This piece originally was published over on Medium with Binderful. I’m drawing this piece into the Living Wild Studios archives. Because I can!
Image credit — Donovan Valdivia
“How difficult is it for one body to feel the injustice wheeled at another? Are the tensions, the recognition, the disappointments, and the failures that exploded in the riots too foreign?”
Claudia Rankin
In August 2014, there’s a summer of “hands up, don’t shoot” protests, in Ferguson, Missouri, in response to the unlawful shooting of Michael Brown Jr.. In November, Darren Wilson, the white Ferguson police officer responsible for Brown’s murder isn’t indicted. In December, filled with rage and helplessness, I organise the first ‘Black Lives Matter’ protest in the North of England; a political poetry reading at our city centre library. Together artists and writers, cram into a hot room on the top floor of a building made of glass, and pour out our rage and pain through our writings. Black people’s words. Our ancestors’ words.
I’m criticised by one Black woman, in particular, because I invite white poets to read. They could only read the words of Black people as this event is centring our lives. Black lives. A white people’s presence is not what this Black woman wants. She wants a safe Black only space. I respect and understand her views. We all want a safe space for Black people. But I feel we can achieve so much more when we work together, Black and white, to solve our society’s problems. I know where she’s coming from though; a place of pain and suffering and hatred. As Black people, for so long, we have endured so much hate and violence from the hands of white people. For far too long, we have been excluded from a share in the economic wealth our ancestors paid for with their lives to create. We’re sick and tired of being excluded from the abundantly spread societal table which our ancestors give the skins off their backs to forge. And this hurts.
In March 2017, there’s a ‘Stand Up to Racism’ demonstration in London, Miss Ella, my seven year old daughter, and I dance behind the sound system truck, towards Trafalgar Square. Crowds behind metal barricades line our route, with the Metropolitan Police shepherding us along. We shout, ‘Refugees are welcome here.’ Miss Ella, dressed as her superhero, Black Widow, looks as if she’s just stepped out of a Black Panther’s meeting. With her long brown hair blowing in the wind and her peachy fist punching the air, she’s learning long before I did how to use her voice to bring about change. She carries her homemade banner stating, ‘Black Lives Matter,’ high with pride and courage. Along the way, a white woman with screwed up face screams at us to shut up and go back home to where we come from. Disallowing our protests, devaluing our presence here.
I recognise where she’s coming from; a place of her ignorance and pain and hatred. As white working class, for so long, she’s been fed the lies that Black people and immigrants come over here and take their homes and jobs. For so long, the poverty they’re experiencing is down to these Black illegal criminal and not a capitalist system rigged in favour of a few priviledged people. We’re just as sick and tired of this too. And we know it hurts.
In May 2020, there’s ‘Black Lives Matter’, protests around the world. In response to the recent killings of George Floyd, Tony McDade, Ahmaud Arbery, and Breonna Taylor, to name just a few, the streets are talking through fire and smoke. Thousands take to the streets, Black and white, to demand justice for all our Black brothers and sisters who have been and continue to be murdered by state sanctioned violence.
I’ve grateful for their voices and bodies. This time, I protest through my words and art. As the Covid-19 pandemic still poses a real threat here in my part of the world. I’m a Black, fat woman carrying yet another target on my back. While protesting, the odds of getting molested and arrested, and not surviving the experience is higher for me than any white person. Just as the odds are greater for me of dying from the Coronavirus than a white person.
Black, Asian, and ethnic minorities in the Western world are dying at a disproportionately higher rate and number than white people during this pandemic. Many explanations for this reality have been voiced with the blame thrown at the feet of Black people. That it is our unhealthy bodies and behaviours which are spreading this disease, conveniently not addressing the inherent racism and systematic inequalities that have operated for over 400 years that has brought about this dis-ease, making our weathered bodies more susceptible to this virus.
‘We rather die on our feet than keep livin’ on our knees,’ taken from the James Brown song, ‘I’m black and I’m proud’, I feel this as we see thousands of Black people (and white people) take to the streets, even though there’s a greater risk to their lives than ever before. But I recognise where’s they’re coming from. We’ve had enough. We’ve endured enough. We’re not prepared to accept Black lives being devalued anymore.
Usually I’m in the hate spectrum. I’ve internalised beliefs about the Black woman’s body that are oppressive and ugly that have been passed down through generation and generation.
I can’t remember a time that I haven’t felt that my body didn’t fit. That my body was too big, too fat, too Black. I’ve learned how to keep myself small, keep myself invisible( even while being hypervisible), keep myself safe.
Those moments when I’ve felt glory being within my body have been few and far between. And when I’ve got to that point of accepting my body, accepting myself, I can’t remember how I got there to get back there now.
