vampires

The Sinners Series – 005

| Sheree

With it being awards season and all, I felt called to watch Sinners again. This might have been my fifth or sixth time. I’m sorry, I’ve lost count. It still hasn’t lost its magic. The film just keeps on giving for me. To me.

This time, I’m struck by how many times freedom is mentioned. How to get free? How to be free? How to protect that freedom?

I think Sinners explores the price of freedom. The price of being free. There’s always a cost for attempting to live life on your own terms.

From the beginning, we might be introduced to sharecroppers, working for the white men, still on plantations. But this will be a self-sustaining community. More than bodies for working on the farms, the land they do not own. But they have each other. Each character is developed at the beginning of the film. The viewer is allowed to get to know them and see them in their element. They be vibrant and they be fixing to be free. Free from the restrictions of white supremacy culture, capitalism, patriarchy the whole shebang. And this isn’t without pain but also joy and laugher and love.

Sinners is what happens when a community, when people are living their own lives and are infiltrated by others, who want what they have. Outside threats come to ruin the day. Vampires come and covet what this community has. Sammie. Sammie has a gift, the gift of music that connects him with all ages. Griot.

Delta Slim’s says, “With this here ritual, we heal our people. And we be free.” This is the power of music and how a community can tell their stories through music. And outside forces, in this case vampires, who hear, see, realise this power, are threatened by it as well as want it. Want to control it take it away from this black community who are gain strength and sustainance through it all. And be free.

Sammie’s gift, the music, the very culture needs to be/ has to be protected from these outside threats at all costs. As culture, its very existence is threatened from being sucked dry by the devils coming tonight.

So as a people, as black people, we do whatever we can do to tell our own stories, protect and preserve our music, our culture as through this we heal. And we be free.

The Sinners Series – 002

| Sheree

I’d seen the trailers. And forgot. It was already out a week or so when I realised and I only had a small window of time before I was off on my travels again.

So on the spur of the moment. I booked my ticket, walked and bussed there. A late night showing. I’d be coming home in the dark.

I should say, I have a love /hate relationship with horror movies. I get scared easily. I’m very impressionable. And images especially horrific ones haunt me afterwards. But I also enjoy being scared. In a weird twisted way. It’s an adrenaline rush.

This film has vampires. And I was travelling home alone. Considering walking ( I didn’t my after all).

The cinema wasn’t really full. I settled in and right from the beginning of Sinners directed my Ryan Coogler, I knew I was going to be in for a treat. The cinematic colours and quality of the film, shot in IMAX and 70mm film, pulled me into the world created.

Set on 1932 in the Mississippi Delta, during Jim Crow, a musical supernatural action film was a beauty to behold. Michael B Jordan playing a double role as the twins Smoke and Stake, I was gripped.

Of course I jumped and screamed all at the right parts but I also got lost in the characters and their relationships and the horror of it all. The death, grief, pain and joy.

If you haven’t seen Sinners, please go see it. Best movie for this year, best movie by far for a long time. This is a movie I have no qualms about haunting me.