art

Launch Event

| Sheree

I was invited to the launch event of an exhibition bring the book Lost Words by Jackie Morris and Robert MacFarlane to life at the Sill this week. I’d seen the book and have admired the images, but I hadn’t spent much time with the text.

The premise is that generations of children are growing up not knowing the names of things in nature, or being able to recognise them. That this knowledge has slipped out of existence and this book was created as a way of recapturing the magic, bringing these lost words back to life. Such words and natural living things as bramble, conker and fern.

I had the most enjoyable evening talking to fellow visitors as well as hearing some of the spells within the book being read aloud. It was inspiring so much so that I intended to link into the idea of lost words, and lost worlds as I return this weekend to the Sill to facilitate a storytelling session about the multicultural communities from ether past who lived and worked around Hadrian’s Wall in Northumberland.

Fern

Fern’s first form is furled,
Each frond fast as a fiddle-head.
Reach, roll and unfold follows.
Fern flares.
Now fern is fully fanned.

Robert MacFarlane

Not making any promises but …

| Sheree

It’s nearly 5 years since I adopted a visual journalling practice for everything. My life and troubles. My dreams and creativity. My sanity. And the practice of using text and images and collages and paints and washi tape and anything really I can get my hands on has been life changing and empowering. Visual journalling brought me back from the brink. It’s been my safety blanket, my confidant, my cheerleader, my vision. Visual journaling has taken me to Iceland and retreats, national creative projects and inaugural residencies. I can’t promise this is what happens to you when you try it. I can’t promise the results you’ll feel and see when you sign up for the current offering from @olwen.wilson which is safe and guided visual journalling. The only thing I can say is that this practice will change your life and how you centre yourself within it. Check out @olwen.wilson and see what she’s offering. You will not be disappointed. #visualjournalling #visualjpurnal #creativepractice #iamdreaming #patience #compassion #selfcare #selflove #selfempowerment #emopweringwomen #creativeretreaticeland #icelandcreativeretreat #power #claimingmypower

Who’s afraid of the dark?

| Sheree

A 6.30am alarm wakes me. On a Sunday. And the gadget, a smart watch, ringing the alarm is somewhere on a desk somewhere hidden in a dark cold hotel room.
I stumble out of bed blind and unsteady, hand and arms outstretched in front of me, combing the black air, trying to touch something soild. Trying to stop the incessant noise.

I was brought up to fear the dark. It didn’t take my small imagination much to conjure up monsters under the bed and ghosts on landings. Lying perfectly still in my bunk bed pretending to be dead already, the dark dug deep into my psyche so that I grew up fearing my own reflection.

When I’m not watching my weight (come on, when am I not watching my weight?) I enjoy an extra cold pint of Guinness with a shot of blackcurrant to cut through the bitterness. A drink of pure iron. Thick like treacle, it works well as a lining on my stomach before multiple rounds of alcoholic concoctions follow. Who knows? Who cares? But as long as my core swims deep with the dark stuff I’m ready for anything.

On our living room wall in our maisonette flat in Bradford where I grew up, we had a velvet scroll depicting two islands. The land was made up of bright green stitched thread. The towns and villages were named in golden thread. Bright red blazed across the top, ‘The Islands of Trinidad and Tobago.’ I’m not sure if we were ever told but our dad came from those islands. It was a silent fact. I liked to touch the thread, when I got the chance. The stitching was tight and taut. My eyes, though, were pulled into the expansive black crushed velvet Caribbean Sea wondering how he survived the swim over to the U.K.

I thought these smart gadgets were supposed to make your life easier. Why wasn’t it flashing neon green, or red even, at the same time as sounding an alarm, giving me some clue as to it’s whereabouts? I felt I could have done better with my eyes shut. But I’ve been living that way for far too long. Now with eyes wide open to the dark, I’ve become wise to the tricks of history. I’m woke.

