Please consider reading the above article printed on masarbadil.org by Khaled Barakat, member of the Executive Committee of the Masar Badil, the Palestinian Alternative Revolutionary Path Movement, was originally published inArabic at Al-Akhbar:
Every year, as the fifteenth of May approaches, Palestine returns to the forefront of global memory as an open wound since 1948. Images of displacement, massacres, the destruction of Palestinian villages, and the uprooting of the people from their land are revived under a name and a slogan that has become firmly entrenched in political and media discourse: the “Nakba.”
The difference between the two expressions is not superficial. “Nakba” refers to catastrophe and defeat, while “Day of Palestinian Struggle” refers to resistance, continuity, and popular will. The first focuses on what colonialism did to the Palestinian people, while the second focuses on what Palestinians do to confront and uproot colonialism. Between the two discourses lies a profound difference in the construction of political consciousness, especially among the new generations in Palestine and the diaspora. – Khaled Barakat
Nakba refers to the ethnic cleansing, genocide and apartheid of Palestine by Zionist militias to make the land clear for the creation of Israel in 1948.
This premeditated military campaign resulted in the murder of thousands of Palestinians, the destruction of hundreds of villages and the displacement of nearly 80 per cent of Palestinians from their homeland.
The violence went on for more than a year, and the result was the creations of the State of Israel taking over 78 percent of historic Palestine.
West Bank and Gaza made up the remaining 22 percent. This too fell into Israeli hands later and remains under Israeli military rule today.
What is also disgusting is that Britain had a hand, still has a hand, in all of this, due to the “Balfour Declaration”.
For 100s of years Palestine was part of the Ottoman Empire. During the First World War, Palestine was captured but the British. The League of Nations then gave Palestine to the British to mandate. Not taking into account the wishes of the Palestine people, the British were given control of the land, making decisions for the native population until it was decided they were deemed capable of being an independent state. How colonialist is that?
Great Britain, didn’t care about what was right. Didn’t care about the Palestinians who have lived within their homeland for centuries. Nope.
The British Mandate incorporated the “Balfour Declaration” that pledged to establish “in Palestine a national home for the Jewish people”, who made up less than 10 percent of the population at the time.
So all the time Palestine as under the mandate, 1923- 1947, the British were working with Zionists to suppress and eradicate Palestinians, through whatever means necessary, to create a homeland for Jews. Facilitating the immigration of European Jews to Palestine, providing weapons for Zionist’s and training them to kill, all increased the occupation of Palestine by Jews and suppressed the native people, Palestinians.
Once Britain announced its plan to end the mandate in 1947, they left it up to the UN to decide the fate of Palestine. The United Nations decided to partition Palestine into two : 55 percent to a Jewish state, and 45 to an Arab state, while keeping Jerusalem under international control.
It sickens and angers me that other states play god over other states. What right do they have to take away the land and home of the Palestinians?
Palestinians were not consulted over the proposal which never materialised. Because once Britain announced its withdrawal, Zionist groups began their attacks on Palestinians to have complete control over all of Palestine for the return of the Jews.
Nakba was the result.
I do not declare to know the full history. I’ve probably butchered the history as I’ve tried to share it here. Please go and read up on it yourself as it wouldn’t be the first time that histories are shared as ‘facts’ and are really just ‘lies’, manufactured to make the oppressors the victims and heroes.
One thing I am sure about as fact is that the Palestinian people have been brutalised and persecuted from time, kicked and killed out of their own country to make way for ‘the promised land’ of a another people, and that somehow makes it all okay?
Zionists called it a ‘transfer’ of people to other places. I call it genocide. Innocent people killed indiscriminately to create the State of Israel, was wrong then and continues to be wrong today.
I was brought up on the Eurovision Contest. We would gather together at my mum’s with food and drink, and sing along to every song even though we didn’t know the words.
It was an occasion of celebration and fun. We laughed and cried, argued and commiserated.
Whenever I think of Eurovision, I automatically think of my mum. But I can no longer hold Eurovision close to my heart. I cannot continue to support this institution any longer as it has become co-opted by Isreal.
Within hours of Russian invading the Ukraine in 2022, it was banned from Eurovision. Why hasn’t the same happened to Israel?
We have to ask the question what is happening behind the scenes? Especially when last year Israel received the biggest support from the public vote when we know that the genocide in Gaza is not supported by the majority?
Nemo, who won Eurovision in 2024, probably the last time I watched Eurovision, has returned their trophy in protest at Israel’s inclusion. As well as the 1994 winner Charlie McGettigan(from Ireland) returned their trophy in protest too.
There is something rotten in Eurovision.
