I’m hopeful but …

After my last blog post ‘I’m hopeful …’ I’ve done some reading and I’m not liking what I’ve been reading.

Call me ignorant, call me naive. Call me blinded by love for the common people rather than being critical or cynical or overly politcally.

In my last post I mentioned Extinction Rebellion ( XR) and the work they’ve been doing with non-violent action to put climate change back on the agenda. And they’ve had some measure of success with the all party agreement on calling a state of emergency on climate change as well as a massive influx of people wanting to be involved in the movement. Hell, I’ve even thought about getting involved.

What I’m learning is that XR is predominately white and middle class. This is a long-standing critique of the British environmental movement being too white and middle class and not enough inclusivity.

There should be more black and brown bodies taking part in XR protests and actions. But if XR’s strategy is arrests then I’m fucked, because historially the evidence indicates, my black body would be treated far differently in police custody to a white body. Fact. So you’ll have to excuse me from getting involved in that way. I admit it, I’m scared of what would happen to me if I was arrested.

The main issue I have with XR is that the climate issue is a racist issue and this just isn’t being addressed enough for my liking.
The people of the global south, the poorest people of the world as well as where the majority of people of colour live are experiencing the effects of climate change the most. Communities in the global south bear the brunt of the consequences of climate change, whether physical – floods, desertification, increased water scarcity and tornadoes – or political: conflict and wars and racist borders.

The people and movements of the global south deserve more than mentions in speeches. They should be leading the protests for climate justice. Climate change is the result of colonialisation and
neocolonialism ( more to come on this point).

“Extinction Rebellion US have already added a fourth demand  – a just transition that prioritises the most vulnerable people and indigenous sovereignty; establishes reparations and remediation led by and for Black people, Indigenous people, people of colour and poor communities for years of environmental injustice, establishes legal rights for ecosystems to thrive and regenerate in perpetuity, and repairs the effects of ongoing ecocide to prevent extinction of human and all species, in order to maintain a liveable, just planet for all.” source

And in the words of Wretched of The Earth, a grassroots collective for Indigenous, black, brown and diaspora groups and individuals demanding climate justice and acting in solidarity with our communities, both here in the UK and in Global South, “The climate movement will be decolonial or it will be nothing”.

Get up, get out, into the sea

I rise at 6.30am on a promise. A promise to myself to take my medicine. My medicine is getting into the sea. And sometimes it is diffcult to take my medicine.
Day to day commitments, life just gets in the way. I allow other people’s wants and needs to get in the way.

It’s as if I don’t value my needs and wants. A great growing stone of guilt weighs upon me when I choose me over others. It isn’t the natural order of things. Self-love and self-care isn’t encouraged or promoted in the main, in the mainstream.

The sea makes me feel free. The sea releases me from real worries and cares. The sea connects me to my true me. After being with the sea, the rest of the day flows easier and with gratitude.

Really, it isn’t that difficult to get up and get into the sea, if I get out of my own way.

Things I Know About Starting Over

Work in Progress

In 2015, when the shit hit the fan, I had to change. My whole life was in tatters and I had to find a way to live again. But live on my own terms. Live true to my soul.

For decades I’d been on the production trail. Do do do. Produce produce produce. Because I’d eventually I’d get to the promised land. I’d be successful, famous and accepted.

What I know now from having to start over is that there is no end point. There’s only the journey. I’m in a constant state of becoming. Becoming a better version of myself. But I will never be complete or perfect because that state just doesn’t exist. It’s a fallacy we’re fed to keep us keeping on. The desire or promise keeps us working with our heads down, selling out our souls for very little rewards. We think we are living the life we want to live but really, we’re living the life ‘they’ want us to live. The system, that is.

Now, I’m happy with less. Happy to work small. Happy with little ripples I create because I know in my heart that this is the authentic me at work. I know now, what I do, I do from the heart. I do in service to others with no expectations or need for anything in return. Living my life on my terms is my reward. And that’s enough. I’m enough just being me.

Black British Art – a series

I’m a Black British artist. I’ve been involved in the union for artists in England. I’ve been involved in different exhibitions and events around the arts. What I know for sure is that the British art scene is elitist and exclusive.

I’m actively attempting through my own practice as well as research and reading to make visible the invisible; the invisible history of Black British art. For centuries, Black artists have been visible amongst themselves/ ourselves being involved in individual and collaborative projects. But within official records and archives, the Black presence remains little and absent.

