Studio Notes

I’ve been thinking, how come no one is signing up for Studio Notes anymore? What have I been doing wrong?

Once I investigated, I found out that I’d switched off the join up form. I pressed pause and forgot to press play again.

So let me formally invite you to sign up to receive my bi-monthly newsletter where I share personal insights and news. Studio Notes are where I take the time to share something I’ve been pondering or working on. Sometimes I might send you back here to the website, sometimes I’ll send you to other people’s websites, to places I’ve found inspiration and sustenance.

If you don’t want to hand over your email address then consider checking me out on Instagram, the only social media platform I’m on now since I closed all other accounts ( there’s a blogpost in there to follow soon).

I have two accounts on Instagram, my personal account and my art account.

I look forward to connecting with you in other places.

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The Minimalist Vegan – A Review

The Minimalist Vegan: A simple manifesto on why to live with less stuff and more compassion by Micheal and Maša Ofei does what it says on the cover.

This is not a ‘how to’ book but a ‘why’ book. For me, is serves as a reminder and an inspiration as the world we live in continues to suffers from “The More Virus”: the mentality of always wanting more.

This book doesn’t tell me anything that I haven’t read before, but I’m just grateful that this information is all in one place and up to date.

Micheal and Maša, the creators of the website The Minimalist Vegan, mark out how minimalism and veganism intersect, how these concepts work hand in hand to help us live more mindful and grateful and compassionate lives.

Our economic system is based on constant growth by any means necessary. It thrives on us consuming more. Each day we are bombarded by thousands of messages and adverts which persuade us to buy and consume more. The adverts promise us happiness and satisfaction and connection, playing upon emotional triggers. But once we get this new product home, it fails to provide the promised benefits. The thrill soon wears off and we’re left seeking another fix promising happiness and satisfaction and connection.

This book upholds the less is more doctrine. How if we simplified our lives, became more mindful of what we consume, becoming more aware of how every decision we make impacts our lives as well as everything and everyone around us, then we will stand a better chance of saving our lives and the life of this planet.

I found this book a quick and easy read but still important in terms of the messages it advocates. It serves as a reminder that change isn’t easy especially if we’d rather do what everyone else is doing to fit in rather than stand out and make a stand against the industries and practices which cause animals harm.

Did you know that about eight million tons of plastic are dumped into our oceans every single year? The figures in this book are shocking. What is more shocking is when we know the figures and could do something to change them, to make this a better world for all species, we still
choose to do nothing and continue along this path of self and others’ destruction.

Reading this book does affect me and makes me question what more I can do. What behaviours can I start to change today in order to buy and waste less and be more compassionate? Anyone who reads this book and isn’t compelled to make change really is missing the point.

Plans for May

I announced on Instagram the other day my plan to go on another social media hiatus in May. This is something I periodically do as a means of self-care. In the past, I’ve left it too late before taking a break and I’ve been left rolling in the dregs at the bottom of the barrel. I’ve been burnt out and rendered speechless with nothing productive to say.

I’ve learned from this experience, I’m planning my retreat ahead of schedule, when I’m still in a good position and enjoying the experience. I’m taking a rest while the going is good. And there’s a voice saying to me, I’m a fool for going now, for leaving the party early so to speak. Things are getting exciting, I’m making connections. I’m also receiving a lot of support for my #100daysproject. I go silent and I will loose all momentum, all exposure etc.

My sanity and health is more important. I take breaks from social media as an act of self-care. The time away gives me the time and space to go within and listen more carefully to my own wisdom. Going dark on the internet, gives me a chance to create without distractions or comparisons. It gives me space and permission to breathe.

I’ll still be posting here as well as on Patreon and sending out Studios Notes during this time as I feel as if I’m just getting started with this blogging malarkey.

This break is coming at a time when our new project is beginning, which involves more Black, Asian and ethnic minorities getting out into the British Countryside. I’ll share more details soon.

5 ways to cultivate creativity

In the past, I’ve struggled with creativity. I thought I could neglect it and keep it under wraps. But creativity is an energy which won’t be silenced or railroaded.

It has to be respected, nurtured and practiced. Frequently.

Here are a few ways that I stay creative, they might even work for you too.

1. Turn up daily.

Being creative is a practice and you can only practice when you turn up. Turn up at the page, the canvas, the computer. Turn up without expectations, just commit to giving creativity some time and attention and see where it takes you.

