Who’s afraid of the dark?

A 6.30am alarm wakes me. On a Sunday. And the gadget, a smart watch, ringing the alarm is somewhere on a desk somewhere hidden in a dark cold hotel room.
I stumble out of bed blind and unsteady, hand and arms outstretched in front of me, combing the black air, trying to touch something soild. Trying to stop the incessant noise.

I was brought up to fear the dark. It didn’t take my small imagination much to conjure up monsters under the bed and ghosts on landings. Lying perfectly still in my bunk bed pretending to be dead already, the dark dug deep into my psyche so that I grew up fearing my own reflection.

When I’m not watching my weight (come on, when am I not watching my weight?) I enjoy an extra cold pint of Guinness with a shot of blackcurrant to cut through the bitterness. A drink of pure iron. Thick like treacle, it works well as a lining on my stomach before multiple rounds of alcoholic concoctions follow. Who knows? Who cares? But as long as my core swims deep with the dark stuff I’m ready for anything.

On our living room wall in our maisonette flat in Bradford where I grew up, we had a velvet scroll depicting two islands. The land was made up of bright green stitched thread. The towns and villages were named in golden thread. Bright red blazed across the top, ‘The Islands of Trinidad and Tobago.’ I’m not sure if we were ever told but our dad came from those islands. It was a silent fact. I liked to touch the thread, when I got the chance. The stitching was tight and taut. My eyes, though, were pulled into the expansive black crushed velvet Caribbean Sea wondering how he survived the swim over to the U.K.

I thought these smart gadgets were supposed to make your life easier. Why wasn’t it flashing neon green, or red even, at the same time as sounding an alarm, giving me some clue as to it’s whereabouts? I felt I could have done better with my eyes shut. But I’ve been living that way for far too long. Now with eyes wide open to the dark, I’ve become wise to the tricks of history. I’m woke.

Black and White Studies

Today I started a new project which I’ve been putting on the back burner. A project which @beyourownbeloved hosted by @viviennemcm helped me remember. I think I was spending too much time and energy on talking myself out of it instead on it. As Elizabeth Gilbert wrote, ‘You don’t need a permission slip to be an artist.’ #blackandwhitestudies #beyourownbeloved #selfportrait #selfportraitureasmedicine #blackartist #blackwomenrock #selfcare #selflove #selfcompassion #creativepractice #power

Do you wanna know a secret?

Do you wanna know a secret?

Yes I thought that might get your attention. I’m willing to share my dirty little secret if you’re willing to listen?

Okay. Here goes.

I love Nordic Noir. There. It’s out now and I feel a whole heap better.

When I want to chill and relax and switch off, I switch on a Scandinavian crime drama or pick up a novel in the same genre.

There’s something about the landscapes that act as a backdrop for the crime, usually a grizzly murder, that holds my attention and enchants me. I know. Sick right! All these people getting bumped off and there’s blood and guts everywhere and I’m mesmerised by the ice and snow and the mountains that set the scene.

This genre is quality storytelling as well and solid characterisation and suspense and tension too.

I can binge watch a whole series or read a whole book in a evening ( and into early morning) when I get into a certain groove and I’m not ashamed to tell you. At the moment I’ve been making my way through Walter Presents series on All 4. Last night was Rebecka Martinsson: Arctic Murders. A Stockholm lawyer who returns to her hometown after a childhood friend’s death. And isn’t her home town remote, icy and full is lakes and mountains? Beautiful.

I know it’s pure escapism but from time to time it’s good for me, or anyone really, to suspend reality and slip into another, usually distant from the norm, world. I do believe it supports me in my day to day living and striving and thriving. A little sanctuary of make believe. I highly recommend it, I do.

Why it’s important to share your practice

Just before Christmas, I sent out a Studio Note to my subscribers detailing what I’d been getting up to while recovery from spinal surgery. For some reason, I hit a really rich creative spot and I was making anything and everything.

