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An Archives of Memories, Feelings and Skyr

| Sheree

This is one of my favourite images from my extensive collection.

I know exactly when and where it was taken. Westfjords Residency, Iceland, Feb/March 2017.

This was my go to breakfast. Coffee, cornflakes and Skyr, Icelandic protein enriched yogurt. I love the colours, the composition. The items included. But most of all, I love the memories and feelings just looking at this image evokes.

It takes me back to that time of wonder and discovery during my second time to Iceland. A residency I gifted to myself, writing the application while teaching temporally; frustrated, longing to get out and create.

I stayed for two weeks in the shadows of the mountains, knee deep in snow most days until the thaw came with some greening of the landscape.

I didn’t know what the fuck I was doing there back then. I just knew in my body that I needed to get away, gain inspiration from the landscape and {BE}.

I might not have completed much when I was out there, but I know when I returned the experience shifted my creativity and how I saw myself as a creative.

I saw glimmers of the Northern Lights during this retreat. Pale creamy wisps and trails in a dark navy sky. It was magical and a mystery.

This makes me think about my art-making practice and how most of the time I’m working in the dark, moving out of my comfort zone into the unknown, looking and listening hoping to catch a glimpses of magic and mystery in the process.

What’s created on the page, like this photography, is an archive, a record which when looked upon brings to the surface all the memories and feelings of the process, the experience once again experienced to the full with wonder and a smile.

Deciding ahead of time to navigate the discomfort

| Sheree

I would say for the last quarter of 2025, I was getting myself into a spin because I wanted to get back to painting but wasn’t.

I was spending my spare time on Pinterest scrolling through all these beautiful artworks wishing I was painting and knowing that when I did, my work was never that good. I’d fail and fall into the comparison trap.

The more I spent on Pinterest the more I longed to be painting but the further away I became from my practice.

Until … as I mentioned in a previous post, I gifted myself the 30 Day Sketchbook Challenge with Insight Creative created by Cheryl Taves.

At day 26 yesterday, and I came to the page late as it was the first day back at school after the Christmas break and girl was I tired. Still am and it was touch and go if I was going to make it to the sketchbook. But I thought to myself if I can get up and do the fucking dishes, then that shift of energy is going to get me into my cave a create.

And so be it. The focus was about risk taking. How we might be okay with it at the beginning of a piece, be loose and alive but to hold this energy to the end of the process, not to overwork things by holding on too tight but maybe take some risks was the challenge.

Using browns was the first risk for me – I’ve probably shared it before how I have a hating relationship with brown. But not so much now. My feelings are softening towards the colour. Practice using browns helps.

And then when I thought I was finishing up with this piece I just stopped. I didn’t carry on to complete or tidy up but left it edgy and raw in a way because I feel it still has a fresh energy and isn’t overworked or tight.

Keeping my sketchbook practice isn’t about making good or bad art pieces. It’s about information. What am I learning as a result of the time spent within my creative sketchbook?

Like yesterday, what have I learnt or better understand about the role risk-taking plays in the creative process? Keeping a creative sketchbook practice isn’t a great, safe space to take risks, explore my style and voice at the same time as really leaning into this place of discovery for me and of me.

I know for a fact that knowing this creative sketchbook is for my eyes only means I’m not performing or looking for feedback or admiration or criticism. It reduces the pressure to make art, formal art-making, good or bad art. It’s play and exploratory feeding my curiosity rather than my ego.

It’s a place where I can be alone in the company of my thoughts and feelings and offer myself kindness and compassion and no judgment at the same time.

I’m glad I said ‘yes’ to myself and my art-making practice. It’s strengthening that muscle of saying ‘yes’ to my art-making rather than ‘no’, more often than not.

art-making practice

| Sheree

I develop a stronger sense of myself through my art-making practice. Be that word, image, audio, collage, stitch and projects.

I’m getting stronger in myself through my art-making practice. Be that refusing, choosing, completing, rejecting, leaving and committments.

I develop a stronger trust in myself through my art-making practice. Be that intentions, goals, visions, dreams, rest and hibernations.

I’m getting stronger in risks in myself through my art-making practice. Be that edges, boundaries, messes, mistakes, failures, and breakthroughs.

I develop a stronger sense of myself through my art-making practice.

Be that listening to my needs and wants, and acting accordingly,

leaning towards what brings me joy,

allowing myself to imagine and play,

rather than chase my worth and permission in other people’s acknowledgments and attention.

I develop a stronger self through my art-making practice. be that {BE} that.

A Creative Sketchbook, Dec 2025

| Sheree
My creative sketchbook
My creative sketchbook rules

I’m not sure how my creative sketchbook differs from my visual journal. Intention maybe.

Perhaps, I think , I’m attempting to develop my art practice within a designated space. A study maybe.

I haven’t really been in the thick of my art making practice since the preparation for my Baltic exhibition back in 2022-3.

This was quickly followed with the writings and (re)drafts of Darkling, my poetry/hybrid collection published in October 2024.