Black and White Studies

| Sheree

Today I started a new project which I’ve been putting on the back burner. A project which @beyourownbeloved hosted by @viviennemcm helped me remember. I think I was spending too much time and energy on talking myself out of it instead on it. As Elizabeth Gilbert wrote, ‘You don’t need a permission slip to be an artist.’ #blackandwhitestudies #beyourownbeloved #selfportrait #selfportraitureasmedicine #blackartist #blackwomenrock #selfcare #selflove #selfcompassion #creativepractice #power

Do you wanna know a secret?

| Sheree

Do you wanna know a secret?

Yes I thought that might get your attention. I’m willing to share my dirty little secret if you’re willing to listen?

Okay. Here goes.

I love Nordic Noir. There. It’s out now and I feel a whole heap better.

When I want to chill and relax and switch off, I switch on a Scandinavian crime drama or pick up a novel in the same genre.

There’s something about the landscapes that act as a backdrop for the crime, usually a grizzly murder, that holds my attention and enchants me. I know. Sick right! All these people getting bumped off and there’s blood and guts everywhere and I’m mesmerised by the ice and snow and the mountains that set the scene.

This genre is quality storytelling as well and solid characterisation and suspense and tension too.

I can binge watch a whole series or read a whole book in a evening ( and into early morning) when I get into a certain groove and I’m not ashamed to tell you. At the moment I’ve been making my way through Walter Presents series on All 4. Last night was Rebecka Martinsson: Arctic Murders. A Stockholm lawyer who returns to her hometown after a childhood friend’s death. And isn’t her home town remote, icy and full is lakes and mountains? Beautiful.

I know it’s pure escapism but from time to time it’s good for me, or anyone really, to suspend reality and slip into another, usually distant from the norm, world. I do believe it supports me in my day to day living and striving and thriving. A little sanctuary of make believe. I highly recommend it, I do.

Why it’s important to share your practice

| Sheree

Just before Christmas, I sent out a Studio Note to my subscribers detailing what I’d been getting up to while recovery from spinal surgery. For some reason, I hit a really rich creative spot and I was making anything and everything.

Where I captured my adventure was in my visual journal. And yes this is mostly my private and safe space but I also think it’s important to share glimpses into this space. Maybe it will inspire others to get creative and carve out their own sacred space. I know through this sharing, it somehow acknowledges and recognises me and my practice and what I’m trying to do over here. It definitely makes me more open.

Within that Studio Note, I sent out an exclusive peek into my journal for my subscribers. I’m not ready to share it here.

If you want to make sure you get the exclusives sign up to Studio Notes now and enjoy being a subscriber to Living Wild Studios. There’s freebies involved.

Sharing Practice

Remembering the Fun

| Sheree

In December, I gave myself the task of painting practice. I started off with lines. It started well but I soon lost interest when I wasn’t seeing the results I wanted. My pieces didn’t look as good as the examples I had seen been created by certain artists. I felt demoralised falling into that comparison trap. I gave up, telling myself I was no good and a fraud. I was being the party pooper.

This is a habit I’ve fallen into quite a lot over the years. Forgetting that it took the master painters years before they reached the point of being any good or gaining recognition. And some, for example like Vincent van Gogh, didn’t gain recognition until after their death. Right up to that point, Van Gogh still kept practicing and painting never giving up on his vision, his craft. And only through Jo van Gogh-Bonger, his sister-in-law, loaning and selling his paintings and publishing van Gogh’s letters to his brother Theo, her husband, did he gain his rightful place in art history.

For this to happen, after his death which he had no way of knowing, he had to do the work. He still had to show up and paint and make mistakes. Face disappointments and worries and doubts. He still had to believe in himself.

When things are difficult and not turning out the way you envisioned while creating, it can be a Herculean feat to keep believing in yourself and what you are trying to do. It is easy to give up, as I did in December. The pressure I was putting on myself to be good just wasn’t warranted. It took all the fun out of it. I’d forgotten I was only supposed to be playing and having fun not creating masterpieces.

This year, I’m up for some fun. I’m taking the pressure off myself and taking more risks just for the hell of it. For the thrill. I’m excited to see where this leads in my practice. I’m keeping my eyes on my page and seeking all the delights it can bring.