Creating Sanctuary






*not so mush a trigger warning but saying it anyways!


I am worthy of consent.
I am safe.
I can heal from sexual trauma. –  Lyvonne Briggs

I’m writing. Or is it rambling? I’m not sure. It’s just that I’m reading at the moment. I’m in my cave (bed) hibernating and I’m reading so many different books. Fiction, non-fiction, poetry and there’s a cross over with what’s happening within my life with my reading ( Does that happen to you?). There’s an echo or a reinforcement for the things that are causing me grief at the moment, worrying the wound as I read and rest. 

So writing things out, going long is a way of making sense of it all in the moment. It’s a way of gaining some kind of clarity for now. Not thinking of the future but thinking of gathering the threads at this moment to made make a something out of this mess of yarns.

My mum died when I was 27 years old. I’d just become a mother the year before. I’ve been hearing about the ‘mother wound’ lately. I’m not sure if I understand it completely. But when I hear it, I don’t jump into definitions and theories. For me it’s simply means when my mum died and left me to cope alone. Selfish I know. But I feel as is she left a gaping, bleeding wound that festers and hurts when I worry it. When I press on it, inspect it with my touch.

This morning, following my morning routine, in bed reading (with coffee skipped ahead this morning) I’m reading Sensual Faith: The Art of Coming Home to Your Body by Lyvonne Briggs. I’m reading a section called ‘Surthrivors’ a term Briggs created to try and capture how she was feeling, living after male sexual violence. She felt ‘survivor’ was too flat to describe/ define her experience when she was living/doing what she loved studying theology and religion, in community with loving people and was an acclaimed spoken word and slam poet. “I wasn’t just surviving, I was thriving!” Briggs wrote, hence pointing the more accurate term, ‘Surthrivor’. 
I love it when we Black women bend and twist language, divest from the standard to better express/ more fully express our feelings and experiences. That’s creative fugitivity for you (thank you Dal).

Briggs goes on to talk about how she got into the ministry so she could change how the church handles sexual abuse, not very well,  as there is a silence around it. Or they blame demons instead of the actually men. I’m not here to talk about male sexual abuse. I’m not her to talk about the church. I’m not a religious person. I was brought up saying my prayers. I remember a black bible, creased leather, brought from Trinidad and Tobago with my dad when he stowed away to England. This black bible sat toad-like in the teak sideboard of my childhood living room. West Indian style living room, I may add. 
I gave up believing in a ‘God’ when my daddy died when I was 9 years old. I’ve now come around to the idea that we are Gods/ Goddesses ourselves, inside us. I’m spiritual rather than religious. So I’m not sure why I’m reading this book. 

I lie. Yes I do know why I’m reading Sensual Faith. I followed a trail to this book left by Christina Cleveland and God is a Blackwoman. But also because of the subheading of Sacred Faith: The Art of Coming Home to Your Body, is a journey I always seem to be on. 

Anyway. Back to the reading this morning which went on to discuss the worship centre in a church is called the ‘sanctuary’. When you the word ‘sanctuary’, does anyone else think of Quasimodo? ‘Sanctuary, sanctuary!’

A ‘sanctuary’ is a safe or holy place. I wrote a poem titled ‘sanctuary’ and it was about my mum. My mum’s home, body, arms. When she was alive, it was her I went to for safe harbour.  I didn’t realise until she was gone. It has come a way for me to practice mothering my own children, through sanctuary for them. Once my mum died, I lost who and where I could return to for safety. I lost my home, my sanctuary when she died and I suppose I’ve been searching for sanctuary ever since, looking outside myself, looking for it in others ( husband for one!)

I don’t how long I’ve been in battle with my being, with my body, chastising her for not being enough. But also for being too much. Too fat. Too broad, too Black. But over the last few years, eyes open, something has been changing or shifting within me and how I view, treat and talk to my body.
.
Maybe that’s where my mum did me a disservice and where I’m making amends with my kids. I’m not sure she taught me how to find sanctuary within myself, within my own body.

Monday nights I dread. 
Not always. Just the last few months as I complete my level 3 diploma in counselling skills. I’m not jesting that I hate turning up for this course. And I never use ‘hate’ as a word usually, always thinking it’s too strong a word for a feeling. Too final without any redeeming features. But this is where we’ve got to with this course. 