After this 2025 has been a period of extended rest and refusal.

But something has been niggling me. The desire to create with paint again. the desire to play without expectations and outcomes/ products.

I’ve just scratched the itch through scrolling through Pinterest. Adding another abstract or landscape painting to a board that I’ll probably not look at again.

But it satisfied this niggling feeling. Until it didn’t.

It was going back into the classroom. Completing a few days of supply that pushed me over the edge.

The time I gave away for money. The time I’d lost pursuing my own pursuits. And realising that I wasn’t pursuing all the pursuits I wanted to pursue in the time I had/have.

So out came a creative sketchbook, inspired by the 30 days sketchbook challenge created by Cheryl Taves over at Insight Creative.

This is as much as I’m willing to share for now about the challenge, my creative sketchbook, processes and insights.

One of my rules is that it’s just for my eyes only. I want to see how this rule changes my practice. I want to create without fear but with curiosity. I want to give myself all the freedom without worrying about what others will think or say or comment on.

It’s not like I’m hanging on other people’s responses and reactions but I have gotten into a habit of just sharing anything and everything on my blog and I’m curious to see what happens when I keep things to myself.

Just for my eyes, heart, and soul only.

So far I’m enjoying the process of the challenge and I’m reflecting and paying attention to what makes my heart sing, what’s my creative vocabulary, what pushes my energies.

Do doubt whatever I explore within my creative sketchbook will be showing up in everything that I create. In everything who I {BE}. For sure.

Drawing in nature

| Sheree

I’ve been meaning to share this before now.

It’s a process journal I created for my last trip up to Glencoe.

I sat outside Kiwi, all wrapped up in blankets, and just drew what I saw.

It was another way of capturing to memory and heart my favourite mountain – Etive.

I used a graphite chubby pencil and an ink wash and just played.

I filled the whole journal bar two spreads towards the end there.

It was so much fun. I plan to return and do it again.

No mission. No pressure. No product to sell. No expectations.

Just mindless play. More.

creative dispatches

| Sheree

sometimes i’m writing. my body is writing and she doesn’t know . she doesn’t know what / how/ where. the body just doesn’t know yet what to say. how to say it.

my body writes what is doesn’t know yet.

what is put down on the page, the words and language doesn’t know either. what is it trying to say?what does it know? what doesn’t it know?

i was going to say that things become clearer in the process. but that’s not true. in the process more questions are raised. not answers. but more curiosity, wonder and play.

here, i’ve cultivated a safe space. a safe container where i can be intimate and vulnerable. i can experiment and play to locate my voice, my knowledge and wisdom.

i embark on another journey with my body writing what she doesn’t know after completing an amazing commission/ gig/ assignment. i’ll share soon. i feel depleted after fullness. i’m tired but also lost.

i know i need to rest before anything else. so i rest for now. i rest in the not knowing.

Find me in the backyard

| Sheree

This weekend you’ll find me in the backyard.

It’s nothing major or anything spectacular. All the the time I’ve lived here which will be coming into it’s third year at the beginning of July, the yard hasn’t really featured on my radar. Yes maybe to put the washing out or store my bike. But as a place to hang out, like an extension my home, no way. Maybe having neighbours who allowed their dogs to pee and shit in their backyard which is joined to mine, separated only by a short fence, was a put off. It was a smelly place I didn’t want to be.

Now we have the sun, the fresh air and the morning bird song, I find myself flocking to the backyard as soon as I wake. I throw open the kitchen door and give thanks for seeing another day. I’m setting up a table and chair and having my morning coffee in the backyard while I visual journal. It’s helping me with my mood. I feel as if Mother Nature is holding me once more as I go through a health issue that is making me stay close to home.

I know I’m privileged to have an outdoor space which is private. It’s waiting for me to put my mark on it. Of course that will involve colour. But for the moment, with my permaculture hat on, I’m just observing and interacting within the space. I’m sitting in the backyard and marking where the sun is and moves. I’m dreaming into the space and opening up to how I want to feel while in this space.

At the moment, I’m feeling expansive within the space, within a contained way. It feels good to feel the sun on my skin and the breeze moving through my hair and clothes. It’s being outside as well as being inside, as my kitchen is just there for a refill. I’m also close to Miss Ella’s bedroom window and I can hear her talking to herself or watching TV, chatting to her friends. The backyard is my sanctuary and I want more.

There is something here in terms of fugitivity. There is a quote that I used just the other day when I finally completed my chapter on black mothering and fugitivity. Hold on let me find it …

In Stolen Life (2018), Moten writes, “Fugitivity … is a desire for and a spirit of escape and transgression of the proper and the proposed. It’s a desire for the outside, for a playing or being outside, an outlaw edge proper to the now always already improper voice or instrument” (131). BECOMING FUGITIVE: refusing what has been refused of us dr. sheree mack

That desire for the outside, I’m feeling it on so many levels. I’m choosing to lean into it. No matter where it leads, I’m enjoying how it feels. I’m enjoying that sense of freedom, out from the enclosure. Continue.