safe

How many of us have heard about Keith Porter Jr.?

| Sheree

I’ll tell you the truth, I heard about Keith Porter Jr. 1 day ago.

Keith Porter Jr., a 43 year old father of two girls. He loves fishing and spending time with his family. Laughing.

Keith fundraised for battered women’s shelters, supported street artists, advocated for health services. With real family and friends, real daughters and a real presence in his community, Keith Porter Jr. is no longer with us.

Rest in Power Keith.

On New Year’s Eve, in Northridge, Los Angeles, Keith was seeing in the new year with family and friends in his neighbourhood. Tradition was to fire a gun into the air in celebration.

An off duty ICE agent, heard the shots, and inserted himself into the situation. A situation he shouldn’t have been in as an ICE agent is supposedly trained in compliance, transportation, custody paperwork. Immigration.

ICE is not designed or trained in community engagement responses. community law enforcement.

It is argued that after a short verbal exchange, the ICE agent shot and killed Keith.

Official reports from federal agencies say the ICE agent was responding to an ‘active shooter situation’. The department of homeland security says Porter fired at the agent before he was killed (in cold blood).

Watch how they change the narrative. Remember Keith Porter Jr. the man laughing with his family, caring and empathetic will become the monster who deserves to be dead.

Family and community advocates dispute this claim, stating that there is no independent released video evidence showing Keith Porter Jr. posed an imminent threat or fired at the agent.

Rather than lethal force, this off duty ICE agent should have done his citizen’s duty and called local Police as this was not an immigration issue. This was not his jurisdiction, his authority.

Keith Porter Jr. became an imminent threat only when this ICE agent turned up.

ICE has no community engagement training. They might have authority but not in the community, they don’t have the judgement and empathy to be on the streets. But obviously this ICE agent, off duty, thought otherwise.

Nearly two weeks ago Keith Porter Jr. was shot and killed. And people, the average person, even those online are just starting to find out about this murder. Only after Renee Good’s cold bloodied murder.

There is selective outrage in America. As I wrote last week, I have no issue with the response to Renee Good – that’s how we should be respond in this situation.

But

#SayHisName

Keith Porter Jr.

His family had been struggling to get his story, his unlawful killing into the current media cycle. This just compounds what I’ve been saying about the lack of visibility in mainstream media of black people being unlawfully killed by law enforcement.

Be honest have you heard of Keith Porter Jr? But you’ve heard of Renee Good?

There are arguments we can put in place here . You might not have heard his name, Keith Porter Jr. because he was killed by an off duty ICE agent not on duty with a large crowd there. Might be because there’s little video evidence circulating around. But the main reason is because Keith Porter Jr. was a black man.

This is part of the reason for not using #SayHerName for Renee Good. 

No one’s even heard of Keith Porter Jr. No national attention for his murder but within 24 hours everybody knew Renee Good’s name.

This is the very reason #SayHerName was created for the invisible black women and black men who are causalities of the state, of state terror.

And it’s only now that white people are waking up to this terror when black people have been enduring if for centuries. This is why I argue to consider the language used and to give credit and recognition for where it originated, why it was created in the first place.

And yet the same stories are being used to justify the unlawful killings of Renee Good and Keith Porter Jr. They were both pointing weapons at ICE agents, posed a threat and had to be eliminated.

I say

2 different people

2 different cities 

but the same structural problem.

Later down the line this might get read as the one bad apple or one bad moment. But this is clearly a system which once hidden no longer neededs to remain hidden.

A system that is built without limits or accountability.

De facto special powers bestowed by the Trump administration on ICE that seem to supersede police powers. ICE is now inserting itself into everyday life and every day neighbourhoods. And as we are witnessing this very presence is killing people. Killing more and more people who weren’t even their targets.

But that no longer seems to matter.

As I’ve said before and I’ll say again, I don’t have an issue with the response to Renee Good – that’s how we should be responding in a situation like this. I just argue that the others, and there’s a long list that is growing of people who have been killed by ICE during this administration, deserve the same energy that is surrounding the murder of Renee Good.

As last time I checked, these are not animals, criminals or just talking points but human beings. Real human beings with grieving families. And this is something that gets forgotten in the media.

