Black British Art – a series

I’m a Black British artist. I’ve been involved in the union for artists in England. I’ve been involved in different exhibitions and events around the arts. What I know for sure is that the British art scene is elitist and exclusive.

I’m actively attempting through my own practice as well as research and reading to make visible the invisible; the invisible history of Black British art. For centuries, Black artists have been visible amongst themselves/ ourselves being involved in individual and collaborative projects. But within official records and archives, the Black presence remains little and absent.

Histories and lives and stories are missing within British arts from an African diaspora perspective and I hope through my creating and agitating and archiving I’m changing the narrative.

Through a series of posts I hope to explore the Black British art tradition to bring this rich and diverse and valuable history to light and more recognition. I look forward to sharing my findings with you.

Night Marriage, Lowlands Estate, 1791.

‘Let’s feel what the Massa sees in you,’
he whispers,
like a snake’s belly on hard sand.
He takes me in.
His rough stubble tears at my thighs,
as greedy palms, with raised moons,
kneed my belly. His smell is
stale sweat mingled with
the heavy wet perfume of dirt
turned over with my hoe.
His high shiny leather riding
boots are still on.

from: The White of the Moon (2007-8)

Poetry