Day 12 – NaPoWriMo – Triolet

Today’s prompt from NaPoWriMo is to write a triolet. I love just saying the word, ‘triolet’, never mind writing one.
The triolet form involves a fixed rhyming and line scheme which is pretty simple once you get your head around it. The first line is repeated in the fourth and seventh lines; the second line is repeated in the final line; there are only five original lines, and the rhyme scheme is ABaAabAB.

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Triolet: shooting at blossom is a spectacle

Why isn’t one bullet too many times to shoot anybody?
It’s a crime for cherry blossom to fall too soon,
How much gratuitous violence is taken by a blackbody?
Why isn’t one bullet too many times to shoot anybody?
Translucent and tender like the flesh of a fledging chickadee,
we are all bone and blood and teeth under the white of the moon.
Why isn’t one bullet too many times to shoot anybody?
It’s a crime to see the cherry blossom fall too soon.

Day 11 – NaPoWriMo- Mount Cherry

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And here, we begin our ascent.
Please be careful of your footing.
There are loose chippings.
Look up. See how the sun graces
her face. Depending on the time
of the day or time of the month,
she may greet you with her broadest
smile, inviting. Other times, shadowed
and closed. You have been warned.

As we advance, observe the lumpy,
bumpy terrain, discoloured in places
with distinct dark spots. She was born
with these. And here, stop, examine
the outcrop revealing her core. Layer
upon layer of flesh: emotions
and intuition and wisdom. Years
of neglect has made this particular part
almost impassable. Look away if you have to.

And here, finally, we reach her peak.
Or should we say, peaks. Sagging
too far into the clouds. Inexcusable.
But, we are blessed to witness her
during the fleeting blossom season.
Enjoy the cherry clusters lining the path.
Careful as slippery when wet. And we
wouldn’t want you to loose your chance
to prod and poke and objectify this
rare and formidable mountain.

Day 9 – Concrete Poem – being in the moment

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I sit on the bed, cross legged,
window open. Hearing a kid
scream, a car engine revving.
And there, just then, a seagull
flies by carrying bunch of leaf
and twine in its beak. Say you,
what you building?   Stealing?
It’s now I’m aware of the trees
trees outside coming into leaf.
Buds unfurling like green ton-
gues with beard and feathery
flower clusters. What tree are
you? And why do you reach so
to the sky as if all that matters
is to grow and thrive? Zooming
traffic, loud, draw my attention
away from nature, from inside
But that’s usually the case with
modern life: a distancing from
our true nature with incentive
of moving faster, go anywhere,
produce anything of fake worth
as if our life depends upon it.

Day 2 – The Sycamore Gap Tree

Sycamore, sycamore.

Say your name our loud.

Sycamore, sycamore.

A whisper plays

upon the wind.

A spell to conjure

you to life before me.

Between Milecastle 13 and Crag Lough,

at the end of a cliff, on an outcrop of Whin Sill

sandwiched between the Roman Wall,

Sycamore, Sycamore

I come to you.

Once, one of many,

you stand alone

in your splendour.

I come carrying

Hollywood images

of bows and arrows

and thieves. Fake.

Sycamore, sycamore.

I touch your truck.

Reddy-grey fissured bark

and white tender lichen.

I stretch my neck back

to look up and up

onto your foliage.

Magnificent.

Every shade of green

spreads wide.

Shining out from your

everlasting soul.

Sycamore. Sycamore.

Hazel Catkins

Walk down by the falls, in winter, catch the scent of wet clay upon the breeze of indifference. Dullness is broken by golden catkins, with a hint of blush. Light and soft prickles flutter, hanging long, delicate and strong. Underneath, collect the hazelnuts but pay a mind to the grey squirrel with a rosy back, who probably needs them more than you. Share and connect as we are all kin. We are one.

A month in ( nearly) of the new 100 day project and this is what I want

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At the beginning of August I started my third and final #100daysproject of 2019.
I started 2019, painting 100, A3 sized abstracts. Then come April when the official #the100dayproject took place, I jumped on board with painting and drawing Black women’s faces and bodies. I’ve found these practices challenging at times, especially when I’ve been traveling and had a shortage of time. But the flip side has been such a overflowing pot of creativity which has had a knock on effect with my writing and general outlook. 
Now nearly 30 days into photographing my golden goddess statue, I‘m figuring out how this practice works in anchoring as well as inspiring me. 
With these 100 days, I‘m carrying my beautiful goddess statue out into nature and taking instant photographs of her there. I’m using her as a surrogate for my own body in nature. She takes up space so confidently and with such a ‘don’t care less’ attitude, that her essence is rubbing off onto me. 
How she behaves and holds herself is how I want to behave all the time when I’m out there in society, hustling and getting by. I want to have her self-confidence and self-awareness and magnitude. She is badass but so gracious with it. To have what she has, to be so in love with self and grateful for it is how I want to live my life. 
Hopefully, from the practice and folllowing the goddess‘s lead, I could get there, well slightly there, over the next 100 days.
We’ll see.