Summer Reading

After a busy week so far, my body is calling for the easy days of summer. Summer reading is usually how I get to slow down. I’ve got nothing major planned for the summer months. Usually we go down south and house and dog sit. But this year I needed a change.

I’m not sure what that is at the moment. The change I’m looking for. But I’m looking forward to putting up my email message of being off the clock for summer. I’ve started a countdown to that time in my head now.

Call it the teacher still in me but I love my six weeks( or more) summer holidays. So I’ve started the slowdown with reading short stories. A quick and easy way to get back into the reading habit. As well as introduce me to new writers. Read the first two this morning as part of my morning routine. And continue to read The Moor throughout this week.

I’ve swept my back yard, and I’m going to spend more and more time out there, reading and dreaming as I want to start growing stuff back there. But first I need to get to know the space. Spend some time there instead one just passing through.

I’m so looking forward to being off the clock and lazing. Trying to complete my chapter on black mothering and fugitivity after requesting an extension. Nearly there. I’ve got to the first of July and then I can relax and start dropping commitments outside the home, work and responsibilities and just go feral for a while. Yes!

claiming my time so my morning flows on my own terms

When I know I have a busy day, in commitment to others and outside the home, I make sure I claim back my time. I get up early and feed my pot first. I prioritise me.

This morning saw me up at 6am and out, down to the sea.

It was so beautiful this morning, with a slice of lemon on the horizon. I knew I’d made the right decision to get up and out, while the rest of the world was sleeping.

And of course I had to get in. June and the water is still cold. So it woke me up, job done. But it also calmed and focused the mind. When I’m with the sea, I can do anything. Nothing is an issue or a problem. It’s just gravy.

Once out of her embrace, I took to walking along the front, continuing my ultramarathon training, increasing my time on my feet each day.

Now home and completing my visual journaling over coffee. I’m satisfied. I know I’ve given myself the time to ease into the world on my own terms. This means I’m a happy bunny and for the rest of the day, I’ll be basking in this joyful light.

Anyone who comes into my rays will be blessed.

The Current Visual Journal

So I said I would be back to share with you my current visual journal. Coming into the mix at the end of May after a weeks of zero colour, my soul and creativity were craving colour and space. A large space.

So I went back to Flying Tiger and purchased the A3 sketchbook I failed to purchase a couple of weeks before. The paper inside is creamy and reminds me of sugar paper from primary school. It’s a rough and ready kind of texture, rustic and low maintenance. Not too high quality to raise the fear levels of making mistakes or not being quite so perfect.

I’m been enjoying preparing the pages with colour. Throughout my day, I have the journal laid out on the table in the corner of my bedroom and when I walk past, I choose 2, 3 or 4 colours from my collection of little bottles of acrylic paint and make generous dollops on the page.

Then I bring out my trusted old faithful, the disused bank card and smear that paint around. This calms my nerves, stills the worries and brings me joy. I love how the different combinations of paint play out together on the page. It’s a true collaboration.

I know this journal is far too big to be carrying around with me as I go about my business outside: sea swims, coffee meets, trip to London at the moment. But still I carry it with me, enjoying tucking it under my arm or carrying it pressed against my chest.

Sometimes, as happened today, stray streams of paint, still wet and sticky, collect within the seams and edges of the pages, transferring to my fingers, smearing on my coat and t-shirt. Today, it was bright turquoise and sandy brown that ended up on my hands and clothes by the time I reached the metro station to get to Newcastle Central Station. I really couldn’t be annoyed as it goes with the territory. You play with paint and you’re bound to make a mess.

But I don’t care because I feel and know in my heart and gut that I’m making a whole heap of mess within my visual journal because that’s how I make sense, make joy, make a way for me to navigate through this world on my own terms.

Returning to Iceland


Gun­nar V. An­drés­son Press Pho­to­grapher │Half a Cen­tury Through the Lens

The last time I was in Iceland was June 2018. I was here running a creative retreat for women. On the Thursday of the week away, I facilitated a workshop at Reykjavik Museum of Photography. Probably shared what I created during that session on here somewhere. I know it included my mum and a glacier.

It was an amazing retreat, with everything provided for the participants. Even brought in my friend Sarah as the caterer. It was a week that had great highs and achievements with the costs being me exhausted and in debt.

I’ve always wanted to return to Iceland since then but a global pandemic, divorce and financial insecure got in the way. Until, I really got sick of saying, one day, and just booked the flight back in September 2024 and making sure it happened.

Always on a shoestring, but still doing it because I’m worth it, I’m staying in Reykjavik for the week. Staying in a hostel again and watching my budget. But it’s good to be back.


Gun­nar V. An­drés­son Press Pho­to­grapher │Half a Cen­tury Through the Lens

My first time to Iceland was 2016, the year after the shit hit the fan experience which will be 10 years ago tomorrow.

It was standing in this photography museum that I began to see myself again as a creative. Iceland helped me heal after that episode in my life and it was here that I made a promise to get my work within this space. With the women’s retreat I achieved that dream, not only working here but also sharing my words within the space.

Things don’t happen easily. There needs to be a vision and the hard work behind it. I’m not afraid of hard work. I’m more afraid of having dreams and never allowing them to come true. Because of outside barriers and obstacles I raise up within.

I came to Iceland a ruined woman. But I still had the strength of character and belief in self to grow and take risks and invest in myself.

Investing in myself is never wasted. I’m here for a week, a week that promises rain, wind and dropped temperatures. I could allow it to stop play. But I won’t. I’m here and I’m here to fill my pot by any means necessary.