There is no music that can cover up the atrocities that are happening to the Palestinians. No amount of music can justify a genocide. There is no stage that should platform genocide and apartheid.
Spain, Slovenia, Iceland, Ireland and the Netherlands are boycotting this year’s Eurovision because they cannot continue to ignore the genocide in Gaza.
We refuse to be silent when Israel’s genocidal violence soundtracks and silences Palestinian lives. When children in Israeli prisons endure beatings for humming a tune. When all that’s left of nearly every stage, studio, bookshop and university in Gaza is piles of rubble, under which slaughtered bodies still await recovery and proper burial.
As artists, we recognise our collective agency – and the power of refusal. We refuse to be silent. We refuse to be complicit. We call on others in our industry to join us. And we stand in solidarity with all principled efforts to end complicity in every industry.
No stage for genocide. #BoycottEurovision.
Consider signing the letter and standing with Palestine here.
Irish TV, RTÉ, will be broadcasting the 1996 episode A Song for Europe , Father Ted as Ireland boycotts Eurovision in protest against Israel’s inclusion.
It’s a funny episode which I won’t mind watching as Father Ted and Father Douglas perform their song My Lovely Horse. I’ll not spoil it by telling you how many points they get!
Slovenia are planning to air documentaries under the theme of Voices of Palestine.
These countries boycotting and showing their condemnation of Israel and support for Palestine is what more countries and people should be doing, and I don’t use ‘should’ lightly.
One more point, the Father Ted episode is satire. The Irish put them into Eurovision because the song was so dreadful that they hoped they wouldn’t win again so that they wouldn’t have to foot the bill for hosting the next year’s contest.
Ireland has won the contest 7 times, and back to back wins in 1992 and 1993, is said to nearly have bankrupted the country as they had to host the concert again and again.
For me this is a clear indication of Eurovision, the non disqualification of Israel, the lack of calling out the genocide all comes down to money and vested interests.
the zine that documents the zines I want to create moving forward into 2026
I’ve just been over on my Patreon page sharing about the first zine of the year. Do you want to know what I shared about it?
Okay, I’ll tell yo here too!
A few years ago, I gave myself the challenge of creating a zine a month. Check back using the ‘zine’ tags and no doubt you’ll find them, still there ready to download and peruse.
This year, I vaguely set myself this challenge again, to create a zine a month and share it here. I think. As I’m still in the process of committing. But last night, at a Zinester Sanctuary that I’m creating witha fellow fugitive, I had the time to create my first zine of the year. See the video above.
I looked back at one of my zines from my first challenge, this was a zine about the zines I wanted to create. I looked back to see if this list of zines with illustrations were still zines I wanted to create.
After this reflection, I then set forth to create the zine that hopefully is the blueprint for 2026 creations.
In the video what you are seeing is the front cover stating that ‘Abolition is a Global Struggle’ with FREE PALESTINE but also the caveat that this has to be completed ‘with patience and care’.
The next page with a wheel of a VW Campervan and the text ‘ like a bird flying into’, is a nod towards my love of nature and how she will always appear in my zine creating, some way or another.
The next double spread with an image of two little girls standing on the beach, myself and my estranged sister and the text reads, ‘me in all my fucked up glory’. This signifies the task of creating perzines, using the format to explore my life stories.
On the green page with a roughly drawn book in black pencil refers to my desire to dive deep into my black studies, studying blackness as fugitivity, fugitive spaces. ‘You will find comfort in blackness’ the text reads to accompany this intention.
The next page is a quote from Octavia E Butler, from Parable of the Sower which states, ‘All that you touch you change, all that you change, changes you. The only lasting truth is change.’ This was a small print I received from a printmaker friend called Theresa Easton.
The second double spread, because I hadn’t finished yet with my intentions (so who says you can’t add in another page?) is a recognition of my word of the year which is AFROSURREAL. I’ll be exploring what this means further throughout the year here and on my website.
This is partnered with a splash of purple/ mauve as the text reads, ‘ in mauve there is a quiet power.’ This is a reminder for myself to use my zines to share my poetry. My voice is my power. This was how I started making small zines, booklets before my first collection of poetry, Family Album was published. Because I was reading at all these gigs and people would come up afterwards and say where can I buy your work and I had no where to point them to. So I got creative and created these little zines , one dedicated to the poems I’d written about my daddy and one other dedicated to my mummy, and sold them for £1 each. I’d forgotten about them until I just wrote about them here now. Don’ you just love the creative process?