We need to continue to have these conversations and we need to keep fighting, on the small and large scale, against fascism near and far.

 

The Sinners Series – 005

| Sheree

With it being awards season and all, I felt called to watch Sinners again. This might have been my fifth or sixth time. I’m sorry, I’ve lost count. It still hasn’t lost its magic. The film just keeps on giving for me. To me.

This time, I’m struck by how many times freedom is mentioned. How to get free? How to be free? How to protect that freedom?

I think Sinners explores the price of freedom. The price of being free. There’s always a cost for attempting to live life on your own terms.

From the beginning, we might be introduced to sharecroppers, working for the white men, still on plantations. But this will be a self-sustaining community. More than bodies for working on the farms, the land they do not own. But they have each other. Each character is developed at the beginning of the film. The viewer is allowed to get to know them and see them in their element. They be vibrant and they be fixing to be free. Free from the restrictions of white supremacy culture, capitalism, patriarchy the whole shebang. And this isn’t without pain but also joy and laugher and love.

Sinners is what happens when a community, when people are living their own lives and are infiltrated by others, who want what they have. Outside threats come to ruin the day. Vampires come and covet what this community has. Sammie. Sammie has a gift, the gift of music that connects him with all ages. Griot.

Delta Slim’s says, “With this here ritual, we heal our people. And we be free.” This is the power of music and how a community can tell their stories through music. And outside forces, in this case vampires, who hear, see, realise this power, are threatened by it as well as want it. Want to control it take it away from this black community who are gain strength and sustainance through it all. And be free.

Sammie’s gift, the music, the very culture needs to be/ has to be protected from these outside threats at all costs. As culture, its very existence is threatened from being sucked dry by the devils coming tonight.

So as a people, as black people, we do whatever we can do to tell our own stories, protect and preserve our music, our culture as through this we heal. And we be free.

An Archives of Memories, Feelings and Skyr

| Sheree

This is one of my favourite images from my extensive collection.

I know exactly when and where it was taken. Westfjords Residency, Iceland, Feb/March 2017.

This was my go to breakfast. Coffee, cornflakes and Skyr, Icelandic protein enriched yogurt. I love the colours, the composition. The items included. But most of all, I love the memories and feelings just looking at this image evokes.

It takes me back to that time of wonder and discovery during my second time to Iceland. A residency I gifted to myself, writing the application while teaching temporally; frustrated, longing to get out and create.

I stayed for two weeks in the shadows of the mountains, knee deep in snow most days until the thaw came with some greening of the landscape.

I didn’t know what the fuck I was doing there back then. I just knew in my body that I needed to get away, gain inspiration from the landscape and {BE}.

I might not have completed much when I was out there, but I know when I returned the experience shifted my creativity and how I saw myself as a creative.

I saw glimmers of the Northern Lights during this retreat. Pale creamy wisps and trails in a dark navy sky. It was magical and a mystery.

This makes me think about my art-making practice and how most of the time I’m working in the dark, moving out of my comfort zone into the unknown, looking and listening hoping to catch a glimpses of magic and mystery in the process.

What’s created on the page, like this photography, is an archive, a record which when looked upon brings to the surface all the memories and feelings of the process, the experience once again experienced to the full with wonder and a smile.

i still ain’t smiling

| Sheree

i’ve been spending the last week or so really diving deep into what my word for 2026 will be.

2025 was all about fugitivity, dreaming and conjuring. And this will continue into 2026. But i need some direction. Something that will encompass my purpose with room enough to expand and explore.

i learnt a few lessons in 2025 in adopting a persona/ a mask in order to protect myself / to create some safe space for myself so ‘ i may not see myself as others see me.’ Invisible Man, Ralph Ellison

i’m fixing to create ( or is it continuing to create?) new narratives around blackness in order to expunge the past dominant narratives we’ve been fed around blackness up until NOW.

i think i’ve found my word for 2026 – AFROSURREAL.

Making myself comfy

| Sheree

After a busy week, where it felt as if I didn’t get a weekend, because I didn’t as I was permaculturing and fugitivity spreading, I’m making myself comfy and cosy.

