After a really busy November, I was looking forward to a quiet December. It has been a slower pace to last month, but there has still been deadlines and events that I’ve needed to prepare for and attend and reflect on.
So past mid-December already, and I just feel as if I can slow down again now. But I say this but I must have been resting in some kind of way because I went back to my art journaling practice yesterday.
My art journal practice is different to my visual journaling practice only in the fact that I use fewer words and these Black women always seem to show up in the midst of the page somehow.
Here we have another one, who showed up yesterday out of the darkness that was developing on the page. And isn’t she delightful. She’s got a twinkle in her eye and a wish in her heart.
To be in the studio yesterday, playing on the page, I even completing a handmade zine which will be on display in the BALTIC Centre for Contemporary Art, was a joy and much needed. As it signalled to me that I’m back to listening within. That I’m back to creating for me and just for the hell of it. That I’m coming home.
Thank you, Sheree. Now continue to rest. And create.
So close to my bleed but not quite there yet. Feeling the heavy but with grace.
Warming up after the sea. Rain and wind and lots of seaweed.
But I so so love it.
I’m going to be coming here more often from now on as I check out of all my social media account and focus on my internal landscape and what needs to come out.
I’m so looking forward to sharing my journey with you.
This journey of healing is never ending. But so appreciating the process.
Give me love any day of the week. And I’ll give you the core of me.
I might have disrupted the page already with paint, or marks or collage. But this was done to eradicate the blank page. And this was done with that one purpose in mind and then left to see another day.
I come to the page not knowing what I’m going to do. Will I make a mark with paint, pencil, piece of paper, what? I just know I need to start.
I might want to cover the white spaces. I’m drawn to colour. So using colour excites me. So I drop a dollop of paint, red maybe and then I know I need to move it across the page. But how? Finger, card, roller? Each brings a different texture to the page, each brings a different coverage to the page.
So now I’ve started but still I have no idea what I’m doing or where this piece is going. But I start responding to the mark that has just gone before. What do I need to do next to work with this last mark or interruption? What would speak with it? What would speak against it?
If I have no idea, that I pick up a pencil and allow my hand to loosely move it over the page, making circular marks. This gives me a moment to think, to look at the page and see what is missing, what is needed.
But when I say thinking, I don’t mean conscious, logical thinking. Let’s call it musing or dreaming instead. As my mind is empty when I’m in the creative process. The outside world falls away. My cares and worries fall away. I’m just focusing on the page in front of me. And not in a concentrating way, or a hard stare kind of way. Just like my hand is holding that pencil, in a loose kind of way.
I come to the page not knowing what I’m doing. But I’m listening. Being attentive to what the page, the piece now coming together wants from me, wants next. One mark, then the next, communicating to each other and then the next.
At some points in the process, I’m up close, working on just one corner of the page. At other times, I take a step back and allow other parts of the page to come into my line of vision. At some points, I fall in love with just a section of the whole. I give it some care and attention. I bring it up and out further. I make it sing, because in the process, I sing through it too.
At this point, the rest of the page needs, deserves this care and attention so I start listening elsewhere. Keep coming back to the places I love and savouring their presence.
I come to the page not knowing what I’m doing but being open to the dance of possibilities. I make myself vulnerable to the process as I feel this it the only way I can move forward with the process.
I come with no expectations, no desires to make pretty art.
I’ve started again. I think it happened a couple of weeks ago now. But I’ve started walking out and searching for the colour purple again. I first started this last year during lockdown, when I would take a daily walk, but walk with intention. My intention was to search out purple, usually purple flowers, pause give thanks and snap a photo.
As Alice Walker write in The Color Purple “I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it. People think pleasing God is all God cares about. But any fool living in the world can see it always trying to please us back.”
Walking is a meditation. Like breathing. When I walk my footsteps fall into a rhythm with my breathing. I always feel better after a walk. During the troubling times of the Coronavirus pandemic and Black Lives Matter uprisings around the world, I’ve been searching for purple, more often than not. Does that mean I’m been looking for God? Looking for the reason maybe for all this suffering? But maybe there’s isn’t any reasoning for everything that’s happening. Maybe it’s just a case that this is how things are in the natural scheme of things. How it’s always has been and will be? That’s there’s meanness in the world and suffering and pain as well as beauty.
As more and more in society reopens after lockdown, and more and more people are making demands on my time and attention, I’ve slipped back into walking and searching for purple. And I think this is not to just fill my creative pot with joy, but also to makes sure I keep moving through this world at my own pace. Slowly. And when I lean into taking things slowly, doing things at my own pace, I know I’m in control of everything that is happening in my life.
It’s me taking back me power. And I think that’s what purple symbolises for me. As a colour, for centuries it has been associated with power. Not just regal power, but also because it was so expensive to make, purple was only worn by the select few, the echelons of society.
To be empowered from the inside out is real power for me. Power isn’t how much money or status you have in society. For me, it’s how much you value your own worth, protect your boundaries, lean into what makes you feel happy, what brings you joy and continue to relight your creative fire.
Living Wild Studios 