2. Never give up, never surrender.

Some days the ideas are flowing. The words are all making sense. The colours are working together. I’m in the creative flow and I feel so much joy. But other days, I’m finding it difficult. I’m struggling to make sense, to feel good about what I’m doing. It’s icky. But I keep going. I keep turning ip because I know I’ll get back to the flow and joy and sweet spot.

3. Fall in love with the process

Process over product every time. Through focusing on the process, I’ve a much enjoyable ride. I learn so much about tools and skills and techniques. I’m present in the moment rather than jumping ahead to the end and stressing about if anyone will like what I create. With focus on the process, it doesn’t matter if anyone gets what the finished piece is about because the value comes through the practice.

4. Diversify

I suspend attachment and worries and stress when I create multiples or dabble in multiple creative projects. When I create in batches or move between different art form such as writing poetry and painting an abstract, it means I don’t place all my eggs in one basket. It means I’m not focusing on perfection or completion. I’m focusing on this mark now. And then the next mark. And how they talk to each other. I’m lost in the movement and the creating.

5. Trust yourself

This is probably the hardest thing to cultivate in terms of creativity as far too often we listen to our fears and self-doubts. We spend time and energy overthinking the process or second guessing our actions. We doubts our abilities and intentions. We fall into the comparison trap and before we know it we’re paralysed. We cease to create and feel a failure.

Trust in myself as a Creatrix has developed over time through practice. Through showing up and doing the work and enjoying the process. The more I do the more confident I am in what I have to say and share creatively with the world.

Loosening The Bounds

I missed submitting for the special challenge with Nine Muses Poetry this month. The challenge is to respond or be inspired by a different photograph posted at the beginning of each month. For April the image was fittingly Viewing Cherry Blossoms at Ueno, by Katsukawa Shunzan. I completed this poem this morning in response.

Loosening the Bounds

I wish I could say,
the orchard is a rare find.
That I never think of blossom.
That the pure smell doesn’t
undulate to the sea.

But that would be lying.
At this time of year,
there’s no escaping the stain,
the crowds. No escaping him.

His neck is red. Pain in his head.
That must be why he seldom smiles.
I know I put them on a pedestal.
I want what they had.

How they kept the blossom from dying.

Perhaps, the sea is history
and the lop-sided pagoda clinging
to the shoreline, made me think
we were going somewhere.

Same images played over and
over again. The trickster,
just using my face. My skin. My voice.
Give me the cherry blossom every time,

time with my sisters,
lost in the crowds, easing off
our sandals, loosening our bounds
like blossom caught on the bsea breeze.

ten things

A few moons ago, I tried to bring into practice writing ten things about my day. Ten observations without using metaphor or simile. I detailed the task at length in this blogpost.

I kept up the practice for just a few weeks. Life as usual got in the way. Tonight, I find myself wanting to return to this practice. Maybe it’s been thinking on my decision to go deeper into my practices and life instead of adding width through acquiring new things, that has me reflecting on this ten things practice.

I see this daily practice as a means of generating more gratitude for the life I have created at the same time as grounding me in the present moment.

We’ll see how it goes. I’ll be sharing these creations on a special project page on my website – ten things. I hope you enjoy these sharings and look forward to reading them.

My Year of Deepening

tintype-577394653.781030While reading an email course I’d signed up to about community, there were links to the person’s website and courses. Before I knew it, I fell through the rabbit hole, following links and thinking of signing up to get another course which promised to support my quest in getting more in touch with my intuition.

Forget that, I probably couldn’t afford the course, the wonder and excitement juices were already flowing. The thrill of the new was taking over as I was pulling out the credit card. But wait. I took a step back. Backed off the ‘buy, buy, buy’ button and hit the breaks. What was I doing?

Buying another online course I wouldn’t finish? Spending money I didn’t have to spend? Fooling myself into thinking that this course held all the answers I was looking for?

All fantasy and stories we tell ourselves to justify the buy, the need and wish to accumulate yet another thing, I know off by heart. I don’t need width. I don’t need to buy another course, another book, another life. I need to focus and appreciate and dig deep into the things, the books, the skills, the course, the life I already have.

