of water/ waves/ ocean
The Middle Passage
water/ chains/ bodies – sweat, vomit, shit
and blood/ blood on so many hands.
The little boy asks, ‘Are they still swimming?’
PAD/ 028 – A little boy listening to the audio recording
nature
PAD/ 027 – Taking a risk
When is the last time you took a risk? How did it work out?
oh it’s so sad/ she said/ when reading about slavery
oh it’s so wrong/ she said/ to anyone who’d listen
I listened/ to her going through the motions/ performing
they say peonies are showy flowers/ blousy bursting blooms/ for the show
at least peonies sense when it’s their time/ chance/nature to keep shut and wilt
PAD/023 – empty
The last thing I emptied was my heart
I emptied my heart of lies and shame.
Took out the crammed spaces and rot/
carried them all out to the trash.
It was decluttering to the max of my heart/ of my love – for others/ for myself
I tell, you I haven’t felt better. Heart beating full-blood-red.
Like a new lamb to the slaughter, I’m showing up in my day to day/ jumping/
Springing/ heart open and bleeding.
PAD/022- You have a choice
You have a choice.
Like the dandelion
flowering within the edge
of a verge or between pavement slabs,
you have a choice.
Arousal. Finding joy
in life, is not something
someone else can give to you.
You must take it.
Like breathing.
Like the tulips coming
up for air, right here. Right now.
You have a choice.
An electric current swirling
always, through you.
Between you and the cherry blossom
bursting into pink glory.
To live from this bounty,
you have a choice.
PAD/ 021 – Let’s say …
Let’s say you find yourself going down to the sea shore each day. Each day you’re there at a different time. At the sea shore, you find the space to let go, to surrender yourself to the moment.
The sea pulls you like a magnet, a magnet you cannot resists or pull away from even if you tried. And you don’t try because you feel as the light touches each crest of wave, rolling them with gold that your soul is fed love.
Let’s say, along the sea shore, you also take off your shoes to get closer. You might feel the damp sand between your toes. You might also feel the cold bitter water tingling your toes. You prefer the warmth yet you move further into the ebb and flow. You allow your ankles to be caressed. You allow your flesh to moan.
PAD/019 – i am becoming my mother
Commentary: years ago I wrote a poem titled ‘ i am becoming my mother’. I think it’s in my first full collection Family Album, Flambard Press 2011.
A few weeks ago while attending one of my late night across the Atlantic poetry group workshops, I had an inkling to revisit this poem with the intention of bringing it up to date. To try and incorporate all the ‘Sherees’ that have developed, spored since the first poem, since my mum’s death and teachings have passed into decades gone by.
So I created this piece. Same title but definitely more expansive.
i am becoming my mother
Dehumanising the Black woman. Mammy, Jezebel, Sapphire, Bitch.
The black woman is seen as one dimensional; the mule of the world, carrying the heavy burden of mothering all others except her own.
Her own children are lost; lost to the auction block, the ocean, the noose.
A Black woman is a source of strength and love. Passing on power as well as pain.
Her body carries stories, carries histories, carries an archive.
as a black woman,
resting deep within the meadow,
held in softness,
grass tickling shins,
dress billowing about
like blossom,
is a political act.
PAD/ 017 – for god’s sake, we must stop this coloured invasion
a white banner shifts against Nelson’s Column, ‘KEEP BRITAIN WHITE.’
a bright white suspension of unwelcome and hate
ladies and gentlemen with heads turned up as if taking direction from God himself, listen to the message
from a man, on the platform, with Union Jack legs
as if whiteness and rightness runs through him like quickening sap/
the threat is real murmurs through the crowd/ a gathering searching for answers to stop the invasion
let me enter the scene/ from the extreme right/
let me mingle at the back/ near the man in a flat cap
let me feel the heat of the air/
let me sense the crackle of fear in their white, wholesome bodies
my body would be one of those coloured they want to stop
my body would be one of those aliens they want to exterminate
but what they don’t care to know is that this body belongs to a love evangelist
who’s at pains to show them how love can save us all
if only they’d part their ways and let me through
Spring Blossoms
I’m not sure when my love affair with cherry blossom came into being. I’m not sure where I was when my heart began to swell at the mere beginning buds of cherry blossom on the trees. Bradford, where I was born and stayed until I was 10? Or Newcastle, where I enjoyed my formative years before escaping to London for my degree?
I’m not really sure when or where my deep appreciation and joy at seeing these puff balls of pinks or white or cerise came to be part of my being. I just know that I experience a child-like delight when I come across a tree in full cherry blossom bloom. My heart skips a beat and I’m jumping with glee, inside and outside, when cherry blossom comes into view. And the blossom is never here long enough for my liking.
Using the delicate pinks of cherry blossom, collaging with the images of cherry blossom in my visual journal, is my way of keeping the blooms alive, in my eyes and in my heart. Not just the sight of cherry blossom in my journal keeps these fragile blooms alive, but the feelings of joy and delight that they bring to my heart is kept alive too.
I created a special spread of cherry blossom for the BALTIC commission last year, that ended up being blown up from an A3 spread in a journal to an A0 poster size on a gallery space wall. In the middle of that spread is a Black woman smiling, almost dancing between the blossom, exuberating lush joy. This is me sharing my jubilation and love of cherry blossom with others.
This is my love letter to cherry blossom as well as giving thanks for the beauty of nature and how we are connected. How we are one.
PAD/005 – Protest
Cinnamon sky rumbles
as electric clouds jag
over glass shop fronts.
Scarlet waves fire street
corners, claiming them forever.
Coppers and politicians
worry the faultlines
left behind.
Living Wild Studios 