As the north-east is gripped in another cold snap, with wind and rain, in May, I’m desiring a return. A return to Faro, Portugal, where in March, I enjoyed a few days of warmth, relaxation and inspiration.





As the north-east is gripped in another cold snap, with wind and rain, in May, I’m desiring a return. A return to Faro, Portugal, where in March, I enjoyed a few days of warmth, relaxation and inspiration.






Our ability to reframe failure into something that aligns with growth is key. When I fail at my attempts to execute an idea, I now have more information and I can use that to move forward. If I allow myself to feel defeated and tell myself that I’m not very good at this, then failure becomes a toxic thought that limits me and ensures I do not grow. – Cheryl Taves
Today I am 150 days into my creative sketchbook practice. Ego speaking here, but I’m pretty proud of this achievement. It demonstrates to me that I can be consistent.
These 150 days are evidence that I can change the script. I can change the narrative from not being consistent enough in my art practice, hells bells in anything really.
I can change the narrative into something more true, more closer to my reality. I can change the narrative, I am changing the narrative toward recognising that I can be consistent.
My consistency muscle is being exercised, challenged and stretched.
With 150 days of turning up daily for my practice, I can quite rightly say, my consistency muscle has been strengthened.
after Ron Mueck

Here is a mass
of white upon white
skulls, tumbling
everywhere upon the galleries’ floor
a turning sea, resting
biting into another
black holes
shadowed sockets
promising questions without answers
a warning? a threat?
what remains long after our bodies have decayed
an impressive 100 skulls,
dwarfing visitors as they loom
here and here, cool, corridors
as catacombs above ground
forcing us to face our mortality, yes,
but also a certain care is needed in life for each other. Yes?

I’ve always loved drawing.
At different times of my life, I was either really into drawing or gone off the boil from drawing.
Basically, if I allowed my drawings to come into contact with other people, that’s when my drawing would go off the boil. I wouldn’t do it, I’d let the practice slide because someone or other had said my drawing wasn’t very/any good.
Or they’d looked at what I’d shared and start giving me pointers on how to improve it. How to shade ‘properly’ or how to get things into ‘proportion’. Basically saying that what I was doing, instinctively and true to me, was wrong.
For large stretches of time, I didn’t allow myself to draw, to play because in comparison to others, my work just didn’t match up. Didn’t look like theirs.
And then one time, while feeling less than, while feeling the odd one out, not accepted or appreciated, I picked up a pen and started drawing again. I found solace and safety in the lines I drew.
Faces, I love drawing faces. Usually of black women. Seeing myself reflected.
I completed a 100 days of black women one time, a few years ago now and I loved where this challenge took me. It took me to a place and peace of accepting my drawings. My style, my subjects and themes, my shading and perspectives.
Fuck man, we’re all individuals, unique and no way are we supposed to or should be drawing all alike, to a certain standard or brief.
My drawings are an expression of me, and how I see/ move through this world.
I’m dealing with it. I’m embracing it. And fuck everyone else!

My works are propositions, meant to create alternate pasts and potential futures, questioning history and culture in order to provide a space for reassessing the present. – Firelei Báez

This weekend we’ve had the light. Having the light with a bit of warmth makes a difference. To the mood. To the outlook.
This March I’m seizing the light and going to work behind the scenes on a project I’ve been putting off but one which is close to my heart.
I’ve been divorcing myself from big tech, rich oligarch run social media and platforms. I’ve been going more analogue than digital. And I’ve definitely been refusing AI.
This month I’m working on my archives. The archives of this website. These blogposts. So that my legacy, this work and practice lives on beyond WordPress, beyond myself. Beyond the internet.
I’m taking ownership of my creativity and taking records. Backing things up, creating a trace of my presence here which isn’t dependant on technology.
This is gonna take some time, so I’ve taking the time away from posting here to archives there.
I’ll be back though. Soon come.