And it wasn’t always the case. I could blame the dark, cold nights I have to turn up for 3 hours of lecturing and talking in an empty, sterile office block. I could blame the electric fluorescent lighting that flickers and buzzes and can give me a bad head. But I would be lying. I’m here to be wide open and honest. So here goes!

This course is taking away pieces of my soul, week after week. And I’m not ashamed to say that I have contemplated dropping out week after week, researching for alternatives. I  even enrolled on a supplementary course, decolonising counselling, that would tend to all the damage this course is doing, but I had to withdraw from that due to costs and timings. 

If you’ve ever studied counselling and therapy, you’ll know that everything; theories and tools and practices are all taken from dead white guys. Dead white guys acting like Gods (and I don’t mean the internal Gods I’m just mentioned). White male, usually heterosexual and middle class theorists who pontificate that they know everything about what’s happening in everybody’s mental health. They have the solutions to make us feel/ do /be better. As it’s always the individual’s fault and can be traced back to their childhood, their mother? Bullshit!

It hurts to be fed this shite every Monday. In the beginning I pushed back and attempted to decolonise the teaching, the theory, the responses. Bringing in other theorists and arguments. Being the only Black face in the class, girl has to represent. 

Until we got to week 9, we were exploring different types of power within the counsellor and client relationship. Power roles within the counselling arena. After a discussion, we were being presented with a list of ‘Further key aspects of power or perceived power’. And yes the list was not an exhaustive list and things could be added, the tutor said. This list did not include ‘race’, ‘ethnicity’, ‘culture’, and I voiced it as such. My comment was laughed at and dismissed as, ‘there’s always one’. 

Always one who has to comment on what’s missing from the list? Or always one who has to bring up race? Who knows! I just know how this comment made me feel.  Know your audience I say or was I being put into my place? This response indicated to me that this input, which a fundamentally the way white supremacy culture wields power through the hierarchy of the races. It’s the sea that we’re swimming in and to not mention is the usual state of affairs.  This interaction indicated to me that this was never going to be on this course’s agenda. Me continuing to challenge the whitewashing of counselling and therapy, me constantly remarking on the culture that we’re operating in wasn’t enlightening my fellow students or suggesting that they become more aware of their ( and my own) unconscious biases.  I realised I was just creating issues where they never saw issues. Problems where there are no problems.  As race and racism is only a problem when there’s a Black person in the room. It’s Black people who have an issue with race as whiteness isn’t a race, right? Whiteness is a given. 

After week 9, and tonight was week 15, I’ve silenced myself. I’ve disengaged from the course, no longer contributing. I turn up and get my attendance and keep my thoughts and comments and feelings to myself. I’m not giving anything of myself anymore to the group, to the course within the face to face sessions as I’ve received the message it’s not welcome, it’s not of value, it’s not relevant. I do not intend to waste my energy and heart and soul on this experience. 

This hurts me.
I’m making sanctuary for myself. I’m making this experience safe for myself. I’m keeping myself safe within myself, within my body as being in that classroom is no longer safe for me. And to explain that to them, I wouldn’t bother, as they wouldn’t get it. The can’t get it and it would also involve them listening to me, and me being heard, which ain’t happening.

I’m creating sanctuary for myself, within my body and its a practice. I’m using a self-soothing approach, self-talking, loving compassionate approach when I experience something that is harming, hurting, traumatic. I’m letting myself know, like that little girl inside me who needed to be loved and kept safe, I’m stroking my own chest over my heart and saying to her, saying to myself, ‘ You are love, Sheree. I’ve got you I understand why you are feeling unsafe. But I’ve got you. You’re dafe now.”
I’m mothering myself. I’m making myself safe. I’m making myself sanctuary.


Sharing Darkling

I share my new poetry collection Darkling, come 7 November, 6-7.30 pm (GMT). I’m excited about speaking these words aloud in company. There’s something magical happens when we give voice to our creations. Allow the words, language to reverberate through our bodies. We come to the words almost anew, a fresh and feel all the emotions and meanings as they enfold again and for the first time.

I know it’s going to be an emotional session to share as this book was a long time in the making. I’ve changed so much in its creation. But I’m ready.

