Letting my brain catch up with the happening, I allow my heart to stop for an instant. Feeling unmoored to make sense, far too soon.
If only I had saw it coming. If only someone had thought to talk to me before this. Maybe things would be different, maybe the wound wouldn’t cut so deep.
Needing to rewind the clocks, to go back to that ignorant bliss, that season of love and acceptance, is a fool’s wish.
Under the avalanche of words, I move silent into the dark night, to piece myself back together following a different schema, charting an undiscovered course.
March is nearly over. I spent a lot of it getting ready for a trip that didn’t happen. I’m still sore around the wound but will share here at some point.
The journal above which I share is the journal I created for my travels. It’s an Elle Decorating Magazine which I’ve repurposed. I pulled out the images and text I wanted to use in my visual journaling and then painted over the remaining pages.
It’s rough and ready. Messy and grungy and in the process I didn’t realise how much it has reflected my mood.
It’s not perfect.
I’ve been all over the place in terms of my moods these past few weeks. Serene and blissed out to stressed and anxious and angry.
And this messy, at times ugly, journal has captured it all. And I am grateful for its space and non-judgmental welcome.
I’ll be back here over the coming days to share the spreads that have been created in this journal. Just so you can see a bit more of my process and practice.
One more thing. The back of this journal was converted into a mini guide book to take on my travels with me. Since I didn’t make that trip, I haven’t been back into the back of the journal. I was also contemplated chucking the whole thing and start a new journal as I felt it would be painful and annoying to continue to use the journal as its purpose was for my time away.
But instead of avoiding the pain and frustrations and disappointments, continuing to use the journal has meant I haven’t run away from the feels but have allowed myself to sit with the feels.
I’m not sure if that means I’m a glutton for punishment or if I’m just all in with this life, my life of attempting to thrive rather than just survive.
Still showing up in this journal, just created from a magazine man, has given me the time and space to work through my feelings and come through feeling grateful for my life and the people I have around me who care about me and love me.
Visual journaling, it kills me in how it’s such a powerful tool for staying present and connecting with the self. Amazeballs!
It’s been a while since I’ve taken you on a photowalk. With the nights getting lighter, and being away in Kiwi, I felt the urge to watch the sun go down over Loch Morlich.
When Kiwi and I were coming back from Glencoe in the New Year, we planned to stop off at Loch Morlich on route but it had snowed and more forecast. I’d never been to the loch before so I erred on the side of caution promising myself that we would return some other time.
That’s a practice of mine. To not run around like a blue arsed fly trying to fit everything in/ see/do everything but to leave something to come back for. A reason to return.
We were due to return to Loch Morlich in January but after my fall, I postponed it till this week.
So here we are parked up at Glenmore Campsite nestled in Glenmore Forest and kissing Loch Morlich.
Of course I’ve already been in the loch and it was fucking cold. I was tingling with renewed life afterwards though.
Enough energy therefore to take you on a photowalk as the evening draws in.
What do you do when you’re practicing self-love and have a whole selection of rituals to support this practice and have been following them each day for the year of 2025 so far and then one day you are just so tired that you don’t have the energy to muster the right move in the moment to demonstrate said self-love instead of self-harm?
You create a blog post about it all as a reminder as well as a source of inspiration to motivate yourself to make that self-love gesture or movement which is needed in that moment instead of continuing down that oath of self-harm and self-neglect.
I share my new poetry collection Darkling, come 7 November, 6-7.30 pm (GMT). I’m excited about speaking these words aloud in company. There’s something magical happens when we give voice to our creations. Allow the words, language to reverberate through our bodies. We come to the words almost anew, a fresh and feel all the emotions and meanings as they enfold again and for the first time.
I know it’s going to be an emotional session to share as this book was a long time in the making. I’ve changed so much in its creation. But I’m ready.
I’ve just started a new course with Lighthouse Writers Workshop called Manifestations—Reading and Writing Speculative Nonfiction! with Kanika Agrawal. It works out that it’s early morning for me at its run on mountain time. This might help my speculative imaginings but maybe not. We’ll see.
After waking late this morning, I went to the page to complete my morning pages over coffee. And this is what came out:
Good morning, good morning. ( This sentence ran into the date I’d just wrote moments before).
Wowat least I’m just doing mistakes on the page & not in real life. Do I avoid real life? I know when I’m off social media or when I shy away from the news, it is to protect me from the real world because the ‘truth’ they are peeling is direct & fake and flawed. (And hurts me. My soul.)