And then moving towards the end of this first zine of 2026, which apparently has been announced as the year of the zine – 2026, we’ll see what happens there as zines could become if not already commercialised and co-opted and become unrecognisable from their origins ( which I’ll be exploring and sharing further about here), there is a polaroid photo of myself smiling. This was taken last year at a Outdoor Citizen gathering, and these were taken to put on the wall with details about ourselves so we could be putting names to face,s be recognised within the crowds. This image is here with the title ‘fugitive sista’ as a reminder of who I {BE} but also who I {BE}coming through my continuing thoughts and praxis around fugitivity.
The final page with the outline of a goddess in black pencil and spiral within her gut/ womb and the text, ‘ Today I will praise. I will praise The Black Woman.’ Today ,tomorrow and always, I will praise the Black Woman. I support this praise with my continuing reading and practicing of Black Feminist thought and praxis. This is my foundation always.
The back cover ends with another sticker and this time it states, ‘ From the river to the sea, Palestine will be free.’ Again reminding myself that I do this work, explore my creativity and share whatever comes up within a constantly changing context of struggles, struggles for liberation, peace, justice, self-determination and love.
2026, the year of the zines. Let’s make it the year of the zines that give voice to the struggles near and far , struggles for liberation, peace, justice, self-determination and love.
Unconsciously I set myself the task of being creative everyday. A good way of marking this practice, was and still is, turning up here on this blog and posting something. Anything. A word, a quote, an image, an essay, an epiphany.
Some days, I’ve not had the time or energy or bandwidth to create anything, other days when I’ve felt this way, I’ve still turned up and done something. Anything. I’ve wanted to bring in some consistency within a world where consistency is irrelevant and pointless in the grand scheme of things. When the world is on fire, when Palestinians are dying of starvation and gunfire. When anti-immigration riots erupted once more in the UK. When tropical storms kill people in the Philippines. And when Syria returns to bloodshed. The list could go on of more countries and peoples around the world suffering at the hands of others, who do not see them as human or care about them.
I get sick of hearing the news. Watching the news. Seeing the headlines. I look away. I look away because I can and then chastise myself for dong so. There’s something in witnessing it all, even though it hurts my soul. What can I do? What can I say?
I get frustrated with all the hypocrisy I witness. The double standards. The lack of justice. People saying we’re doing this to them because we’ve been persecuted for so long so have a right, or are justified in persecuting other people now. I’m a white man and I rape women and children, but I’m protesting about (illegal) immigrants coming over here and raping our women and children. Everything is operating within this world to keep a few in power and wealth at the expense of other people deemed inferior and dispensable.
I hate hate. I can’t stand it. I see it in the screwed up faces of people hauling abuse at vulnerable people. It’s been there within the marrow of their bones for centuries. Grown white adults, hurling abuse at little black children. Not seeing them as children but as beasts, beasts to destroy. It breaks my heart and disgusts me, but what can I say? What can I do?
I can stop myself from feeing powerless. I can stop my handwringing, and getting frustrated with myself and use this energy otherwise. I can make art to bring about change. No matter how small that change, starting from myself and vibrating out.
I can create stories of an imagined alternative, better, other world. I can create zines which challenge and refuse what has already been refused of us. I can blog about my own experiences in order to connect with others. I can paint/ print posters to raise awareness and change the messages of hate to love and hope. I can create community and create change together, one stitch, one word, one voice at a time. I can create poetry to create conversation. I can self-care so I can in turn community-care. I can donate time, money, resources to a cause I believe in and that is bringing about a better society. I can lean more into mutual aid to divest from racial capitalism.
I can keep showing up here, craving out a safe and brave space on the internet that is liberatory worldmaking, on my own terms.
Neil Kenlock, 1970, Resistence Exhibition, Steve McQueen, 2025
In March the United Nations issued a report about Israel’s systematic use of sexual, reproductive and other forms of gender-based violence against Palestinian women since October 2023.
Those who shout long and hard about #womensrights have said fuck all about this abuse.
Perpetuating a system of oppression through gender-based violence and undermining self-determination is not coincidental.
But those who profess to be standing up for #womensrights say nothing.
Sexual and gender-based violence perpetuated across the Occupied Palestinian Territory is a strategy of war by Israel to demoralise and destroy Palestinians.
Those who shout long and hard about #womensrights have said fuck all about this abuse.
Israeli forces have destroyed sexual and reproductive healthcare facilities across Gaza. Medical support and equipment for safe pregnancies, postnatal care and neonatal care are decimated.
But those who profess to be standing up for #womensrights say nothing.
Women’s and girl’s reproductive right and autonomy as well as their right to life, health and dignity have been erased.
And yet these people, mostly white women, such as JK Rowling, who harp on about #womensrights and the so called threats posed by transgender people, say nothing about the Palestinian women and girls who are subjected to violence right now.