Histories and lives and stories are missing within British arts from an African diaspora perspective and I hope through my creating and agitating and archiving I’m changing the narrative.

Through a series of posts I hope to explore the Black British art tradition to bring this rich and diverse and valuable history to light and more recognition. I look forward to sharing my findings with you.

Studio Notes

I’ve been thinking, how come no one is signing up for Studio Notes anymore? What have I been doing wrong?

Once I investigated, I found out that I’d switched off the join up form. I pressed pause and forgot to press play again.

So let me formally invite you to sign up to receive my bi-monthly newsletter where I share personal insights and news. Studio Notes are where I take the time to share something I’ve been pondering or working on. Sometimes I might send you back here to the website, sometimes I’ll send you to other people’s websites, to places I’ve found inspiration and sustenance.

If you don’t want to hand over your email address then consider checking me out on Instagram, the only social media platform I’m on now since I closed all other accounts ( there’s a blogpost in there to follow soon).

I have two accounts on Instagram, my personal account and my art account.

I look forward to connecting with you in other places.

Plans for May

I announced on Instagram the other day my plan to go on another social media hiatus in May. This is something I periodically do as a means of self-care. In the past, I’ve left it too late before taking a break and I’ve been left rolling in the dregs at the bottom of the barrel. I’ve been burnt out and rendered speechless with nothing productive to say.

I’ve learned from this experience, I’m planning my retreat ahead of schedule, when I’m still in a good position and enjoying the experience. I’m taking a rest while the going is good. And there’s a voice saying to me, I’m a fool for going now, for leaving the party early so to speak. Things are getting exciting, I’m making connections. I’m also receiving a lot of support for my #100daysproject. I go silent and I will loose all momentum, all exposure etc.

My sanity and health is more important. I take breaks from social media as an act of self-care. The time away gives me the time and space to go within and listen more carefully to my own wisdom. Going dark on the internet, gives me a chance to create without distractions or comparisons. It gives me space and permission to breathe.

I’ll still be posting here as well as on Patreon and sending out Studios Notes during this time as I feel as if I’m just getting started with this blogging malarkey.

This break is coming at a time when our new project is beginning, which involves more Black, Asian and ethnic minorities getting out into the British Countryside. I’ll share more details soon.

5 ways to cultivate creativity

In the past, I’ve struggled with creativity. I thought I could neglect it and keep it under wraps. But creativity is an energy which won’t be silenced or railroaded.

It has to be respected, nurtured and practiced. Frequently.

Here are a few ways that I stay creative, they might even work for you too.

1. Turn up daily.

Being creative is a practice and you can only practice when you turn up. Turn up at the page, the canvas, the computer. Turn up without expectations, just commit to giving creativity some time and attention and see where it takes you.

2. Never give up, never surrender.

Some days the ideas are flowing. The words are all making sense. The colours are working together. I’m in the creative flow and I feel so much joy. But other days, I’m finding it difficult. I’m struggling to make sense, to feel good about what I’m doing. It’s icky. But I keep going. I keep turning ip because I know I’ll get back to the flow and joy and sweet spot.

3. Fall in love with the process

Process over product every time. Through focusing on the process, I’ve a much enjoyable ride. I learn so much about tools and skills and techniques. I’m present in the moment rather than jumping ahead to the end and stressing about if anyone will like what I create. With focus on the process, it doesn’t matter if anyone gets what the finished piece is about because the value comes through the practice.

4. Diversify

I suspend attachment and worries and stress when I create multiples or dabble in multiple creative projects. When I create in batches or move between different art form such as writing poetry and painting an abstract, it means I don’t place all my eggs in one basket. It means I’m not focusing on perfection or completion. I’m focusing on this mark now. And then the next mark. And how they talk to each other. I’m lost in the movement and the creating.

5. Trust yourself

This is probably the hardest thing to cultivate in terms of creativity as far too often we listen to our fears and self-doubts. We spend time and energy overthinking the process or second guessing our actions. We doubts our abilities and intentions. We fall into the comparison trap and before we know it we’re paralysed. We cease to create and feel a failure.

Trust in myself as a Creatrix has developed over time through practice. Through showing up and doing the work and enjoying the process. The more I do the more confident I am in what I have to say and share creatively with the world.