Reading Poetry Too

Filling My Pot

Writing comes from reading, and reading is the finest teacher of how to write.

Annie Proulx

April is National Poetry Month. Yes and as I’ve mentioned a good time to write poetry. But for me writing and reading/ reading and writing goes hand in hand.

Not only am I inspired by other people’s words, I’m invited into other worlds, internal and external worlds. Possibilities around structure, themes, ideas and voices are opened up for me.

Reading feeds my soul. Something I forget from time to time when things go awry ( I love that word ‘awry’. I first came to this word through Lucille Clifton’s poem, ‘Signs’).

You see what reading can do to my writing? Introduce new vocabulary. Expand my horizons. Make me smile.

So along with the writing this month, I’ll be reading poetry. I usual read at least one poem a day, after signing up to Poetry Daily , a few years ago now and not unsubscribing as I have in the past.

Add to that one poem a day, collections of poems, whole book collections and then you’ve got yourself a sweet honey pot of inspiration and ideas and joy.

So look out for the poetry I’ll be reading and sharing here over this coming month.

Today, I dive into Katie Marya’s debut collection, Sugar Work, which came to my notice through Poetry Daily, with her poem titled, ‘A Response to the 2018 IPCC Report’.What I loved about this poem was how issues about the environment through the report were being looked at from a slanted angle. Through our bodies and babies and families and friends. How in order to see what we are doing to the planet it has to come to our doorsteps, our bodies first. But of course we are all connected.

I’ll let you know what I think as I go on with Marya’s collection. I’m looking forward to diving in.

Shifting Energies

Last month this was my practice.

Stone Paper Journal, Paperchase

Straight forward writing on lined paper with a sticker here and there. I felt the need to get things out of me. I felt the need to get distractions out of the way and write from the heart.

Each day I turned up and completed three pages of long hand writing. Some days more. There was an outpouring. Leaning back into Julia Cameron’s Morning Pages helped.

This morning, the first day of April, this happened.

Altered book journal spread

My energies shifted. I wasn’t feeling the lined pages, black ink journaling this morning. I was feeling the need to slow down and wait for the paint to dry kind of feeling.

Yes Spring is here. And I’m embarking on a poetry challenge as well as my travels. But my body is saying there is wisdom to be gleamed if you take the time and space, now this morning, to slow down and listen.

So I listened. I have to slow down as I cover one page/ one spread at a time with paint to conceal the text underneath. Maybe still bleeding through in parts.

Altered book journal spreading drying!

While I wait for the paint to dry, I search for inspiration in images and texts. I don’t have any agenda and I don’t feel any frenzied feelings to get this done and done quick.

I’m taking my time because I have time to slow down, breathe, enjoying the grey light, the sweet vanilla latte, the birds making nests.

Thoughts come and go. Fleeting. And I don’t worry. If I need to capture them, they’ll come back around. The hairs on my forearm feel the draught coming in through the open curtains. Or is it from the open window in the kitchen?

My forefinger twists strands of hair into locks as I flick through a magazine, looking for images, text and colour. I take another sip of coffee, now cold because time has been slipping by.

Not away. As time spent in my creative process is time needed not wasted. It’s time I’m grateful for. But I can only mark this time, this gratitude, these feelings and sensations, when I slow down and be present.

Visual journaling, altered book or not, gifts me the luxury, no the necessity, of slowing down and {BEING}. Thank you x

PAD/001 – A Month of Poetry

Happy April. Time for showers, blossom and light. Oh and poetry.

Forsythia

As I mentioned last week, I’m honouring National Poetry Month with the challenge of writing a poem a day.

I’ve set myself this task many times over the years, and I’ve always been amazed at the creations along the way. Poems have emerged onto the page that I didn’t even know were in me and needed expressing.

So today I come to the page with an open heart and a rough idea of the themes or issues I want to explore. But who knows with the creative process. Anything could happen.

Anyway day 1 – PAD/ 001

Trying to understand “the difference between poetry and rhetoric”

After Audre Lorde

The contested site of black settlement in England

is shrouded a heavy fog of amnesia. The wrong colour,

the wrong body, the wrong sound.

Read the history books, you’d think we just landed

the day before last. 400 years of being here, lost

in the mire, weighted down with size 10, Dr. Martens.

Like transplanted birds of paradise, West Indians

struggled to put down roots. Alien soil. On corners,

skylarking and limin’, jobs, homes and a little bit of peace

denied; harsh whispers on the bitterly cold wind.

The contested site of black settlement in England

is captured in stills. Images speak for themselves.

Black faces filling the frame; black blooms pressed

against hothouse glass. But still an absent presence in failed memories.

Black Motherhood, Conjure and Poetry

Wallpaper created for A Country Journal of a Blackwoman(Northumberland)

I recently talked about the coming of April and how more poetry would be appearing on here as I attempt to ‘play with words’.

You can not imagine the delight as well as confirmation I received this morning while reading an article for the commissioned essay I’m writing at the moment around (Black) Motherhood.

A bone of contention with me is when I see the words ‘mother’ and ‘motherhood’, even though I have birthed children, I do not see these terms applied to me. ‘Mother’ and ‘motherhood’ come with the connotations of white and whiteness for me.

