
and if I was to live as long as her, i’d have summer



As an artist, I feel everything. I feel what everyone else is feeling.
This heaviness is manufactured to snuff my light out. To destroy my hope.
As an artist I’m here to create hope. As an artist, I create pockets of hope. Safe spaces where we can create alternative worlds.
Safe spaces where we can be free, if only for a little while.
I’ve been forgetting my task. My service. I’ve been struggling under the heaviness of it all.
Do you feel it too? That heaviness?
I’ve been forgetting to take my medicine. That’s what artists can bring to the world. Moments of medicine.
Here feast on this image. Take a moment here, in this safe space, let down this heaviness. Breathe.
We be good, together.



floating up the beach
ruffled by a north easterly,
fine intricate bubbles of air
cluster, froth to anyone else but
reminds me of Port of Spain,
the lace-like wooden fretwork of house gables and around porches,
Boissiere House, along Queen Park West,
gingerbread style fulfilling the fairy tale romance and fantasy of being home at last.

While completing my visual journaling this morning, at my old wooden table moved in front of my bedroom bay window looking out onto my rainy, foggy street, I had the thought that I’ve lived most of my life already.
This year I’ll turn 55 in October and it just struck me how the majority of my life/ living is behind me.
Then it got me thinking about how many years do I have left. I played with the idea of thinking, what if I’m just reaching the mid-point of my life? What if I have another 55 years of living ahead of me?
How would I feel about that? What would I need to do now to make that happen? Do I want to live to 110 years?
It has been done. It can be done even though those ‘blue zones’ where the majority ofcentenarians live are shrinking.
I feel I’d have to change a few habits first to give it a good shot at living until 110.
I know I could have been looking after my body better up until this point. But it’s never too late right, to start using food as medicine and to stop punishing my body for being black fat and ageing.
There’s still time right? There’s still a lot of twists and turns and bumps in this road left of this journey, right?
I’m not sure as nothings certain. But what if …

Yesterday after the school drop off, I braved the icy pavements ( you remember my fall last year right? year ago this weekend in fact!). Anyway walking like a duck with piles, I got down to my favourite beach and braved the icy metallic waves.

They say you never regret a sea swim. Well not so much swim, as the tide might have been going out but those waves were getting bigger coming in.
But it was worth it. This cold, freezing, numbing refreshing sea dip, skip, swear swim. Then it was back onto the icy pavement to the local coffee shop to warm up.
Got myself a seat by the radiator and enjoyed completing my visual journal spread for the day with an extra hot oat vanilla latte.
And this coffee comes courtesy of gift. I give thanks for the coffee to two people who kindly gifted me with ‘ buy me a coffee’ monthly subscriptions this week, responding to the post I put out this week asking for support, no doubt.
You know who you are and I’d like to thank you again for your generosity.

As you can see I’m putting your support to good use. I’d been sluggish all week as I get back into the school routine after the break. The sea woke me up. Fired me up and the coffee just kept the fires burning.
Thank you kindly ❤️

This is one of my favourite images from my extensive collection.
I know exactly when and where it was taken. Westfjords Residency, Iceland, Feb/March 2017.
This was my go to breakfast. Coffee, cornflakes and Skyr, Icelandic protein enriched yogurt. I love the colours, the composition. The items included. But most of all, I love the memories and feelings just looking at this image evokes.
It takes me back to that time of wonder and discovery during my second time to Iceland. A residency I gifted to myself, writing the application while teaching temporally; frustrated, longing to get out and create.
I stayed for two weeks in the shadows of the mountains, knee deep in snow most days until the thaw came with some greening of the landscape.
I didn’t know what the fuck I was doing there back then. I just knew in my body that I needed to get away, gain inspiration from the landscape and {BE}.
I might not have completed much when I was out there, but I know when I returned the experience shifted my creativity and how I saw myself as a creative.
I saw glimmers of the Northern Lights during this retreat. Pale creamy wisps and trails in a dark navy sky. It was magical and a mystery.
This makes me think about my art-making practice and how most of the time I’m working in the dark, moving out of my comfort zone into the unknown, looking and listening hoping to catch a glimpses of magic and mystery in the process.
What’s created on the page, like this photography, is an archive, a record which when looked upon brings to the surface all the memories and feelings of the process, the experience once again experienced to the full with wonder and a smile.