Try to praise this chaotic world – Day 1

after Adam Zagajewski, translated by Clare Cavanagh

Try to praise this chaotic world,
as the first of April dawns fresh,
with welcome light, and slight breeze of delight.
The blossom is waiting to bloom
as the fruit trees inch towards the sky.
You must praise this chaotic world.
You must keep hope when things go awry
while those few, usually white and male,
act like stewards for all humankind, communities
they have very little contact with
let alone care about.
You should praise the chaotic world.
Remember you are not alone, within you
are generations of people who have been here before.
Who did not moan or falter but protested.
They survived so we could thrive
in companionship with the trees,
seas, hummingbirds and ferns.
Praise the chaotic world
and the chance to emerge
as Spring light has returned
after when we think that all was lost.

Welcome to 30 Days of National Poetry Month

It really wasn’t on my radar. But I must have signed up for a co-writing salon with Lemon Grove Writers. And you know how it is, afterwards they send you they send you other emails, sharing the stuff to buy into. Well one such email was sharing that the Lemon Grove Writers were offering a free 30 day poetry prompt email send out for the month of April to coincide with National Poetry Month in the States. As you know I’ve tried a number of years to write a poem a day in April, some years more successful than others.

It’s free, what did I have to lose? So expect to find a poem a day here for the month of April as I try to create something to the given prompt. I begin today with the weather.
If you want to receive these poetry prompts in your inbox, just sign up here. Happy writing.

Darkling

Cover design

I’m not sure how much I’ve shared here. I’m not sure if I wanted to speak it into existence out of fear of jinxing it. Maybe.

Last year, my last publisher Andy Croft got in contact with me asking for my poetry collection. Smokestack Books is planning to close its publishing doors and Andy wanted to go out having published my next collection.

We have a history as Andy published Laventille (2015) and stood by me throughout the whole ‘shit-hit-the-fan’ experience when my life and profession and writing were ruined ( or there was an attempt to ruin me as I’m still here to tell the tale).

So I said yes, maybe naively. As since then I’ve been on a rollercoaster of feelings as I attempted to bring the collection into existence.

Darkling was the result.

At some point I will share some of the poems within the collection. Some of the poems started within this blog. But even though I just got asked last year to complete this collection, I feel, no I know, this collection has been nine years in the making. Ever since Sheree Mack was cancelled in May 2015, I’ve been making my way back to Sheree Mack, someone I didn’t even know existed until she was forced to start again from nothing to building a much stronger and truer foundation.

Darkling is Smokestack Books swan song. Darkling is my rebirth song.

There will be a reading planned of the collection with special guests as support. Check out the details here. Thursday 7 November, 6-7.30pm (GMT).

WATERLINE

By Ocean Vuong

If I should wake & the Ark

the Ark already

gone

If there was one shivering thing

at my side

If the snow in his hair

was all that was left

of the fire

If we ran through the orchard

with our mouths

wide open

& still too small

for amen

If I nationed myself

in the shadow

of a colossal wave

If only to hold on

by opening—

by kingdom come

give me this one

eighth day

let me enter

this nearly-gone yes

the way death enters

anything fully

without a trace

Taken from Emergence Magazine

Learning Vulnerability

Tell us about your first day at something — school, work, as a parent, etc.

Longsands, Tynemouth

After Krista O’Reilly-Davi-Digui

Learning to move from head to heart,

moving into greater vulnerability,

everyday feels like the first day.

There is the risk of doing or saying

the wrong thing. Hurting others

as I learn to express myself,

what I want, what I need

makes those close uncomfortable.

And yet,

as I step deeper into fugitivity,

linger in the edges, skin prickly

with expansion. I trust.

Take self-authority and do not hide

from this becoming, this vulnerability.

Offering myself and others grace

and compassion, I walk on, slow,

with heart in hand.

Poem – An Act of Faith

Isn’t that what a poem is?
A lantern glowing in the dark.

Elizabeth Acevedo

Just as dusk is falling, I walk. Affected by the elements,

head in pain from the wind, I force myself out into the dim light,

believing moving my legs will strengthen my heart.

Motherly care, higher forces in radio silence. Walk

The moon pale blue and silent. But still there. Always.

Like the ancestors, guiding. Allowing me to find my own way. Tonight.

To falter, make mistakes and loop back. Remaining open.

Trusting these windows of silence as still inspiration.

Hope holds optimism. Optimism holds joy.

The touch of joy, fine-grained dark jasper, I search for along the path.

This spiritual path of putting pen to page, again and again.

Like one foot in front of another. An act of faith.

Confessional POetry Course


(Speaking about Robert Lowell’s poetry) “Lowell removes the mask. His speaker is unequivocally himself, and it is hard not to think of Life Studies as a series of personal confidences, rather shameful, that one is honor-bound not to reveal.”

M. L. Rosenthal’s article “Poetry as Confession.”

I’m taking a four week confessional poetry course with midnight & indigo. Founded in 2018, midnight & indigo is a small publisher and literary journal that provides a space for Black women writers to share their narratives with the world.

Tw weeks in and I’m loving the course, Tell Me Something Real: How to Write Confessional Poetry. Not only is the tutor, Schyler Butler knowledgeable, and thorough providing great examples for poetry within this genre all from Black women, but the group of writers signed up for the course bring it every week with their insight and feelings around each poem we read and discuss.

And then we get to trial out what we’ve learnt through these close writings within our own writing, as the sessions finishes with time to write a first draft of a poem and then share it with the group. I’m enjoying what I’m coming up with after being inspired. Because in all honesty, from time I’ve been a confessional poet but have never smashed the term on it.

Confessional poetry in essence can be distilled to 4 main components.

  1. Be of an intimate subject matter.
  2. Use the first person.
  3. Be autobiographical or seen/ appear to be.
  4. Use skilled craftsmanship.

I’m working on a new body of work now. So still in the draft stage but I’ll share a poem from time here, as evidence of my appreciation and dance with this form of poetry.


White Women

Within my family, there are white women.
White women who married black men. I forget,
neglect the fact that their blood flows through mine.

Trace the past, a sea of faceless white is mine.
The black men forefront, a mist of women
behind. Their names, I don’t know or forget.

They are the enigma, shadows. Forget
the cleaning and cooking, their duty and mine,
they went against the grain, steadfast women.

In the corner of the frame, you white women
are not forgotten. Your spirit is mine.

Family Album, 2011

May (Blossom) Poetry – Empathising with Blossom

I see you, white blossom.

I feel your softness and gentle caress-petals.

Hanging, heavy bell-like clusters of white,

delicate to the touch as well as to the nose.

I taste your thirst for life, to cling on,

as your prime is short-lived, ephemeral

but no less spectacular. Thank you,

sweet one, for blazing white-bright

in my line of sight, that my heartswells

with awe and wonder and love. For you.

For this world. For we share this glory

through our true nature.