Test it yourself. Be honest. When I first mentioned ‘mother’, what image came to mind for you? If not a white woman and child. I’ve seen image after image of the idea of motherhood, the natural beauty of ‘The mother’ and nine times out of ten the image is of a white woman and child. As if a Black woman is not/ cannot be seen as a mother, even though a Black woman is the source of the whole human race. Go look that one up!

Anyway, I’m going off topic here ( but not in terms of the hybrid essay I’m writing for the forthcoming special Demeter Press collection, The Mother Wave: Matricentric Feminism as Theory, Activism, and Practice (2023)).

Reading this article this morning, ‘ Conjuring the Ghost: A Call and Response to Haints’ by drea brown, there is a mention of poetry lying in the body, coming from that dark place within where our true spirits lies hidden and growing, argues Audre Lorde. But poetry is also our way, Black people’s way, or theorising and making sense of things. Through our stories, narratives, riddles, poetry; playing with words and language, we not only gain an understanding and reimagining of our lives but these are also tools of surviving.

As Black women, speaking from my lived- experience here, through our creativity, through our playing with language in such a spirited way, we enter in the process of not just theorising and strategising but also self-making and through this practice passing this on to others. Passing on this power to others. It’s what we do, have been doing through time. Starting with the mothering we do of ours and others babies

April – National Poetry Month (USA)

Spring’s in the air. Filled with love. There’s magic everywhere. When you’re young and in love- The Flying Pickets ( well that’s who I heard sing it first and I’m sticking to it!)

April is just around the corner. The blossom will be blossoming. And I’m returning to my first love; poetry.

We’ve been in and out of love over the years, poetry and I. Sometimes she hasn’t treated me well, while other times I’ve neglected her and gone off with some other genre of writing.

I don’t even know if we’re good together, as I was brought up on dead white men’s poetry and I could never measure up to them and their creations. And then somewhere along the way, I gave up trying to.

But when I’m facilitating writing workshops, I say poetry is just ‘playing with words’ in order to break down the fears and insecurities we may be bringing into the creative space. ‘Playing with words’ eases the pressure and injects a bit of fun into the proceedings.

So I’m taking my own advice and going to spend April playing with words each day on the hope of creating some kind of whole at the end of each day.

For more ease of creation, I’ve decided to base my creations around one theme/ focus/subject which is loosely around Black British history through the photographs of the past that are in the public domain along with an exploration of the Race Relations, Commonwealth and Immigration Laws which came into effect during the 60s and 70s.

I’ll also be touching upon the uprisings that also happened during these turbulent times as a demonstration of push back against the messages of go back home even though for the second generation of immigrants onwards this has been the only home most of us have known.

So this is the intention, as I also attempt to tap into the surging, fresh Spring energy of the season, to reconnect my ancestors’ bodies with nature through the process of playing with word to create poetry this April.

I hope to document some, if not all of my creations here as a means of accountability and in the spirit of sharing stories.

Gratitude Journaling – Part 001

My little book of gratitude

From time to time, I’ve tried to keep a gratitude journal. I’ve read the research and heard the stories about expressing gratitude for your life and what is part of it, here and now. This is a great practice in order to be more present in your life as well as be happier.

I saw expressing gratitude and writing it down as just another thing to add to my to-do list mostly. I resented the time spent on it as as well as beating myself up for the times I missed a day or two. I felt like this was just another indication of me failing.

I think as part of my intentional healing journey of 2023 ( have I talked here about it?) I brought gratitude back into my day, or I’m trying to. Offering myself grace and compassion when there are times I forget to complete it some days, I allowed myself to start small.

Today, I am grateful for …

This is how I start each entry and I allow myself to just mark one thing I’m grateful for. One thing. One sentence. Most days it’s doable. Most days I remember. Some days there’s more than one think, more than one thing to be grateful for. But there are still some days I forget and the days run away from me. But I do not sweat it. I pick it back up when I remember.

I keep this little notebook with the image of Frida Kahlo on my bedside table. I love this little notebook. I love Frida Kahlo but I also love how I feel when I write in this book. I feel better. I feel present. I feel grateful for what I have, how I feel, what I experience. Fostering positive energy for the here and now rather than energy wasted on what I don’t have or want instead.

The research is right. Practicing gratitude does foster appreciation and happiness for the things and people in your life. Now. Simples.

Here are a few gratitude moments captured in this little book of gratitudes from the beginning of the year so far:

Today I am grateful for the reminder that I am loving, loved and loveable.

Today I am grateful for the time and space to create a vision board for the year ahead.

Today I am grateful for my body to be able to walk and get into the sea.

Today I am grateful for my lie in. For rest and sleep.

Today I am grateful for the opportunity to put things right .

Today I am grateful for the connections I am making, with myself and others.

Expect to see more posts about gratitude as I delve deeper into the practice and the effects it is having on my life. What contributions it is making to my healing journey?

and that I had to leave you to save myself, abandon you

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

sorry I wasn’t there for you when you needed me most

This is a (QUIET) Revolution

Vision Board, 2023

Every year for the past 5 I’d say I’d spend time at the end of/beginning of the year to create a vision board of intentions and dreams.

