Playful Palimpsests

I go to my local probably about once a week if not more. I was brought up next to a library, in Bradford and in Newburn. They were places I could go to for some sense of freedom and adventure.

The librarians knew me and would recommend books to me and events. They wouldn’t rush me, I was welcome to stay as long as I wanted.

Today, I love to pop in to see the book sales at my local libraries. As I have a few on my doorstep now. I flit between them, collecting worn and torn books that I repurpose.

I was brought up to know it was ‘wrong’ to write in books. They were sacred in our home. Probably because we were poor and if we bought books, usually from the indoor market in town, we knew it was money we couldn’t afford to spend on books. But my parents spent it anyway, as they valued books, learning and education. It was our way out of poverty.

I wonder what they would say now, if they saw what I did to books?

10p is all I pay for big, colourful children’s books, withdrawn from library stock. I have to feel the paper first though before I buy them. Even if only 10p, too shiny the page and the paint won’t grip it as well. The paint just swirls around and doesn’t stick.

I like my pages rough and matt finished. Ready to absorb whatever I put down on it.

This sketchbook was my side hustle for the last month. Side hustle to my main creative sketchbook. Here I just lay down colour and see what happens.

I like when what’s underneath the paint bleeds through. I like when the different layers of paint and pencil and pen bleeds through to the surface too.

It’s like a palimpsest. The marks beneath is the feeling I’m after. The haunting, the trace, the evidence of time and the passage of time. The archive is present now.

An Archives of Memories, Feelings and Skyr

This is one of my favourite images from my extensive collection.

I know exactly when and where it was taken. Westfjords Residency, Iceland, Feb/March 2017.

This was my go to breakfast. Coffee, cornflakes and Skyr, Icelandic protein enriched yogurt. I love the colours, the composition. The items included. But most of all, I love the memories and feelings just looking at this image evokes.

It takes me back to that time of wonder and discovery during my second time to Iceland. A residency I gifted to myself, writing the application while teaching temporally; frustrated, longing to get out and create.

I stayed for two weeks in the shadows of the mountains, knee deep in snow most days until the thaw came with some greening of the landscape.

I didn’t know what the fuck I was doing there back then. I just knew in my body that I needed to get away, gain inspiration from the landscape and {BE}.

I might not have completed much when I was out there, but I know when I returned the experience shifted my creativity and how I saw myself as a creative.

I saw glimmers of the Northern Lights during this retreat. Pale creamy wisps and trails in a dark navy sky. It was magical and a mystery.

This makes me think about my art-making practice and how most of the time I’m working in the dark, moving out of my comfort zone into the unknown, looking and listening hoping to catch a glimpses of magic and mystery in the process.

What’s created on the page, like this photography, is an archive, a record which when looked upon brings to the surface all the memories and feelings of the process, the experience once again experienced to the full with wonder and a smile.

A Creative Sketchbook, Dec 2025

My creative sketchbook
My creative sketchbook rules

I’m not sure how my creative sketchbook differs from my visual journal. Intention maybe.

Perhaps, I think , I’m attempting to develop my art practice within a designated space. A study maybe.

I haven’t really been in the thick of my art making practice since the preparation for my Baltic exhibition back in 2022-3.

This was quickly followed with the writings and (re)drafts of Darkling, my poetry/hybrid collection published in October 2024.

After this 2025 has been a period of extended rest and refusal.

But something has been niggling me. The desire to create with paint again. the desire to play without expectations and outcomes/ products.

I’ve just scratched the itch through scrolling through Pinterest. Adding another abstract or landscape painting to a board that I’ll probably not look at again.

But it satisfied this niggling feeling. Until it didn’t.

It was going back into the classroom. Completing a few days of supply that pushed me over the edge.

The time I gave away for money. The time I’d lost pursuing my own pursuits. And realising that I wasn’t pursuing all the pursuits I wanted to pursue in the time I had/have.

So out came a creative sketchbook, inspired by the 30 days sketchbook challenge created by Cheryl Taves over at Insight Creative.

This is as much as I’m willing to share for now about the challenge, my creative sketchbook, processes and insights.

One of my rules is that it’s just for my eyes only. I want to see how this rule changes my practice. I want to create without fear but with curiosity. I want to give myself all the freedom without worrying about what others will think or say or comment on.

It’s not like I’m hanging on other people’s responses and reactions but I have gotten into a habit of just sharing anything and everything on my blog and I’m curious to see what happens when I keep things to myself.

Just for my eyes, heart, and soul only.

So far I’m enjoying the process of the challenge and I’m reflecting and paying attention to what makes my heart sing, what’s my creative vocabulary, what pushes my energies.

Do doubt whatever I explore within my creative sketchbook will be showing up in everything that I create. In everything who I {BE}. For sure.

The Healing Properties of the Sea

My task today is to write a love letter to the body of water that has sustained me, healed me, and nurtured me.