The deliberate starvation by Israel of Palestinian people has a devastating effect on pregnant women resulting in anaemia, malnutrition, miscarriages, stillbirths and undernourished newborns as lactating women cannot produce enough milk.
And yet these people here for #womensrights say nothing.
It would seem that those who claim to be champions of #womenrights pick and choose who has rights as women, fuck it, as human beings.
The political and media furore over chants at Glastonbury by Bob Vylan, a British punk duo has me reeling at the moment. I couldn’t get my head around it at first, why I was feeling such anger at this condemnation of their chant? At first I was thinking it was because this group are black and I felt it was racism again raising its ugly head. But then Kneecap is getting condemnation as well for ‘hate speech’, ‘inciting violence’, an Irish hip-hop trio from Belfast. I’m not saying that the Irish has not experienced their own form of racism, prejudice and discrimination either.
But then when I saw the newspaper headlines, and then the Prime Minister coming out say it was ”appalling hate speech’ wanting an investigation in the BBC and how they could allow this to happen, with criminal investigations being filed against both Bob Vylan and Kneecap, I realised why I was getting angry and really enraged. It was because there was all this disgust and moral hand whinging and condemnation of a chant, but not the same level of condemnation and rage and move to stop it for the genocide happening in Gaza, right now, or for the last 1 year, 8 months, 3 weeks and 4 days. As the Palestinians continue to be exterminated by Israel Defense Forces (IDF), there is no condemnation, not opposition from the UK government, the media, those in business, those who are showing again and again that they are controlled, owned by the Israeli Government and State. Proving that they actually have vested interests in Israel and continuing the genocide.
It is ludicrous to witness, the political and media condemnation of a few words chanted at a music festival while Palestinians waiting in a line for aid, starving people who’ve been herded into this state of the queuing dead, are massacred by IDF. These people dead on their feet, seeking aid, did not pose a threat, and yet the IDF, an armed force just opened fire on them because they could. Because they know, no one is trying to stop them. No one is condemning their actions. The world is turning a blind eye to their war crimes, and crimes against humanity. Anyone opposing their horrendous crimes are called anti-semitic and are cancelled, condemned, silenced.
Bob Vylan, facing a criminal investigation have also been dropped but their record company and are on a travel ban to USA. Swift and sharp punishment for expressing their desire to see a free Palestine, from the river to the sea. Mass disgust across the country and further afield about a chant, but where is the mass disgust and action against the mass extermination of a people? The Palestinians, the people of Gaza.
“It’s a Killing Field”, reported by Nir Hasson, Yaniv Kubovich and Bar Peleg within Haaretz, details how IDF soldiers were ordered to shoot deliberately at unarmed Gazans waiting for humanitarian aid. Unarmed people are treated like a hostile force and just shot and killed. Deliberately. Bullets is the IDF form of communication. Not chants, bullets. Where is the condemnation of this? Where is the Parliamentary emergency meeting to discuss this deliberate killing of human life, that is genocide, that are war crimes? None but there is one about Bob Vylan, and Lisa Nandy, British Labour Party politician serving as Secretary of State for Culture, Media and Sport since 2024, standing up in Parliament, in solemn tones criticising the BBC the Glastonbury broadcast and Bob Vylan for the chanting. Claiming her moment in the limelight, making a performance, Nandy condemned the “appalling and unacceptable scenes” at Glastonbury and said the government would not tolerate antisemitism. But the government tolerates genocide. FACT.
I could go on as I’m sick and tired of hearing when someone criticises IDF, and the Israeli state of murdering Palestinians and claiming Gaze, the whole state, from river to sea, that this is being anti-semitic. This is just another tactic used for shutting people up. As when people are criticising the genocide of Palestinians and the stealing of their homeland, they are not saying they hate Jews or the Jewish people. They are saying that the massacre of a people is wrong. The IDF as an armed force is committing genocide. That is what is being condemned, criticised and left to the general public around the world to fight against as the Western countries are doing nothing to stop it.
Conflating these criticisms with Jewish people , calling it anti-semitic is like using a get out of jail free card on repeat. It’s not the same thing. And I would argue that if the chant, ‘death, death to the IDF’, is anti-semitic and hate speech inciting violence, what/who is it killing IDF? A chant, some words at Glastonbury or the Israeli government sending the IDF into war, ordering them to kill unarmed people seeking aid? Tell me which one is a whitewashing of crimes against humanity? The chant is not a chant of hate for Jewish people. The chant is anger at the genocidal actions of a genocidal army, the IDF, who are beginning to ask themselves if this was is just, and what is the humanitarian price the Gazan population paying for this war?
Living Wild Studios 