A moment of relief
voice
The Sinners Series – 004
You know I love the movie, Sinners. I’m onto my fifth watching of it.
One of my favourite songs within the movie is this one Dangerous sung by Hailee Steinfeld. I could rage on for hours about this song; it’s melody and words and underlining beat. But for now, I’m taking the word dangerous and running with it.
Within Sinners, what can be seen as dangerous is the invasion of vampires, a life or death situation. What could also be seen as dangerous is a community of sharecroppers having a safe space to listen to music and dance and eat and drink on their own terms. To be free. This could be seen as dangerous by the white supremacy culture they are living under.
For me what I see as dangerous are the white men who are still running around in their white hoods, calling themselves the brotherhood, the protectors of white women and democracy and who do whatever is takes to keep the black people( they do not use this nice a term for such people) in line even if it means killing them all.
These white men in hoods, the Ku Klux Klan, deal out justice as they see fit, creating terror as the deterrent to black people thinking of stepping out of line. And that could be just breathing.
These white men could meet you on the street one day and be burning down your house the very next day. But you wouldn’t know who they be. You know the enemy is a white man but it could be the smiling face neighbour who hides behind the hood, concealing their identity and cause havoc with no repercussions or justice or revenge on them. To live in this sense of fear is unimaginable.
Today these Federal Officials and Immigration and Customs Enforcement (ICE) marshals who are abusing their power, gifted by the Trump administration, to take people, children as well, from their homes, schools, work, off the streets and detain them, saying they are illegal, deport them, torture them for no reason except being seen as an ‘alien’ because they are brown and black are no better than the KKK. They wear the masks. They cover their faces. Conceal their identities and commit the crimes. The brown and black citizens of these communities are not committing any crimes except attempting to survive and thrive, living their lives.
Why cover your faces if you believe in what you are doing? Why conceal your identity if you are doing what is right, following the law? Why hide if you are proud of your actions?
This is dangerous. White men or white baby-men again have been emboldened and empowered to run havoc through our communities in the name of the law. Believing that they are doing what’s right in terms of some warped sense of superiority and the belief that they have a right to do so.
This is dangerous and has to be stopped. How? That is what we have to work out.
Running Scared, No More
Let’s be scared. Let’s demonise people.
This is the message sweeping across countries at the moment, around the world, as we continue to move further to the right in terms of politics and governing people. Suppressing people and voices.
Thinking about my weekend in London at the Defeating Narratives of Division conference hosted by the Ella Baker School of Organising, and coming home to see peaceful protests in L.A. around the over stretching arms of Federal Officials and illegal immigration raids on communities being portrayed as chaos and unruly and needs to be stopped with military force. Trump, man!
What the fuck is happening right now? What false narratives fuelled by fear and intimidation are catching like wildfire and are taking hold? What is happening to democracy and fairness and justice?
I too am scared. I’ve been told by some to have fear and anxiety and start panicking in order to take action. Time is running out. Passing on this narrative of fear is making us on the so-called left no better than those on the right whose fuel is fear.
We have to be pushing back against these fears. Not disallowing them but acknowledging them and choosing to fuel our movement with love and solidarity and joy. We can come together as we have the power and spread a message of love and welcome and togetherness and there is no way that message can be twisted or used against us.
It is plain to see that communities who stand together, even if from different cultures and races and heritages, are powerful and those who are crooked and authoritarian are scared of this. Scared of us taking back our power and saying no, enough!
I’ll be writing more on this in the weeks to come. But for now I just had to mark this moment of disgust at what is happening around the world but how there is much to be celebrating and reinforcing and elevating. Stories of love and solidarity and people taking back their agency and power. Thinking of Burkina Faso here and other African nations who are standing up and saying enough is enough.
But all in good time, and for me ‘good’ time is slow time. Taking the time to bring about lasting change on our own terms.
More to follow.
Writing as resistance, reclamation and ritual
From Eleanor over at The Wildheart Papers:
“This week I’m joined by the inspirational Sheree – writer, creatrix, and space holder – whose work is steeped in ancestral memory, fierce tenderness, and a deep reverence for the wild, both within and around us.
Sheree walks the edge between the personal and political, the sacred and the embodied, calling forth the untold stories that live in Black women’s bodies and lineages.