I’m all wrapped up in bed, catching up with my creativity. Catching up with myself.

And I feel so grateful for this cosy fort, for the week I’ve enjoyed, mostly on my own terms, and for the weekend to come. Rest and creative fugitivity.

I’ve still got mothering and taxiing duties this evening but I feel, in my cosy fortress, I’m on my own time/space.

I get to play and be curious and satisfy my desires. And right now all I want to do is be here. Right. Now.

I’m safe. I’m warm. I’m stealing my life back. Each cosy, comfy fort at a time.

Find me in the backyard

| Sheree

This weekend you’ll find me in the backyard.

It’s nothing major or anything spectacular. All the the time I’ve lived here which will be coming into it’s third year at the beginning of July, the yard hasn’t really featured on my radar. Yes maybe to put the washing out or store my bike. But as a place to hang out, like an extension my home, no way. Maybe having neighbours who allowed their dogs to pee and shit in their backyard which is joined to mine, separated only by a short fence, was a put off. It was a smelly place I didn’t want to be.

Now we have the sun, the fresh air and the morning bird song, I find myself flocking to the backyard as soon as I wake. I throw open the kitchen door and give thanks for seeing another day. I’m setting up a table and chair and having my morning coffee in the backyard while I visual journal. It’s helping me with my mood. I feel as if Mother Nature is holding me once more as I go through a health issue that is making me stay close to home.

I know I’m privileged to have an outdoor space which is private. It’s waiting for me to put my mark on it. Of course that will involve colour. But for the moment, with my permaculture hat on, I’m just observing and interacting within the space. I’m sitting in the backyard and marking where the sun is and moves. I’m dreaming into the space and opening up to how I want to feel while in this space.

At the moment, I’m feeling expansive within the space, within a contained way. It feels good to feel the sun on my skin and the breeze moving through my hair and clothes. It’s being outside as well as being inside, as my kitchen is just there for a refill. I’m also close to Miss Ella’s bedroom window and I can hear her talking to herself or watching TV, chatting to her friends. The backyard is my sanctuary and I want more.

There is something here in terms of fugitivity. There is a quote that I used just the other day when I finally completed my chapter on black mothering and fugitivity. Hold on let me find it …

In Stolen Life (2018), Moten writes, “Fugitivity … is a desire for and a spirit of escape and transgression of the proper and the proposed. It’s a desire for the outside, for a playing or being outside, an outlaw edge proper to the now always already improper voice or instrument” (131). BECOMING FUGITIVE: refusing what has been refused of us dr. sheree mack

That desire for the outside, I’m feeling it on so many levels. I’m choosing to lean into it. No matter where it leads, I’m enjoying how it feels. I’m enjoying that sense of freedom, out from the enclosure. Continue.

The Belly of a Mountain – Day 10

| Sheree
Glencoe, Scottish Highlands

We obscure the outline of the belly of a mountain*

when we write about nature

we enter the realm of words being useless

we enter our narcissistic imaginations instead of being in with the mountain

I miss the mountains, the Highlands, Glencoe

At some point, I became marred by immobility, by staying close, staying safe

Now I return in my dreams, awake and grapple to describe their grace and poise

Abstracted longing. Never enough, never true enough to capture their form, their presence

I wait for my return. To sleep within the belly of mountains,

the mountains I’ve always felt are old Black women resting together, safe

*Day 10 prompt was: Find a single sentence someone else wrote that sticks out to you and use it as your first line. Let your poem unfold from there.

This adapted line was taken from ‘Against Nature Writing’ by Charles Foster.

Goofing Off – Day 9

| Sheree

I made a journal this week.

Recycled a print out of the Darkling manuscript.

I needed to get centred, grounded, focused.

So I stitched the printed sheets together into a book.

Then I applied paint to each page, blotted off any excess.

I had a journal of colourful pages.

I had a safe vessel to capture all my thoughts feelings and to-dos.

I had been feeling overwhelmed.

Like treading water and getting nowhere.

Creating this journal was fun.

It felt like goofing off my day-to-day responsibilities.

This journal helped me get my ducks in a row.

And tick(le) them off into the sunset!