My mum was thin once. But most of my life I remember her as being overweight. I saw pictures of her slim and I asked her what happened. Even that question is loaded and judgmental and wrong.
She said when she had lost all the weight she wasn’t well and she wasn’t happy. She said she was happier being fat. I didn’t ask any further questions probably because I didn’t like her answer.
I’m pondering this now, here. Wondering and wandering around my body.
This piece was written back in 2020 and published on Medium. I’ve brought it over here to be part of my writing archive. I also feel that the case needed restating frequently. Did I say daily?
We queue with our shopping basket. This is the norm now. But we don’t complain. It keeps everyone safe. We’re at the front of the queue, for a change. My daughter and I. We’ve only come to the one shop. I let her ride her bike into town. She needs the exercise as she’d be happy in front of her screen all day. I probably would too, as at least she’s inside safe, connecting with her friends, and I get a moment to myself.
Front of the queue, but we hold back as the woman in front of us has just gone into the shop. There’s someone coming out at the same time. The store security guard is standing in the mix too. We allow a gap to form between us; the woman and the entrance and our bodies. Coming across from an adjacent shop, a man and woman stride. Stride into the front of the queue, ready to walk into the shop. I raise my voice just above my normal speaking voice to say to them, There’s a queue. We’re waiting to go into the shop too.
I think I’m smiling but how can they know? How can anyone tell if you’re smiling when you’re wearing face protection? By your eyes. I think by the eyes, you can tell if someone is smiling. It’s a warm, sunny day. I’m wearing sunglasses. Maybe they can’t see my eyes. They can only use my voice as means of communication.
Sorry, they say. We thought the queue was going the other way. They walk to join the queue behind us. I say, in a tone of voice which I think says I understand, No, the lady in front of us has just gone in and we’re waiting back here to giving everyone some space.
In the time it takes for the couple to walk and wait behind us, at the recommended 2 metres, the woman of the couple has already started saying in a loud enough voice for us to hear, Some people are just getting angry about the situation now, and there’s s no need for it. We walk into the shop.
Note: The angry Black woman stereotype portrays a black woman as sassy, ill-mannered, and ill-tempered by nature.
Walking back home, Ella walking with her bike, I approach what happened outside the shop, asking Ella if she heard what the woman said about people getting angry.
She was referring to me. I explained. She saw me as an angry Black woman. Do you think I was angry because you’ve seen me angry?
My daughter knows me. She knows I wasn’t angry and says so.
When you live in a society where you’re powerless, perceived as worthless and inferior, those who have power, believing themselves to be superior, spend their time telling others how they handle the situation isn’t right. They tell you that how you speak or act or response isn’t appropriate. You are wrong. They gaslight you, forcing you to doubt yourself; your actions and capabilities. You are at fault, always. You are wrong. You are silenced.
Back home, I talk to my husband, who’s a white man. I think if he’d been with us, the woman behind us, wouldn’t have uttered the angry line. He disagrees. She sounds like a woman who would have gotten annoyed if anyone had checked her behaviour, he said.
He has the right to think and say that. And maybe he’s right. Who knows? But to accept this explanation, I’d have to disallow what I feel about the situation. I’d have to make allowances once again for someone else’s behaviour, reaction and treatment of me. I’ve spent a lifetime of making allowances for other people’s treatment of me. How can I be sure that when they treat me unfairly, or discriminate against me that this isn’t how they treat everyone else? I don’t know. All I have is the way they make me feel. My lived experience as a Black woman.
All I know is that when I’m walking down the street and someone is coming towards me, it’s me who walks into the road to maintain social distancing. It’s me who walks into the gutter to keep us both safe. Would they do the same? I don’t know. I can’t take the risk to wait and find out either.
I’ve been socialised, fed the stereotype of the angry Black woman for so long, I police myself. I play my part. I don’t raise my voice. I don’t protest or question. It’s part of my make-up to check myself so I appear in society as passive and non-confrontational and unseen.
I wake up ( that is if I got any sleep) and give thanks.
Play Love Dimension by Beautiful Chorus a few times
Water out/ water in
Back to bed for Insight Timer medication or course
Read in bed
Make coffee and then journal in bed
Get up.
Strength training with free weights
Move my body – yoga/ walk/run/ swim
Greet the world with a smile.
What led you to this morning routine?*
Well I started on this find tuning of a morning routine at the beginning of January 2025, more or less. I was hibernating and I wanted to start a ritual that would anchor me into my life. Into the present moment at the same time as showing to myself that I am loved. I’ve done everything in my current morning routine at some point or other before but the putting them all together in some kind of coherent order is a first this year.
Did any ancient practices inspire you?