In this soul-stirring conversation, we explore:
🌿 Honouring a daily writing practice while moving with the seasons of creativity
🔥 Reclaiming voice – how writing can be both resistance and healing
🖤 The story behind for black birds pushing against glass
🌊 Writing beyond structure, beyond ‘shoulds’ – from a place of truth and essence
This episode is a balm and a call to courage for anyone who longs to write from the wild, rooted place within.
🎧 Tune in now wherever you listen to podcasts or head straight to the Feral Words page.
And don’t forget to explore more of Sheree’s work over at Living Wild Studios – especially her regularly updated blog, which is a rich and reflective companion to her creative work”.
The Sinners Series – 003
The second time I went to see Sinners, again it was fitting it in before going away somewhere else. But I knew I had to see it again.
A different cinema, and much fuller this time. I was sat between two black women out for one of theirs birthday’s and a white couple.
The black women introduced themselves to me. Something that has never happened before to me in the pictures. I thought it was a lovely gesture. It meant I could also tell them that they were in for a treat.
Again I got lost in the world of Sinners. Even thought I’d seen it before, I still jumped at the frightening bits. And I say frightening bits, the bits that are in there to make you jump. There’s blood but most of time the biting by the vampires is done off screen or you see it from behind and hear the noises.
I love this movie for so many reasons but I think the first thing is how Coogler plays with the genres and conventions and expectations. This is a mixture of genres ; horror, action, romance, musical etc. Coogler takes creative liberties with what’s gone before to create something rich, unique and full.
I love how this is a massive permission slip to any creative to go with their own flow. Bring in all the possibilities you want to express your point. It applies to the Creatrix in me because when the energy flows, when I’m in the zone and listening, the creations knows no boundaries or limits or rules. It just be.
Sinners is just that. And more. It’s layered , culturally and spiritually explorative and travels through time and space with music as the connection.
This second viewing of Sinners was important because for the first viewing, I had to rush off into try dark and catch a bus, therefore missing the multiple endings. So this time, I stayed put and also told those around who were fixing to leave, ‘there’s more.’
I’m not going to spoil the film for you by telling you what happens in the multiple endings but please don’t leave until the very end. Even if the lights come up, hang on in there to the very end. Even if they’re coming in to clean up after you, hang on in there to the very ends.
The Sinners Series – 002
I’d seen the trailers. And forgot. It was already out a week or so when I realised and I only had a small window of time before I was off on my travels again.
So on the spur of the moment. I booked my ticket, walked and bussed there. A late night showing. I’d be coming home in the dark.
I should say, I have a love /hate relationship with horror movies. I get scared easily. I’m very impressionable. And images especially horrific ones haunt me afterwards. But I also enjoy being scared. In a weird twisted way. It’s an adrenaline rush.
This film has vampires. And I was travelling home alone. Considering walking ( I didn’t my after all).
The cinema wasn’t really full. I settled in and right from the beginning of Sinners directed my Ryan Coogler, I knew I was going to be in for a treat. The cinematic colours and quality of the film, shot in IMAX and 70mm film, pulled me into the world created.
Set on 1932 in the Mississippi Delta, during Jim Crow, a musical supernatural action film was a beauty to behold. Michael B Jordan playing a double role as the twins Smoke and Stake, I was gripped.
Of course I jumped and screamed all at the right parts but I also got lost in the characters and their relationships and the horror of it all. The death, grief, pain and joy.
If you haven’t seen Sinners, please go see it. Best movie for this year, best movie by far for a long time. This is a movie I have no qualms about haunting me.
The Sinners Series – 001
Coming Home to a Black Pebble Beach
Self-Portrait as a Writer – Day 29
they say poets are reluctant to call themselves ‘poets’. well at least the ones that aren’t famous.we all have to come to the blank page. collections, awards, residencies whatever, we carry the fear of never being able to repeat that measure of success. or that we are never ever gonna write that good again. BULLSHIT. i don’t buy into self-depreciation. there’s enough of it out there without adding to it, by piling on myself. just give me a moment, to breath, to open my body, to listen to the whispers within and the world without. then i’m bound to create something. the trick is to remain open. to have no expectation. to drop the comparison trap and to just play.practice. dive into the process and {BE}. and before I know it I’ve got this singing imagine, this hook, this solid rock stance of intuition that I’ve just nailed the essence of a poem.
