I must make my heart, my queen for the love she once poured out, an ivory tower, a silent, giant, jagged-edge mountain of harsh rocks, wood and ruin.
Reaching up under a pale night sky, reaching for the stars, for some kind of spark, being witness to so much unnecessary, preventable violence, l choose to transmute fear into rage.
l choose to transmute fear into rage.
l choose to transmute fear into rage.
Do not mistake these rose-tinted cheeks as doll-like innocence or fairness. I’ve grappled with my myths and the myths you’ve fed me about my place. And passion, flames and fire have risen yet threatens to consume you more than it could ever harm me.
Burn whiteness to the ground. Burn that construction of whiteness and all that shit down to the ground once and for all. For all.
See I’m still carrying that tired old play script that a Black Woman is the mule of the world, saving everybody else when no one gives a fuck about me.
I’ll keep working on that, my queen, my heart, fixing that ivory tower to remain out of reach and impenetrable and safe.
I’m not sure how much I’ve shared here. I’m not sure if I wanted to speak it into existence out of fear of jinxing it. Maybe.
Last year, my last publisher Andy Croft got in contact with me asking for my poetry collection. Smokestack Books is planning to close its publishing doors and Andy wanted to go out having published my next collection.
We have a history as Andy published Laventille (2015) and stood by me throughout the whole ‘shit-hit-the-fan’ experience when my life and profession and writing were ruined ( or there was an attempt to ruin me as I’m still here to tell the tale).
So I said yes, maybe naively. As since then I’ve been on a rollercoaster of feelings as I attempted to bring the collection into existence.
At some point I will share some of the poems within the collection. Some of the poems started within this blog. But even though I just got asked last year to complete this collection, I feel, no I know, this collection has been nine years in the making. Ever since Sheree Mack was cancelled in May 2015, I’ve been making my way back to Sheree Mack, someone I didn’t even know existed until she was forced to start again from nothing to building a much stronger and truer foundation.
I love this season. This is my season. This is birthday season. And I usually have so many things planned that I blink and miss the season. And I also feel a bit gipped because this season is taken up by Halloween and Christmas celebrations that no sooner that I have my autumn leaves wreath on my front door that I’ve got to replace it with the Christmas one.
So as a gift to myself as well as some breathing space, this season I’m bringing out the poetry and I’m writing a poem a day to cherish the moment. To live and breathe into the season.
I hope to share my creations here.
I know I have a lot to share here about the last few months too. I’m not sure what I have shared here. But I do know it feels good to take the time each day to exercise my imagination and be inspired to write again for me. But I’m sharing too.
I was thinking this morning back from the school run what can I do this season to support myself. Support the ease into hibernation mode but still get through the last few commitments and chores of the year. And I feel in my heart that writing poetry or attempting to dive into my dreams ( and nightmares) is a way of giving myself that much needed support. Keeping me creative but also keeping me sane.
I was invited to submit my chapbook, for blackbirds pushing against glass, to a new press, The Wildheart Press, created by Eleanor Cheetham.
I was part of Eleanor’s Soulbook course offering in 2023 where I had the time and space to explore my creative fugitivity. Breaking the rules were welcome.
So Eleanor was familiar with my work when she approached me to submit my feral words to her press. I jumped at the chance because the words were already created. This was an opportunity to share my words further. And I just love supporting a person and a press who recognises that I do not colour within the lines. My writing does not stay on the straight and narrow path. My words like to wander and meander and that is mighty fine with me.
This week has been busy. Schools are back and the summer is just hard to shake off, even if I wanted to
Tired has been the word of the week. So tired. Thank God it’s Friday and time to relax.
I know I’ve earned it. So what do I do? I get into the sea. She has the power to excite and relax me both at the same time. I’m washed clean after a quick dip in the North Sea, taking a moment to express my gratitude for this blessing.
Living by the sea never gets old, never gets boring as she is never the same sea twice. Seas would be a more accurate word to describe her.
Utterly thrilling. A potentially world-changing, game-changing work. This is the book that will help us transform the institution of motherhood.
– Lucy Jones, author of Matrescence
The Mother Wave offers a welcome critical perspective on the liberal feminist orientation toward gender equality by showing how the focus on equality does not remedy patriarchal systems of oppression that continue to challenge women’s lives, nor does it account for the emancipatory potential in mothering experiences and the affirmation that diversely situated women continue to find in motherhood.
Foregrounding the lived experience of women and others who do the work of maternal care, the contributors make a strong case for matricentric feminism as a new framework: one that treats the maternal as an issue of both biological difference and a set of complex social identities. Informed by the African American feminist commitment to the epistemological importance of lived experience, on the one hand, and third-wave feminist commitment to intersectionality on the other, the collection claims and demonstrates through multidisciplinary analyses that maternity matters more than gender.
– Tatjana Takseva, Department of English Language and Literature / Women and Gender Studies Program, Saint Mary’s University
Toppling and recasting the idea of “waves” that, until now, correspond to stale time periods and stages of the feminist movement, The Mother Wave allows us to begin seeing matricentric feminism as a core feminist theory and burgeoning politic. Positioning mothers and motherwork at the center of feminism, and motherhood as perhaps the uniting experience among most women, O’Reilly and Green allow for a new “wave” of feminist scholarship and mother experience to take hold and crest – a matricentric wave. The editors introduce a vast array of scholarship and creative work within this volume that collectively helps us understand both consistent themes and new surges within this subfield of feminist thought and experience.
– Heather Dillaway, Illinois State University.
Matricentric feminism seeks to make motherhood the business of feminism by positioning mothers’ needs and concerns as the starting point for a theory and politic on and for the empowerment of women as mothers. Based on the conviction that mothering is a verb, it understands that becoming and being a mother is not limited to biological mothers or cisgender women but rather to anyone who does the work of mothering as a central part of their life. The Mother Wave, the first-ever book on the topic, compellingly explores how mothers need a matricentric mode of feminism organized from and for their particular identity and work as mothers, and because mothers remain disempowered despite sixty years of feminism. The anthology makes visible the power of matricentric feminism as it is theorized, enacted, and represented to realize and achieve the subversive potential of mothers and their contributions to feminist theory and activism. Contributors share the impact and influence of matricentric feminism on families and children, culture, art/literature, education, public policy, social media, and workplace practices through personal reflections, scholarly essays, memoir, creative non-fiction, poetry, and photography. The mother wave of matricentric feminism invites conversations with others and offers a praxis of feminism that aims to coexist, overlap, and intersect with others.
This is where you’ll find my own chapter called
‘I Am Becoming My Mother: Conjuring Black Motherhood on Our Own Terms’ which is a hybrid piece exploring my matrilineage which I mentioned throughout 2023 here.
Get your copy while you can and support Demeter Press.
Living Wild Studios 