Where I captured my adventure was in my visual journal. And yes this is mostly my private and safe space but I also think it’s important to share glimpses into this space. Maybe it will inspire others to get creative and carve out their own sacred space. I know through this sharing, it somehow acknowledges and recognises me and my practice and what I’m trying to do over here. It definitely makes me more open.

Within that Studio Note, I sent out an exclusive peek into my journal for my subscribers. I’m not ready to share it here.

If you want to make sure you get the exclusives sign up to Studio Notes now and enjoy being a subscriber to Living Wild Studios. There’s freebies involved.

Sharing Practice

Remembering the Fun

In December, I gave myself the task of painting practice. I started off with lines. It started well but I soon lost interest when I wasn’t seeing the results I wanted. My pieces didn’t look as good as the examples I had seen been created by certain artists. I felt demoralised falling into that comparison trap. I gave up, telling myself I was no good and a fraud. I was being the party pooper.

This is a habit I’ve fallen into quite a lot over the years. Forgetting that it took the master painters years before they reached the point of being any good or gaining recognition. And some, for example like Vincent van Gogh, didn’t gain recognition until after their death. Right up to that point, Van Gogh still kept practicing and painting never giving up on his vision, his craft. And only through Jo van Gogh-Bonger, his sister-in-law, loaning and selling his paintings and publishing van Gogh’s letters to his brother Theo, her husband, did he gain his rightful place in art history.

For this to happen, after his death which he had no way of knowing, he had to do the work. He still had to show up and paint and make mistakes. Face disappointments and worries and doubts. He still had to believe in himself.

When things are difficult and not turning out the way you envisioned while creating, it can be a Herculean feat to keep believing in yourself and what you are trying to do. It is easy to give up, as I did in December. The pressure I was putting on myself to be good just wasn’t warranted. It took all the fun out of it. I’d forgotten I was only supposed to be playing and having fun not creating masterpieces.

This year, I’m up for some fun. I’m taking the pressure off myself and taking more risks just for the hell of it. For the thrill. I’m excited to see where this leads in my practice. I’m keeping my eyes on my page and seeking all the delights it can bring.

Living My Power

My higher-potential self is awakened.
I journey with great clarity and vision.
I am in abundant flow with purpose and high vibrations.
I am living my power.

— Lalah Delia

Practicing Lines

Spending my time creating colour combinations to smooth across just a small journal, A5 in fact. Not a lot of space to cover, not a lot of room to freak me out. And it’s working. This week I’m practicing lines.

That long narrow mark or band which is so simple but so effective. It can be used is so many different ways and I’m enjoying the exploration.

Hanging out in my artist journal is a luxury but such a necessity. It’s here that confidence is built, experiments made and boundaries pushed.

Hope to share some of this weeks creations later on. Until then follow this line _________

December

I’m happy to see this month come around even though I can’t believe that we’re hurtling towards Christmas and the New Year . Where has this year gone?

I’m glad to see the back of November after far too many visits and hours spent in hospitals and doctor’s surgeries.

We might be moving toward the shortest day of the year, but I’m feeling the light in more ways than one.

New moon on Tuesday and my intentions are already set. To shift my energy, my outlook, my state of mind through going deeper into my practice.

I’ve been in my retreat cave for a few months now, withdrawn from IG and Facebook for months. But it’s only now as we turn towards the dark further, do I feel more unhinged and released from the public realm and demands.

I mixed colours today; went through a 40+ box of acrylic paints, mixing them with white gesso to create new, more muted tones. And I’ll not lie, I was singing to the little paint pots I created. This simple act fed my soul. I was so grateful for colour. I could have stayed there all day just mixing and enjoying the colours that came to fruition.

I can’t wait to make some swatches of them as well as start painting with them. Using them each day this month is my plan as a means of deepening into my practice and retreating further into my cave.

Have you set any intentions for the coming circle of the moon? For the last few days of 2019? Please share if you have.