Seen from afar,
white dressed trees
Up close, delicate white
blossom with yellowpink centres
Earthy vanilla scents
the air, Spring is sprung
blossom
Trees
slender
Receding into the distance,
a silvery slenderness,
turning purple, then black in the dimming light.
I walk to this lady of the woods
who stands alone upon this moor.
She still claims the light,
as light is everything to her.
Her crimson catkins separate
like wings, to flutter
into the breeze,
a swarm of speckled flies.
Undressing her tissue skin
again and again, she endures
revealing her white graceful
beauty
Day 11 – NaPoWriMo- Mount Cherry
And here, we begin our ascent.
Please be careful of your footing.
There are loose chippings.
Look up. See how the sun graces
her face. Depending on the time
of the day or time of the month,
she may greet you with her broadest
smile, inviting. Other times, shadowed
and closed. You have been warned.
As we advance, observe the lumpy,
bumpy terrain, discoloured in places
with distinct dark spots. She was born
with these. And here, stop, examine
the outcrop revealing her core. Layer
upon layer of flesh: emotions
and intuition and wisdom. Years
of neglect has made this particular part
almost impassable. Look away if you have to.
And here, finally, we reach her peak.
Or should we say, peaks. Sagging
too far into the clouds. Inexcusable.
But, we are blessed to witness her
during the fleeting blossom season.
Enjoy the cherry clusters lining the path.
Careful as slippery when wet. And we
wouldn’t want you to loose your chance
to prod and poke and objectify this
rare and formidable mountain.
Day 10 – nature has the right way of going about things
Listen.
Trees have
the whole story.
They
balance their
roots and canopy
So
every fibre
is provided for;
a
solid base
nourishes every thing.
I’m
going to
copy the trees.
I’m
going to
dig in deeper,
look
after my
foundations, to grow
tall
and wide
and bloom resplendent.
Day 9 – Concrete Poem – being in the moment
I sit on the bed, cross legged,
window open. Hearing a kid
scream, a car engine revving.
And there, just then, a seagull
flies by carrying bunch of leaf
and twine in its beak. Say you,
what you building? Stealing?
It’s now I’m aware of the trees
trees outside coming into leaf.
Buds unfurling like green ton-
gues with beard and feathery
flower clusters. What tree are
you? And why do you reach so
to the sky as if all that matters
is to grow and thrive? Zooming
traffic, loud, draw my attention
away from nature, from inside
But that’s usually the case with
modern life: a distancing from
our true nature with incentive
of moving faster, go anywhere,
produce anything of fake worth
as if our life depends upon it.
Day 2 – The Sycamore Gap Tree
Sycamore, sycamore.
Say your name our loud.
Sycamore, sycamore.
A whisper plays
upon the wind.
A spell to conjure
you to life before me.
Between Milecastle 13 and Crag Lough,
at the end of a cliff, on an outcrop of Whin Sill
sandwiched between the Roman Wall,
Sycamore, Sycamore
I come to you.
Once, one of many,
you stand alone
in your splendour.
I come carrying
Hollywood images
of bows and arrows
and thieves. Fake.
Sycamore, sycamore.
I touch your truck.
Reddy-grey fissured bark
and white tender lichen.
I stretch my neck back
to look up and up
onto your foliage.
Magnificent.
Every shade of green
spreads wide.
Shining out from your
everlasting soul.
Sycamore. Sycamore.
Hazel Catkins
Walk down by the falls, in winter, catch the scent of wet clay upon the breeze of indifference. Dullness is broken by golden catkins, with a hint of blush. Light and soft prickles flutter, hanging long, delicate and strong. Underneath, collect the hazelnuts but pay a mind to the grey squirrel with a rosy back, who probably needs them more than you. Share and connect as we are all kin. We are one.
A month in ( nearly) of the new 100 day project and this is what I want
At the beginning of August I started my third and final #100daysproject of 2019.
I started 2019, painting 100, A3 sized abstracts. Then come April when the official #the100dayproject took place, I jumped on board with painting and drawing Black women’s faces and bodies. I’ve found these practices challenging at times, especially when I’ve been traveling and had a shortage of time. But the flip side has been such a overflowing pot of creativity which has had a knock on effect with my writing and general outlook.
Now nearly 30 days into photographing my golden goddess statue, I‘m figuring out how this practice works in anchoring as well as inspiring me.
With these 100 days, I‘m carrying my beautiful goddess statue out into nature and taking instant photographs of her there. I’m using her as a surrogate for my own body in nature. She takes up space so confidently and with such a ‘don’t care less’ attitude, that her essence is rubbing off onto me.
How she behaves and holds herself is how I want to behave all the time when I’m out there in society, hustling and getting by. I want to have her self-confidence and self-awareness and magnitude. She is badass but so gracious with it. To have what she has, to be so in love with self and grateful for it is how I want to live my life.
Hopefully, from the practice and folllowing the goddess‘s lead, I could get there, well slightly there, over the next 100 days.
We’ll see.
Nature is our home
we can simply be with nature, look at nature, listen to nature, touch it and smell it; marvel at the beauty and splendour and wonder of it all
Living Wild Studios 