I share a poem with you today from Darkling. And please join me in its launch next week.

found poem: we arrived here with stars in our hair and needles between our toes*

after drea brown

be autumn/ be siskin/ be slick

twilight licks our dark skin

deep within the forest

straining through spruce/ larch and pine

(trial & error I learnt their names/ names

are never easy on black bodies)

living within the unknown (out)side

where history is wet/ with memory/ & muchness

within the shadows/ within the wake

we search/ for a tenderness in the brokenness

breathing in/ in-between spaces

tongue locked/ tongue packed/ tongue tied

we be/ but not be/

unfurling like tight fisted ferns

brown bruised/ violence against ourselves

into the woods/ in flight/ in creep creek/

in restless/ motherless moan

shapeshifting/ combing the black air/

what would happen/ if we linger

in the midst/

/////////slow////////down////////slow//////motion///////

refusing to be absent for ourselves/////////slow///////breathing//////

together/ listening to each other/ listening

to this haunting presence/refusing to play dead/

stay dead/

*the title is inspired by something within Paul Taylor, ‘Black Aesthetics’, Philosophy Compass 5/1 2010.

<https://sites.hampshire.edu/blackaesthetics/files/2017/03/taylorpaul-blackaesthetics.pdf&gt;

Darkling

Cover design

I’m not sure how much I’ve shared here. I’m not sure if I wanted to speak it into existence out of fear of jinxing it. Maybe.

Last year, my last publisher Andy Croft got in contact with me asking for my poetry collection. Smokestack Books is planning to close its publishing doors and Andy wanted to go out having published my next collection.

We have a history as Andy published Laventille (2015) and stood by me throughout the whole ‘shit-hit-the-fan’ experience when my life and profession and writing were ruined ( or there was an attempt to ruin me as I’m still here to tell the tale).

So I said yes, maybe naively. As since then I’ve been on a rollercoaster of feelings as I attempted to bring the collection into existence.

Darkling was the result.

At some point I will share some of the poems within the collection. Some of the poems started within this blog. But even though I just got asked last year to complete this collection, I feel, no I know, this collection has been nine years in the making. Ever since Sheree Mack was cancelled in May 2015, I’ve been making my way back to Sheree Mack, someone I didn’t even know existed until she was forced to start again from nothing to building a much stronger and truer foundation.

Darkling is Smokestack Books swan song. Darkling is my rebirth song.

There will be a reading planned of the collection with special guests as support. Check out the details here. Thursday 7 November, 6-7.30pm (GMT).

How might we divest from the human?

I’ve been reading. When I read, I feed my wonder and imagination. When I read, I fill up with ideas and dreams and plans.

Reading expands my mind and expands my understanding of the world I navigate.

I cannot stress or emphasise enough how much my world has been rocked or even burnt down since my reading and continued reading of Fugitive Feminism by Akwugo Emejulu.

This isn’t like anything I’ve read before because it goes against everything I’ve been trying to do for the last 50 years; to prove the humanity of Black people, of myself so we can finally be accepted and loved.

But what if we’ll never be accepted? Never be accepted as human beings because who gets to claim humanity is bound up with whiteness, bound up with white supremacy culture?

What if being a human is a construct and is defined by those with the power and was never constructed to allow us, people of the global majority to be as such?

So if I claim non-human what are the possibilities for my being?

This is where I’m heading. This is the space I’m navigating now. I’m making changes from the inside out. In a cellular level this speaks truth and blessings to me. How I {BE} is changing and it includes a whole more ‘fuck offs’. Well that’s how it’s shown up my so far!

Hello And Welcome

I feel better now. I feel as if a weight has been lifted off of me and I can finally breathe again.

In March this year I announced to my substack followers that I was fixing to leave the platform because I could no longer be there in the light of their tendencies to allow racism to be spread on the platform. I was fixing to leave and then did nothing about it. But this also meant I didn’t write anything else there either. Until today.

I wrote about the above little purple flower. And how they and I have something in common, we choose to grow where we choose to grow and thrive in the process. In the cracks, in the margins, we find freedom.

I’ve left substack now but left my archive.

I simply migrated my subscribers from there to here. Totally understand if this isn’t your bag and you choose to leave. But this is my home and there is no place I find more safe and reassuring and room to grow than here, my own website. This is something I’ve been forgetting of late as I’ve been quiet and to some extent paralysed therefore. not really writing, sharing or dreaming in public for reasons I’m not too sure. But I’ll find out in time, all will be revealed. I trust in the process, in my decisions and in my potential to create my centre out of the margins and edges.