I say this, for the past 5 years, except the last one. 2022 was the year I never set out my intentions, my dreams. I missed the window of magic, I felt, and just couldn’t muster the mojo to set things down.

I missed this road map, this visioning throughout the year. There were times during 2022, that I was questioning what I was doing and where I was going. But I realise now that I needed that low, down energy to heal and recover after the last two years of Covid. And it’s not over even now, but I know I have better coping and managing skills today.

So thinking about 2022, and my lack of motivation and direction, I knew when 2023 came around, my vision board practice was coming back. Not to get all productive on my arse but because I love to have this beauty pinned to my bedroom wall at the bottom of my bed and see it every day.

Vision Board, 2023

Having my vision board in plain sight, everyday, the first thing I see in the morn and the last thing at night, is a gift and blessing. I get to see and feel what I want to manifest within the present moment, each day. It’s not a bind in anyways, but it is a reminder and commitment to myself to love. Myself and others.

It brings me joy to see my vision board because it is a thing of beauty. I know everything on it has been placed with intention and love for self. With joy. And it’s not used as a to-do list of productivity and perfection. It is a beacon or siren to make sure I’m {being} in my life how my soul wants to be showing up in life for me first and foremost.

Vision Board, 2023

That’s why I call it a quiet Revolution. I’m revolting against the system, this White Supremacy Culture, from the inside out. I’m rejecting all those beliefs and practices and ways of being that have been implanted within me since being born into a system which indoctrinates us into being machines to the system. Where we repress our true selves to fit in and be accepted. Where we do not question or reject the system but uphold it and perpetuate it through our actions and attitudes towards others and ourselves.

Vision Board, 2023

So here I am sharing my vision board of 2023. Not as a ‘look at me, aren’t I clever’ kind of vibe. But to inspire. I’m always about sharing my practice to inspire. Last year I gave up early, without creating a vision board. Along with using excuse and excuse afterwards for not trying to create one.

I share with you mine so you might feel inspired to create one or not even a physical one but a space in your heart and mind for your intentions and dreams and ways of being. It’s never too late is my motto. Something I could have used last year, but some how couldn’t muster the energy to. But I think this might have been a demonstration of my lack of commitment to myself and my dreams last year and being content enough to just get by. I know I needed this time of rest in place to move onto 2023 with renewed energy and a massive intention to heal.

Swings and roundabouts. I just know everything sits better with me when I know I’m on a mission to heal from the inside out through this quiet revolution of a slow, listening, restful practice.

No More Monday Morning Blues

When I was teaching, I used to experience ‘Monday Morning Blues’. That dreaded feeling of going back to the grind after the weekend off. Going back to the bells and the timetables and the disruptive kids. One of the many reasons to leave the profession without a safety net in place, without anything lined up, was that I knew if I didn’t go then, I’d never get out. I was getting too comfortable, too used to the regular pay check at the end of each month, justifying the slog, the staying put within an environment that was slowly eating away at my soul.

I used to see cows outside my classroom window and I vowed not to become one of them; a cow put out to pasture, giving up on life and life giving up on them. I knew there was more to life that the 9-5 job, or as it was when teaching 7-7 job. I put my whole life, heart and soul into that job to the point of probably neglecting my child at the time. But I was after perfectionism, acceptance and recognition. I was defining my whole self -worth by how good or bad I was at teaching. And teaching shite I may add. Shite filled up with the words and opinions of mostly white dead men who probably didn’t think much of me being a Black woman.

I was duped into the belief that work was meant to be hard and difficult and long and mostly unrewarding. It was what we were put on the earth to do, to be. To work for most of of our lives for others, propping up the system and if we worked hard enough, we’d get time off at the end with a pension that would be taxed again. This is what I bought into and what was fed to me through family, education and society. To step out of this construction to pursue creativity, to do my own things and be my own boss was seen as weird, a risk, stupidity and misguided to say the least.

I knew how I felt. And I know how I feel. And even then I put a lot of store by how I felt. How I was uncomfortable in my own skin. How I felt a fraud. How I felt unbelonging and always striving for something that would never be mine. Acceptance. Whiteness. The Norm.

Now I don’t have ‘Monday Morning Blues’, because I don’t put that kind of pressure on my days, on my weekends, on my time. I pick and choose when to work or not. I try to have a 3 day week. Tuesday Wednesday and Thursday being the work days and the Monday and Friday flow into a long weekend.

Don’t get me wrong, I’m not idle. I’ll always be practicing my creativity ( I prefer using practice to work). I don’t think I’ll ever retire because being creative is who I am. And when I reserve certain days of the week for outside commitments, ‘work’ the other days are mine to create, to rest, to dream, to plot, to {BE}. And I’m grateful for the circumstance to be able to {BE} this way. I’m also grateful to my younger self who wasn’t afraid to jump and believe and trust that a net would appear to catch her fall. Again and again.

I’m quote proud to say I’m being useless to capitalism today. And the next day and the next.