My time of hibernation is coming to an end and there is a whole heap of resistance. It’s not as if I’ve got loads of work lined up. It’s the thought that my time will not be mine alone, to do with what I want come April and beyond.
I took a major risk taking/ making the time away to rest and dream. But for me there was no other choice. I think I was a bit burnt out around the edges and I needed to pull back and heal. And I have done that but there is no end point for healing. No rubber stamping a certificate.
I continue with my morning routine and hope to continue beyond the hibernation period. And this will be where the true test lies. To continue to love on myself daily before I have to meet the world will make the difference between continuing on the healing journey or coming to a full stop. As there can be no healing and growth and self-love if I don’t protect the time to {BE}.
I’ve been up today since about 8am. It’s just after 10am now and I’ve had this track, Love Dimension by Beautiful Chorus on Insight Timer on repeat. It’s only 2 minutes long so I’m not going to work out the math for how many times it’s been on repeat. But let’s just say a lot.
I’ve got it running on and on in the background as I go about my morning routine. I’m feeling the need to have this reminder coming at me on repeat entering my bones, my blood, my heart and soul subliminally.
Oooooooooooooooooooo
Welcome, welcome, to the love dimension. To the love dimension. Ooooooooo
Welcome, welcome, to the love dimension. To the love dimension.
It’s Monday y’all and that can only mean Level 3 Counselling Skills today. Yeah Love Dimension is on repeat. Like a mantra. Like an incantation. Like a protective shield of steel.
The water is ice cold. It’s like being bitten. The natural instinct is to retreat. Drawback. Curl in on self – reducing the amount of surface skin touching the ice cold water.
I do not.
I keep inching forward so more and more skin is exposed to the cold. Now. My toes, the first part of my body to touch the water, are numb. They’ve taken on that false warm feeling as it they’ve warmed up and comfortable. But they are not.
Now. I’ve lost all sensation in them which is good. As if the pain had continued from toes all the way up to my thighs where the ice cold water has now reached, the bites, the incessant biting sensation of short sharp teeth would have taken over my system along with the piercing screams erupting from my lips.
Now. Instead, I continue to wade into the ice cold water. To my core. Now. I breath deeply, and bend at the waist, outstretched my arms, fingers hitting the water first to push back the ice cold water as I take my first breast stroke.
Now. My body is totally submerged and she is screaming out in protest. She is in pain but I do not listen to her. Instead I push further out, making wide sweeping stroke with arms whose elbows are howling in pain. Now. I keep my breathing steady and continue to glide through the water as if my body is not asking for mercy, asking to retreat, asking to exit ice cold water.
Now. It happens. The cold is no longer felt as acutely. No lingering ice cold. Just cold. And numb. Numb and cold. I continue to swim across the bay. And give thanks. Now.
This piece was originally published on Medium with Binderful back in 2020. I’m sharing this piece here because I was reminded that it existed over there when I made some crackers and jam this morning. It was good to revisit it. I share it with you now.
During these quarantined times with Covid-19, I’m trying to find way to support my well-being. I’m making sure I take the time and space to tune into my needs and wants, beside those of my family. I’m finding joy and memories in my day when I make solitude. This happens, usually in the morning, when I make my breakfast. It’s nothing fancy either. Its crackers and jam and black decaf coffee. The plain taste of the hard crackers against the sweet soft stickiness of raspberry jam (no seeds) is divine. This is a little sweet treat and takes me back to two moments in time.
The first is childhood. Crackers and jam was weekend breakfast when I was a kid. Dad would bring it to our bedroom, my sister and me, and we were allowed to eat them in bed. Crackers and jam is a poor man’s breakfast. But when I ate them as a child, I felt rich. I felt like a princess. I felt loved. Especially because my dad made it. A harsh Trinidadian man who ruled us with beats but who I idolised and always wanted to love me more. These Saturday mornings, tucked up in bed, I felt cosy and safe. As children most of our days were spent inside, with our imaginations and Enid Blyton. And this felt good. Now with my daughter, there isn’t any Enid Blyton more like David Walliams, but there‘s a generous amount of storytelling as we stay safe indoors. Learning from my childhood, when I received anger and beats for questioning why, our kids have been brought up wonder out loud and to receive a reason or answer rather than that feeling of saying or doing something wrong.
The second memory around crackers and jam takes me back to my first artist residency in Iceland. This would be my second time back to the island but the first time remaining in place, the remote Westfjords, for two weeks. Surrounded by white upon white. With the cold biting at all exposed flesh, I searched for any familiar signs, in the landscape, because I felt lost and adrift. I didn’t know why or what I was doing miles away from home, alone, in residence pretending to be an artist. I remember making crackers and jam and coffee one morning, knee deep in my unhinged being and remembering who I was. Memories came back about being a little girl craving love and safety and comfort. And how even though, I’d a harsh upbringing, in some respects, I know discipline and perseverance and self-preservation were forged then.
I suppose this mirrors how I feel and be now, in these uncertain times, and how making crackers and jam satisfies these urges and needs and fuels my desire to survive and thrive.
This piece was published over in Binderful’s Medium page back in 2020. I’m republishing them here as I revisiting the writing, the wisdom as well as create my archives.
What are you reading that is bringing you comfort during this pandemic?
When Amy (Mama Scout) asked me about what I’m reading during these troubling times of the pandemic, my first thought was, what am I NOT reading? As the spaciousness within my life has opened up, I’m grateful to be able to slow down and lose myself in practices that feed my soul.
I read the news, maybe once every two days, to keep abreast of developments around the world. I’ve always read world news, as I might live in the UK, an island, but I believe we’re all connected, humans and non-humans. What’s happening to you, is happening to me also. We are one. I love lingering over longer articles and reports in The Guardian,The New Yorker and The Atlantic. AlsoOrion Magazine is releasing daily previously unreleased articles from it’s archives to read for free. These are a welcomed gift.
My guilty pleasure is crime fiction. After a lifetime of reading about crimes happening around the world, I love Nordic Noir, I’ve recently gotten into the mystery series with DCI Ryan set on my doorstep in the Northeast of England by L J Ross. Taking iconic buildings and monuments within the region, such as Cragside House, the Sycamore Gap tree, the bridges over the River Tyne, as the settings, a series of murders are carried out and a team of detectives, who the reader grows to love, try to solve them while trying to have normal loving relationships themselves. I love recognising places and streets and people even within the pages of these novels.
My weak spot is personal essays. Probably because I’m in the process of creating a mixed-genre memoir which includes personal essays, poetry, images, collage, quotes and photography, I gravitate to those writers I wish I could write like such as Roxane Gay, Audre Lorde and Terry Tempest Williams.
So at the moment, I’m reading Alexandra Chee, How To Write An Autobiographical Novel which is so illuminating about his time growing up, in the 80s, through identity politics and navigating his way while unbelonging. I’ve just started, Thick, a collection of essays by Tressie McMillan Cottom, which have the black woman’s body at the centre of the debate for a change. A mixture between the personal and the academic, I find myself reading sections and nodding my head or even shouting out loud, ‘Yes.’
And finally, to my shame, I’ve just restarted Becoming, by Michelle Obama, after watching the documentary on Netflix. When the memoir first came out a couple of years ago, I started it but I didn’t get far. They say you fall into a book when it’s the right time for you; when you’re ready. Well I’m ready now. I’m absorbing Michelle’s vulnerable words of wisdom, checking in and checking myself. Reasons for reading; to keep checking in with myself, how I’m feeling, what is what I’m reading bringing up in me. At the same time as checking myself, doing the work on myself, to make sure I’m moving through this world as the best version of me.
Living Wild Studios 