But it’s still facts & information & journalism & biased & not ‘for real.’ I mean we say it’s a fact about the time and the date. But ‘time’ is a construct. It was a construct to make money – colonial time. I took it as a fact but really it’s all fake or a mechanism of control. The same for ‘race’.
I was thinking it was a given but again ‘race’ is a construct. It was created to justify the exploitation & extraction & brutalisation of one group of people by another. “They can’t feel pain right so what we’re doing to them doesn’t matter”, they said. “They don’t exist on the same plain, the same level as us. So chill your boots. It’s okay. They’re not human.”
All this musing feeds into what I’ve been reading of late, especially Fugitive Feminism where Akwugo Emejulu who argues that because humanity is tied to whiteness, Black Women, who I am interested in, will never be human. So why bother? Why engage with society on their terms/ these terms hoping one day you’ll be accepted when you know that label, that status of being human will never be attained? Instead, why not speculative about alternatives, about other ways of being, other ways of knowing ( conjuring) which do not depend on being human?
What possibilities could I begin to conjure?
This is where I’m at this morning. Tired and drinking my coffee but already allowing my imaginings to run wild. To be fugitive.
After a busy and brutal period of being out in the world working for the man, I’m resting. But already just after a couple of days rest, I’m coming back to myself. Coming back to what floats my boat, and gets the creative juices flowing. Thank you.
I haven’t looked back since I left mailchimp and took Living Wild Studios Notes over to substack. To send out a missive, a newsletter, or even just a hello is so much more straightforward and simple. It makes the task less arduous and much more enjoyable.
So I’ve just spent some time today creating the last note of the year for subscribers. And I added in an audio reading of it too, because I can.
It’s just me musing about the loss of words this year and then finding them again through listening outdoors and within. Go on over there and check it out. Warning: poetry included too!
And sign up as a subscriber if you fancy too. You’ll be more than welcome.
Today was the day my son graduated. Became a graduate of MA in Environmental Health from the University of Birmingham.
I could have shared an image of him graduating as I’m a very proud mama. But I’ve been rethinking about how much or how little I share with the world. And I will explore this more fully later this month. But some things are not mine to share or I do not want to share.
Some things I want to keep close to myself because they are special because the world does not need to know all that I am thinking or feeling or {being}.
As you know, I had the honour of being part of a group exhibition at the BALTIC this winter, Hinterlands, with my creative archivetitled, A Country Journal of a Blackwoman( Northumberland).
I’ve enjoyed revisiting the exhibition throughout it’s installation, alone and with others. What has been so rewarding has been the responses I’ve received from individual directly, as well as through the BALTIC in relation to the exhibition and my contribution.
Once such response or experience really made me laugh out loud with joy and surprise and involved the statue of Blessed Martin, pictured above.
I argue that creating alternative labels for each item within my archive as a must, as a means of extending the conversation, bringing in a chorus of diverse voices into the white cube space as well as pushing back against the standard, expected practice and pushing back to decolonising the space.
The label assigned to this artefact of Blessed Martin reads:
“Blessed Martin ~ Patron Saint of Racial Harmony
“Take Blessed Martin with you. In your pocket in you bag, whatever. Whenever you go outside, traveling or just walking. Take Blessed Martin with you. He will protect your journey. Keeping you safe with the ancestors as you journey through this world as a Black woman; present and absent.” Advice from Mother given to her sojourning Daughter.”
On one visit to the exhibition, I was told the story around one woman who took the time to really read this label and then proceeded to take the statue down from display, place him in their bad and walk out with him. Luckily, they were spotted doing this and were stopped before they could leave the building.
This individual believed that if they literally took this saint and carried him with them that they would be safe and protected. My response to hearing this tail, after a full belly laugh, was that they must have needed him, at this time. And I felt humbled that they wanted to be part, gain something from this archive also.
The exhibition ends April 30 and to mark it there will be a closing event at the BALTIC.
Saturday 29 April 11am, Donation & free tickets available. This is going to be a whole day event where you’ll get to hear from the artist who have been part of the exhibition. Some will be performing, reading work and sharing natural rituals.
I think I’ll be sharing around building an archive for ourselves so we start taking back the power around who gets to decide what is collected and preserved for future generations. Who’s histories and stories are worthy of being part of an archive?
Living Wild Studios 