I’m not sure if a particular ancient practice inspired me. But maybe practices from my ancestral ancients might have subconsciously. If I remember living with my mum, back when I was in my 20s, she had a morning routine which I really didn’t notice then but can now. She’d get up early everyday, even though she wasn’t going to work, and go to the bathroom. Then make a cup of tea, open the windows and have a smoke. Maybe read at the same time but she’d claim the sitting room and the quiet. When she’d finish she’d make herself available for others.
For you, what is the importance of following a morning routine?
I hate routines usually. The predictability of them and the monotony gets on my nerves and I have to break out of them. But I think , in the past, this is because the routines and rituals have not been my own but have been imposed on me by external forces. I’ve mentioned when I was teaching before but also when I think of when I was studying creative writing. We were told if we wanted to be successful we should stick to one genre of writing and practice it in this way, using these techniques and following these rules. I found it all so restrictive. But here with this morning routine containing sacred rituals to myself, even if not carved in stone and open to change, I do not fight against the routine because I created. I feel that it is coming from a place of love for myself. This is my way of practicing self-love because I am giving myself the time and space each day so commune with myself and get my shit together ( or not!).
My time of hibernation is coming to an end and there is a whole heap of resistance. It’s not as if I’ve got loads of work lined up. It’s the thought that my time will not be mine alone, to do with what I want come April and beyond.
I took a major risk taking/ making the time away to rest and dream. But for me there was no other choice. I think I was a bit burnt out around the edges and I needed to pull back and heal. And I have done that but there is no end point for healing. No rubber stamping a certificate.
I continue with my morning routine and hope to continue beyond the hibernation period. And this will be where the true test lies. To continue to love on myself daily before I have to meet the world will make the difference between continuing on the healing journey or coming to a full stop. As there can be no healing and growth and self-love if I don’t protect the time to {BE}.
I’ve been up today since about 8am. It’s just after 10am now and I’ve had this track, Love Dimension by Beautiful Chorus on Insight Timer on repeat. It’s only 2 minutes long so I’m not going to work out the math for how many times it’s been on repeat. But let’s just say a lot.
I’ve got it running on and on in the background as I go about my morning routine. I’m feeling the need to have this reminder coming at me on repeat entering my bones, my blood, my heart and soul subliminally.
Oooooooooooooooooooo
Welcome, welcome, to the love dimension. To the love dimension. Ooooooooo
Welcome, welcome, to the love dimension. To the love dimension.
It’s Monday y’all and that can only mean Level 3 Counselling Skills today. Yeah Love Dimension is on repeat. Like a mantra. Like an incantation. Like a protective shield of steel.
This piece was originally published on Medium with Binderful back in 2020. I’m sharing this piece here because I was reminded that it existed over there when I made some crackers and jam this morning. It was good to revisit it. I share it with you now.
During these quarantined times with Covid-19, I’m trying to find way to support my well-being. I’m making sure I take the time and space to tune into my needs and wants, beside those of my family. I’m finding joy and memories in my day when I make solitude. This happens, usually in the morning, when I make my breakfast. It’s nothing fancy either. Its crackers and jam and black decaf coffee. The plain taste of the hard crackers against the sweet soft stickiness of raspberry jam (no seeds) is divine. This is a little sweet treat and takes me back to two moments in time.
The first is childhood. Crackers and jam was weekend breakfast when I was a kid. Dad would bring it to our bedroom, my sister and me, and we were allowed to eat them in bed. Crackers and jam is a poor man’s breakfast. But when I ate them as a child, I felt rich. I felt like a princess. I felt loved. Especially because my dad made it. A harsh Trinidadian man who ruled us with beats but who I idolised and always wanted to love me more. These Saturday mornings, tucked up in bed, I felt cosy and safe. As children most of our days were spent inside, with our imaginations and Enid Blyton. And this felt good. Now with my daughter, there isn’t any Enid Blyton more like David Walliams, but there‘s a generous amount of storytelling as we stay safe indoors. Learning from my childhood, when I received anger and beats for questioning why, our kids have been brought up wonder out loud and to receive a reason or answer rather than that feeling of saying or doing something wrong.
The second memory around crackers and jam takes me back to my first artist residency in Iceland. This would be my second time back to the island but the first time remaining in place, the remote Westfjords, for two weeks. Surrounded by white upon white. With the cold biting at all exposed flesh, I searched for any familiar signs, in the landscape, because I felt lost and adrift. I didn’t know why or what I was doing miles away from home, alone, in residence pretending to be an artist. I remember making crackers and jam and coffee one morning, knee deep in my unhinged being and remembering who I was. Memories came back about being a little girl craving love and safety and comfort. And how even though, I’d a harsh upbringing, in some respects, I know discipline and perseverance and self-preservation were forged then.
I suppose this mirrors how I feel and be now, in these uncertain times, and how making crackers and jam satisfies these urges and needs and fuels my desire to survive and thrive.
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