Creating a Black Feminism Archive

Joaquina de Angola

Okay where to begin..
That has been the issue – worried about where to begin has stopped me beginning.
But now I’ve got to begin as I need to get it out of me onto
the page, in order to create some kind of sense of it all.
So maybe I’ll begin with the Combahee River Collective (CRC).

I’m diving into the realms of Black Feminism- thought and theory and practices.

I’ve already been in the thick of it for years, with me first coming to Black Feminism through my degree and then masters and then this forming the foundation really of my PhD when I traced the tradition of Black British Women’s Poetry. But retaining knowledge and theory is difficult when I keep putting new things in my brain.

I don’t want to be an expert on Black Feminism but I do want to revisit it and consider it’s premise again in light of recent readings and experiences.

So I begin with the Combahee River Collective Statement, 1977. And I’m not saying that this is the beginning of Black Feminism. But I’m using it as a marker along the way.
I figure if I keep this statement in clear view, using it like a signpost then I can’t stray too far off the path.

This exploration of Black Feminist thought is going to be a new folder within this website’s portfolio as this is area of research is something I plan to keep returning back to and adding to as I continue to re-familiarise as well as extend my thinking and practices around Black Feminism.

So what is the Combahee River Collective Statement all about.
Well first you can was the full statement here.

It has been argued that this statement issue by a collective of Black women in Boston in 1977 who came together after witnessing an recognising the racism within the women’s movement and the sexism within the race/ civil rights movement, was based on the reality that Black women’s experiences cannot be reduced to either race or gender but have to be understood on their own terms.

Combahee River Collective Statement introduced to the world terms such as “interlocking oppression” and “identity politics.” Formed in 1974, The Combahee River Collective (CRC) was a radical Black feminist organisation which took it’s name from Harriet Tubman’s 1853 raid on the Combahee River in South Carolina that freed 750 enslaved people.

It might have been The Kimberlé Crenshaw in 1989 who coined the phrase “intersectionality” but it was CRC who articulated the analysis that underpins the meaning of intersectionality. The idea that multiple oppressions reinforce each other to create new categories of suffering, these interlocking oppressions, happening simultaneously, renders the Black woman’s position in society unique and most direr.


As the statement begins:

“The most general statement of our politics at the present time would be that we are actively committed to struggling against racial, sexual, heterosexual, and class oppression, and see as our particular task the development of integrated analysis and practice based upon the fact that the major systems of oppression are interlocking. The synthesis of these oppressions creates the conditions of our lives. As Black women we see Black feminism as the logical political movement to combat the manifold and simultaneous oppressions that all women of color face.”

It goes on to state:

“Merely naming the pejorative stereotypes attributed to Black women (e.g., mammy, matriarch, Sapphire, whore, bulldagger), let alone cataloguing the cruel, often murderous, treatment we receive, indicates how little value has been placed upon our lives during four centuries of bondage in the Western Hemisphere. We realize that the only people who care enough about us to work consistently for our liberation are us. Our politics evolve from a healthy love for ourselves, our sisters and our community which allows us to continue our struggle and work”.

CRC comes to the conclusion that:

“We might use our position at the bottom, however, to make a clear leap into revolutionary action. If Black women were free, it would mean that everyone else would have to be free since our freedom would necessitate the destruction of all the systems of oppression”.

And this would come to pass through the practice of the revolutionary politics of Black Feminism.

red

For me, at the moment, red signifies anger. There’s a fire burning in my belly, it’s been stoked by my time away at Shifting Loyalties this last week.

My forthcoming e-book with Culture Matters is an exploration of this anger. My anger at how black Woman are treated in society. How we end up at the bottom of the pile in terms of being treated with decency, respect and love.

This piece is part of this collection.

‘Death by persons unknown’

Pain provides the common language of humanity; it extends humanity to the dispossessed and, in turn, remedies the indifference of the callous.
– Saidiya V. Hartman

(Picture the scene).
It’s a Sunday afternoon
& the bees are busy hovering
around blousy peonies,
at a church picnic.
The crowd moves in closer as the fire’s lit.
(Look at them gathering, working up a sweat, working up a frenzy as the barbecue takes hold).
They linger in the smell of flesh,
in the smell of blood.
The only shade is thrown by the kill;
the swinging charred remains of a black body.
(Try to shift your gaze).
From the hanging meat to the sea of red-faced, smiling white people hungry for violence fed on a diet of hate for generations.
There’ll be a photograph produced of this social ritual. You might receive a postcard making
the past very present.
& if you’re feeling it,
it could burn a hole in your heart.