocide. This is going to require more reading on my part but it will be completed eagerly as it’s more evidence of how this system to live and breathe is a construct of power for a few white people over the rest of us all.

I share an extract of my presentation here.

An Alternative Narrative

As mentioned in my last post, we have the Black Nature In Residence Showcase coming up on the evening of 28 October.

This is the first event in a series that identity on tyne through their Earth Sea Love project are collaborating with Northumberland National Park to host.

Other events offered as an alternative to the Future Landscape Programme that will run at the same tine at COP26 in Glasgow, will provide diverse voices to the environmental and conservation movement and makes those all important links between the local and global in terms of the climate crisis.

Starting on 11 November, 7.30-8.30pm – Decolonising the Environmental Movement

I’ll be hosting a conversation with Sarah Hussain and Serayna Solanki

Through their projects and research, both Sarah Hussain and Serayna
Solanki are providing spaces for marginalised communities and people of
colour to engage with nature as a means of changing the narrative around
who has a say in the Climate Change Movement. They are working within
education and research, community and organisational partnerships, to create
and highlight dialogue around climate justice through personal and community
storytelling.

Then 18 November, 7-8pm, Nature Writing Reading

Join me , as host again, with Jo Clement and Zakiya McKenzie for a reading and discussion of literature which explores place, environment, belonging and identity as both writers read from and talk about their recent collections.

Then on 22 November, 7-8pm – A keynote lecture with Grace Hull, Holistic Sustainability

What is holistic sustainability?

Grace Hull created Green Grace Soul to share her journey to living sustainably in a holistic way. Grace attempts to balance the food she eats, the products she uses and the things she buys with the most beneficial outcomes for her health, the health of the planet, and the others living on it.

Sustainable living and Climate Change activism have many faces, and by centring holistic sustainability Grace engages with intersectionality and the social and historical context of climate change through the reflections of her journey that she shares on her website, podcast and DIY projects.

This will be a keynote lecture followed by a Q and A.

Don’t Go Back to Sleep

The breeze at dawn has secrets to tell you.
Don’t go back to sleep.
You must ask for what you really want.
Don’t go back to sleep.
People are going back and forth across the doorsill
where the two worlds touch.
The door is round and open.
Don’t go back to sleep.

— Jelaluddin Rumi

Black Fatigue

It’s been one hell of a week. And it isn’t over yet. I just feel exhausted, drained and a bit bruised and a battered with the world. Can I say the system?

No. I’ve stopped using these kind of non-descriptive terms along with the likes of ‘institutional racism’. As these are terms used to conceal the truth, to deflect attention away from the people who create racist policies and practices. Who act on their racists attitudes and ideas. Who internalise racism and reflect it outwards against others that look like them.

I’m so sick and tired of being made to feel grateful for the crumbs that are thrown my way. That I should shut up and put up and a smile sweetly if I’m invited to the table. That I shouldn’t rock the boat, that I should be shamed or struck by fear into silence. Smile sweetly and just nod my head.

I’ve played the game and helped others tick their boxes as at the time I believed it would bring about change. That once I’d convinced them of my humanity, explained my existence and displayed my intelligence and worth then they would have to listen to me and take me seriously.

I’m sick and tired of this being played out again and again. All I can do is speak up. All I can do is work hard to create opportunities and experiences that weren’t there before for others and myself.

All I can do is call out injustices and imbalances in power and access where I see them. To not stand on the sidelines bickering but creating change on my own terms to make society a more equitable place.

I’m no longer gonna allow others to be putting their labels, insecurities and lenses on me. I know what my intentions are and I know they come from my heart. And I’m not sure everyone can say that when we live in a world which celebrates the achievements of one over the many and rewards the ones who are amenable saying the words that others want to to hear rather than speak their truth.

Guilty was the verdict in the George Floyd murder trial for another bad apple. This is hardly justice if the murders of Black and People of Colour by the Police, through state sponsored terror continues. There needs to be more accountability, there needs to be a cutting down of the whole rotten tree, there needs to be a redistribution of power.

I’m so sick and tired of the infighting, of the lack of listening, of the personal agendas and vested interests. Why are we living as if everything is scarcity, therefore everyone’s in cut-throat competition. Instead of embracing the reality of abundance. There is more than enough to go around except a few insist on hoarding a majority share. If everyone was given the right conditions, their rightful share/ place/ space to thrive, we would each fulfil our own potential.

Just like nature displays. Just as she sets the example. Today on International Earth Day, I just wish more individuals connected with nature, and therefore themselves and each other. The most powerful energy is love. But too many people continue to feed and act on hate.

And I’m just sick and tired of this being the case.

The Prompted By Nature Podcast Interview

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I had the pleasure of being part of the Prompted By Nature podcast this month. It was good to have a chat about my relationship with nature and the work I’ve been completing within the region, with Earth Sea Love, offering opportunities to Black, Asian and ethnic minority women and girls to enjoy experiences with/in nature.

We talk about amongst other things:

* The importance of BAME visibility and representation in natural spaces and the marketing of nature-based brands as well as the need to motivate a new generation of black women leaders
* The financial side of accessibility in nature
* Land as holding trauma and associations with enslavement
* Nature as a space of oneness

I’ve just listened to the podcast for the first time and I was smiling along with the conversation, as it is so good. I share a lot and there are some words of wisdom that we could all take away. Check it out here. Thanks.