So welcome to my home. I hope you’ll be comfortable here. This home has been around since 2017 and it’s a creative archive of my progress and process which I am very proud of and continue to invest in. I’m happy you could stop by.

Let’s not be strangers and let’s connect on a deeper level. Always x

Practice

What is one word that describes you?

“You know life is hard,” my mother once told me with resignation in her voice. She continued, “For years, I’ve been struggling. I’m just plain tired now.” I wasn’t sure if she was talking to me or herself , but once again I hardly listened. I was grown, I knew everything. I was a fool. Here one day, gone the next, I never got the chance to agree with my mother; that yes, life is hard. Too damn hard sometimes and there are people, put on this earth, who take it as a personal mission/ vendetta to make it even harder for some people. But hey I’m not here to complain.

This year, I made myself the promise to practice certain things, certain ways of being.

One, to quit the complaining as it only drains my energy.

Two, to stop saying to myself and others that time is flying, that time is going so fast, what’s that all about? (But come on, admit it, time is flying. We’re past mid March already!) Yes stop this stating that time is flying malarky as it’s energy sapping.

And three, to get my arse out of bed each morning, go to my creative corner and practice my visual journalling because this shifts/ boosts/ aligns my energy.

Some days I win, some days I lose but I know just like life, like everything really, it’s a practice. It’s about turning up each day for me and not having an agenda, or any idea what I’m going to create or know down which path my attention will flow. I just know that when I practice my visual journaling, intentionally showing up at my desk each morning, I feel better. Simple.

Yes there are all those insightful and wise deductions I could make about this practice and the effects of it on my creativity, life, work, relationship with self and others. But on the most simplest of levels, it makes me feel better. It sets me up to be present for the rest of my day.

Since November 2023, I’ve been practicing this little old practice of getting into my creative corner and creating/ being. Usually in altered books, or homemade junk journals or hand sewn books. Moving my hands to smear paint across a page, adding text and images, and stickers and sometimes even crafting found poems from cut-outs, makes me happy. I can say that now because I’ve had months of this practice under my belt. And I feel better because of it.

The one word that best describes me is ‘practice’ and I get to be me, daily, each morning with my visual journal practice which makes sure I’m myself from each moment to the next for the rest of the day. And for this I am grateful because my mother might not have found the secret and passed it on but I feel as if I’ve stumbled upon what makes this life less difficult, less hard, less soul destroying. Practice.

Keep checking back for the rest of the week as I’ll be sharing a spread each day from my visual journaling practice. And eventually all will be revealed in a new portfolio page around this practice. Thanks for reading. And see you again soon 🙂

I’m loving on this space/place/me

The new visual journal

I’m sharing this spread created this morning because I’m channeling the love. The love on self. In all my fucked up glory. There is beauty in the messy. Ugly and sweet. And that’s the way it goes ( Janet Jackson style!).

Preparing for the next chapter

New visual journal

Sometimes, I can feel my energy stagnating. Or being leeched away into activities, projects or circumstances that I want to be in but which if I allow it take me away from what is important to me.

I do great work and I enjoy facilitating/ creating/ coordinating it. Changing lives and bringing joy and opportunities to others, for others.

But sometimes, I have to strengthen my boundaries and batter down the hatches in order to make sure I can show up the best version of myself for myself and others.

The last couple of weeks have found me running low on energy, patience and creativity. I’ve been giving away a lot of myself, time and energy, and focus.

So the next chapter to the end of 2023, is focused on me taking back what’s mine. Taking back my time, my energy, my sparks and directing them in the directions that feed my soul. Which fuels my dreams and confidence in my voice.

And it starts with preparing my next visual journal. I’ve returned to a trusty old faithful. A pink pig sketchbook. And I’ve set up on my kitchen bench with paints and the gift card.

Every time I go into the kitchen, I create a spread. I smear drops of paint across the page with the disused credit card. I can feel my energy, my excitement and joy rising.

This simple act of moving colour across the page fills me with joy, wonder and ideas. My creativity has been lit up again and I’m looking forward to filling these pages.

Looking forward to dreaming on paper.

New visual journal