This has to be the North Sea as it has been on my doorstep for decades, even if, I’ve just come to appreciate it more in last 10 years.

A couple of years ago, I came up with the title, ‘The Healing Properties of the Seas‘ for a project involving water. It was basically 10 second videos of bodies of water. On a website for everyone to enjoy. Accompanying this would be a symposium, interviews with me talking to other people about their connection to water etc. There would be an open submission for people around the world to share their 10 second clips of bodies of water.

I have hundreds of 10 second clicks of the North Sea and other waters and I feel I don’t appreciate water enough. The planet’s water enough. I’m fixing to change this and hopefully get, ‘The Healing Properties of Seas‘, off the ground. Are you with me?

Longsands, Tynemouth, UK

Bitterly cold but fun

The day dawns bright after the rain. It’s an opportunity not to be missed. Now we’re into October, how many days like this will we get to enjoy.

The man with his two dogs says it’s 4 degrees. I ask him, the air or the sea as we grin like school kids on an outing to the seaside.

The temperature of the air. The sea is much colder, it’s bitterly cold. He says.

And I agree as I take to the sea and the waves crash in and recede with a dragging undertow. No chance of swimming today. Too wild. But I’m fine just jumping waves and squealing. I get all childish with the sea. All inhibitions go out the window and pure joy takes up space in my whole being.

5-10 minutes of jumping and waves bursting over my head and I’m ready to meet my day

5 Problems with Social Media

I’m currently on another social media hiatus.
After my last three months absence, from November 2018 – February 2019, while away I left Twitter and Facebook, I’ve been posting once or twice daily on both my Instagram accounts. I was posting about my #100daysprojects as well as my personal adventures into nature. Things were going well, but I knew a burnout was coming. I was being too prolific and focused. I knew, from experience, that I would run out of things to say. So I called the hiatus before that point, but by the time the end of April came along, I was ready to go.

I value the connections I’ve made through Instagram. I enjoy witnessing what others are doing. I take the time ad energy to cheer them along on their journeys. But at the same time, I’ve my issues with social media and these are what they are.

1. Social Media can be a distraction.

I find that social media can be noisy and distracting. So many people are doing or offering great things and telling everyone about it. And it can mean, I spend my time watching them instead of watching what I’m supposed to be doing. It’s just another way to procrastinate and take me out of my own creative flow.

2. Social Media can be damaging for the self-esteem.

I’m not stupid, and I know people post potted, designed versions of their lives and journeys but that doesn’t stop me from falling into the comparison trap. Sometimes, I see other people’s brightly photoshopped lives and feel paralysed. No amount of effort or time or talent could get me to this level, so why bother, I think. So I do nothing.

3. Social Media can be toxic.

I’ve met some good people on social media. Good people who now support me through Patreon, or through reading my writings and posts. But one reason I left Facebook was because of the negativity and arguments and harm that was showing up on my feed. There wasn’t much love coming my way or being circulated around. I saw a lot of hate and it was affecting me, physically and mentally. So I had to go for my own sanity and well-being.

4. Social Media is not the real world.

I know if you’re living far away from loved ones that social media is a great way to stay connected. With the photos posted you are able to ‘see’ them and feel as if you’re not missing out on their lives and happenings. But this isn’t the same as living in the real world. Nothing can beat having face to face contact with friends and family. And sometimes, we use social media as a substitute for making more of an effort to connect with our people physically.

5. Social Media is controlling our lives.

Being on social media takes time and effort. We post our loves and hates, we post our joys and worries, we post our dreams and successes. We invest a lot of our time and energy and love into platforms that are set up to leach our personal information and money. They profess to be fostering community but really they’re keeping us locked into the vicious cycle of being mindless consumers. Yes I’m still on Instagram and yes I know it’s owned by Facebook. But I’m looking for a way to leave all social media and still be connected with my peeps around the world. One possibliity is here, blogging and my website. I’m trying.

Things I Know About Starting Over

Work in Progress

In 2015, when the shit hit the fan, I had to change. My whole life was in tatters and I had to find a way to live again. But live on my own terms. Live true to my soul.

For decades I’d been on the production trail. Do do do. Produce produce produce. Because I’d eventually I’d get to the promised land. I’d be successful, famous and accepted.

What I know now from having to start over is that there is no end point. There’s only the journey. I’m in a constant state of becoming. Becoming a better version of myself. But I will never be complete or perfect because that state just doesn’t exist. It’s a fallacy we’re fed to keep us keeping on. The desire or promise keeps us working with our heads down, selling out our souls for very little rewards. We think we are living the life we want to live but really, we’re living the life ‘they’ want us to live. The system, that is.

Now, I’m happy with less. Happy to work small. Happy with little ripples I create because I know in my heart that this is the authentic me at work. I know now, what I do, I do from the heart. I do in service to others with no expectations or need for anything in return. Living my life on my terms is my reward. And that’s enough. I’m enough just being me.