Around the beginning of the year, I’d heard about a #depthyear, but wasn’t sure what it was. I thought it was in connection with choosing a word for the year. But today, I found out what it means. The idea came about through an article by David Cain called ‘Go Deeper, Not Wider.’ Within it, Cain stresses a new tradition or intention of not starting any new hobbies, or buying any new things for a year but to revisit, reconnect, reuse the things he already had.

“No new hobbies, equipment, games, or books are allowed during this year. Instead, you have to find the value in what you already own or what you’ve already started.
You improve skills rather than learning new ones. You consume media you’ve already stockpiled instead of acquiring more.
The guiding philosophy is “Go deeper, not wider.” Drill down for value and enrichment instead of fanning out. You turn to the wealth of options already in your house, literally and figuratively. ”

In the age of consumerism, this is no easy task, as it’s habit to buy the newest gadgets and clothes. Value is placed on the new and the young rather than the used and the old. But what could be achieved and accomplished, if we just focused on what we had already and we took satisfaction and sustenance from that?

Subconsciously, I feel as if I have been going deeper through my #100dayprojects, first with abstract paintings and now with the black female portraits and figure paintings. Somewhere in my being, I felt the need to drill deeper into these practices in order to get better at them as well as to understand them. However, during the process, I’ve brought new art supplies and tools and books. I think this demonstrates a lack of trust in my own abilities by looking elsewhere for guidance and permission and inspiration.

All I need I have already. A lot of what I need is inside me to excavate, and if not then I can find the answers or further questions in the mountains of books and articles and courses I have accumulated over the years.

So take this post as the beginning of my year of deepening. Saturday 20 April, 2019.

By taking a whole year to go deeper instead of wider, I hope to develop a rich and joyful and carefully curated collection of interests, pursuits, skills and knowledge. I hope to reduce the power of newness and possessions has over me, in order to foster a deeper gratitude for what I have, the luxuries I already enjoy or have neglected.

Going deeper requires patience, practice, and engagement. Interestingly enough, these attributes have featured as my words of the year for the past few years. Maybe a sign that all has been leading to the point of awakening as I plan to delve deeper into this one glorious life I have.

What are some of your essential tools?

Recently I’ve been asked a few questions about my practice and process with my artwork. One question which struck a cord was, what are some of your essential tools for creating?

 

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My practice changes but what I can say is that I’ve fallen in love with mark-making while completing #100daysofabstracts, so anything that can manipulate paint on the page is something I want to get my hands on.

My trusty old disused credit card is always by my side as I use it to create the background for my visual journaling, but lately this has been accompanied by a Catalyst pebble sculptor No.6 white, a plaster’s trowel and a spaghetti scoop.

I love creating mixed media layers of papers, pencil, pastels, gesso and acrylic paint and then scraping layers away so the past is revealed.

Take the term, palimpsest which I’ve come to understand through my writing practice as a piece of paper where the text has been scraped or washed off so that it can be reused but each use is still visible, like a ghost.

I see the abstracts I’ve been creating in the same light when I create layers and scrap areas back so previous layers or versions haunt the finished piece. I’ve always been interested in how to read history and heritage in light of the present so we can learn for the future, through these abstracts I’ve been exploring these concepts visually.

My Favourite Influencer

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I’ve started my second #100daysproject of 2019. Joining in with the official challenge, #The100dayproject, I’ve decided to focus on created images where I see myself reflected, #100daysofblackwomen.
I’ve purposely not set up any long, drawn out rules. All I have to do each day is create a face or figure of a black woman. Far too often in art, if a Black Woman is present, she is not represented in an empowering or positive way. She might be the servant, or a sexualised object, ridiculed and degraded.
I want to look upon art and see my multifaceted identity reflected; the good and bad, the truth.
It’s only been in the last few years really that I’ve embraced this practice of creating, painting black women. I know taking Painting the Feminine with Dirty Footprint Studios, hosted by Connie Solera has influenced this development. Creating within a supportive group of women and gently pushed into our own ideas of what femininity can be has been a catalyst for
my explorations and expressions.
A recent discovery has pushed me further into my own visual language. This has been finding the artwork of Mystele Kirkeeng and then watching her create her pieces.
Watching Mystele and learning about her practice and techniques gave me permission to trust my own messy process. Seeing her process made me value my own for the first time and to lean into it more. It’s such a glorious feeling to finally believe in what I create at the same time as not worrying or stressing about whatever anyone else thinks about my artwork. Mystele reminds of the joy and excitement I can have for my own creativity. And this is priceless.